Film credit
Robert Duvall
Also referred to as Duval, Duvall
Stats
- Episodes featuring their films
- 4
- Movies in this archive
- 7
Rewatchables episodes featuring Robert Duvall’s films
The Godfather Part II
1974 film
Bill Simmons · Sean Fennessey · Chris Ryan · Brian Koppelman
Aired December 17, 2019
Mentioned in discussions
Recasting Couch
Robert Duvall as Wade; Presnell defended
In the discussion (1)
- Recasting Couch rejects a different city and test-drives Robert Duvall as Wade, while defending Presnell as exactly what the film needed.
Who Won the Movie?
No consensus: Roxy (Leilani Sarelle), Tom Cruise, Tony Scott, or Robert Duvall
In the discussion (4)
- Roxy, played by Leilani Sarelle, is one winner choice. — Bill Simmons
- Tom Cruise is a separate winner choice because Cole Trickle remains the focus. — Chris Ryan
- Tony Scott is a separate winner choice because his direction makes the racing and crowd footage rewatchable. — Chris Ryan
- Robert Duvall is selected over Tony Scott by another participant because his performance keeps the film from collapsing.
Probably Unanswerable Questions
Daytona odds, pace car, Cruise–Kidman timing, and alternate Harry
In the discussion (5)
- Cole's Daytona odds after his crash and in another driver's car are estimated at 100-to-1 or longer. — Bill Simmons
- The panel doubts it would be good at driving a pace car because of the banking and attention. — Kyle Brandt
- The timing of Tom Cruise and Nicole Kidman beginning their relationship is debated as either casting or after the hallway kiss. — Kyle Brandt
- Jack Nicholson is proposed as Harry if Robert Duvall had made The Godfather Part III instead. — Bill Simmons
- That substitution is recognized as potentially changing A Few Good Men. — Bill Simmons
Apex Mountain
Mello Yello and car-racing movies; several near-apex cases
In the discussion (8)
- Tom Cruise is placed near, but not definitively at, his apex. — Bill Simmons
- Robert Duvall and Nicole Kidman are rejected as being at their apex; Cruise's hair and teeth are accepted. — Bill Simmons
- NASCAR and Don Simpson production stories are proposed as apex cases. — Bill Simmons
- Michael Rooker is assigned Cliffhanger; Cary Elwes is assigned The Princess Bride. — Bill Simmons
- Hans Zimmer and Simpson–Bruckheimer are rejected as apex cases. — Bill Simmons
- Car-racing movies are debated against Talladega Nights. — Bill Simmons
- Mello Yello is accepted as an apex case. — Bill Simmons
- Cruise is accepted in the Cruise-or-Hanks comparison. — Bill Simmons
The Ruffalo / Hanna / Rubinek / Partridge Overacting Award
Tom Cruise in the car; Robert Duvall laughing
In the discussion (2)
- Tom Cruise's car outbursts are proposed for overacting. — Bill Simmons
- Robert Duvall's delighted laugh after provoking Cole is a separate proposal. — Chris Ryan
What’s Aged the Best?
Robert Duvall, craft, cast, and racing lessons
In the discussion (8)
- Robert Duvall's committed crew-chief performance is praised and argued to hold the movie together. — Bill Simmons
- Tom Cruise's hair and Nicole Kidman's curly hair are praised. — Bill Simmons
- Nicole Kidman and Robert Duvall sharing serious scenes is praised in light of their later careers. — Bill Simmons
- John C. Reilly's Bucky is praised as an early version of Reed Rothchild. — Kyle Brandt
- Cary Elwes is praised for reliably playing an antagonist.
- Tom Cruise's unconvincing drunk acting is enjoyed as comedy. — Chris Ryan
- The movie's racing lessons about crew-chief trust, tires, team ownership, and driver temperament are praised. — Bill Simmons
- The wheelchair race is praised as more entertaining than the car races, including Rowdy batting away a nurse’s assistance. — Kyle Brandt
In the discussion (1)
- The newly introduced Father Robert Duvall award chooses Christopher Guest’s surprising appearance; Duvall’s brief priest role in Invasion of the Body Snatchers supplies the category name. — Bill Simmons
Casting What-Ifs
Many actors declined Annie Wilkes and Paul Sheldon; several alternative Paul Sheldons are debated
In the discussion (7)
- Anjelica Huston and Bette Midler are identified as actors offered Annie Wilkes — Bill Simmons
- Richard Dreyfuss is proposed as a believable writer but possibly insufficiently physical — Brian Koppelman
- Robin Williams is proposed for his sympathy, physicality, and caged energy — Brian Koppelman
- Robert Duvall and Michael Douglas are proposed as strong alternatives — Bill Simmons
- Donald Sutherland is proposed as another alternative — Bill Simmons
- William Hurt, Kevin Kline, Michael Douglas, Harrison Ford, Dustin Hoffman, Robert De Niro, Al Pacino, Richard Dreyfuss, Gene Hackman, and Robert Redford are listed as having declined Paul Sheldon — Bill Simmons
- Richard Dreyfuss and Bette Midler are said to have later expressed regret — Bill Simmons
In the discussion (16)
- During filming Hoffman and Cruise called the movie two schmucks in a car and constantly worried it would not work. — Bill Simmons
- Principal photography happened during the 1988 Writers Guild strike, so the final scene was apparently winged without writers. — Bill Simmons
- The ending is questioned as unsatisfying for a Best Picture winner, since it lacks a sappy payoff where Raymond stays with Charlie. — Sean Fennessey
- A sentimental Amtrak scene always lands for someone who spent the 80s riding Amtrak between a mom's house and a dad's house. — Sean Fennessey
- Card counting is meant to be the climax that brings the brothers close and saves Charlie's business; the ending is neither victory nor defeat, and its ambiguity is liked. — Chris Ryan
- Jokes imagine a modern version with Raymond as a Marvel superhero, a Wallbrook driveway epilogue, or Lenny killing Charlie.
- Airline versions deleted the airline-accident scene, except on Qantas. — Bill Simmons
- Choosing a flight at the airport and hopping on last minute was possible through the late 90s. — Bill Simmons
- Three weeks in, Hoffman thought the movie was a disaster and told Levinson to get Richard Dreyfuss; Dreyfuss is described as Hoffman on steroids in the asshole department. — Bill Simmons
- The film was written by Barry Morrow and Ronald Bass; Morrow created Raymond after meeting real-life savant Kim Peek. — Bill Simmons
- Hoffman beat Gene Hackman for Best Actor and hugged him; they were playhouse classmates who shared Hackman's apartment on 2nd Avenue and 26th Street, where Hoffman slept on the kitchen floor before moving in with Robert Duvall on West 109th Street. — Bill Simmons
- The three as roommates is pitched as a documentary or original series, compared to LeBron, Wade and Carmelo on one AAU team. — Bill Simmons
- Asked whose career they would rather have, one voice picks Duvall and Hackman is picked as well; Hackman was the most liked by other actors; Denzel and Will Smith took movies to work with him. — Bill Simmons
- Hackman won a second Oscar for a supporting part in Unforgiven, something Hoffman never did. — Bill Simmons
- Duvall is picked as the best storyteller of the three, with Godfather and Apocalypse Now stories.
- The Replacements is called a top-five Hackman performance, with scenes apparently done in one take. — Bill Simmons
Most Rewatchable Scene
Mine cart chase; decontamination chamber; situation room call; cistern scene; morgue scene; shower assault
In the discussion (16)
- The weapons-theft scene is praised: the "bubble face" guy trapped in the vault, the rockets with green balls inside, and David Morris's "sorry, dude"; a take follows that Bubbleface deserved to die for dropping the rocket. — Bill Simmons
- Connery's first scene, 25 minutes in, with long hair in prison, is called one of the coolest entrances ever; the "lead left in your pencil" line and William Forsy's needlessly cutting insults are singled out. — Bill Simmons
- The balcony escape (haircut on the balcony, lobster for the Secret Service, flipping John Spencer over the rail with a rope) is everything wanted in a rewatchable action scene: nine things wrong with it, but super fun; it shows a 66-year-old being underestimated, after the quarter cutting the interrogation window.
- Any San Francisco movie with an out-of-control trolley going down the hills gets a defense of the car chase. — Bill Simmons
- "Welcome to the Rock" follows Connery remembering the fire pattern; Bay himself pointed out the boiler would not still be working at Alcatraz, and remembering the sequence 30-plus years later is questioned. — Bill Simmons
- The shower room shootout sets a record for slow-motion bullet deaths with arms-out convulsions; "I cannot give that order / you will give that order" is as good as it gets, and Michael Bean's commander scene is the first test of Hummel's morals, with Harris visibly upset.
- The mine cart chase is the walkthrough's favorite: it feels like an abandoned Disney World or Pirates of the Caribbean ride, with a cart impenetrable to bullets like a protective bathtub.
- Connery versus Harris is fun as two preeminent bald actors go head to head, though Connery wears a toupee; a Robert Duvall cameo is wished for. — Bill Simmons
- Asked whether the mutiny shootout (with Tony Todd killed by a rocket) was Tarantino's one uncredited contribution, the reply is that after Reservoir Dogs everybody wanted every character pointing a gun at one another at the same time, perhaps with Tarantino suggesting a mutiny within the mutiny, as in John Wu and Tony Scott movies until about 2001. — Chris Ryan
- The mutiny shows who is hardcore: Tony Todd (Candyman) signals he is not fooling around, Boeem Woodbine is softer, and David Morris delivers the ultimate betrayal; Harris should not have chosen new guys for the mission. — Mina Kimes
- The green flares finale gets slow motion from many angles and green smoke; Bay flashes back to the Chekhov's flares rather than trusting viewers, it is unintentionally funny, Cage does another Christ pose, and it is guessed to be Bay's favorite part, with F-16s under the Golden Gate Bridge.
- Favorite scene: the decontamination chamber where Stanley Goodspeed is first seen in action ("you want me to stick this into my heart?"), which sets a grittier tone for an R action movie. — Chris Ryan
- Also rewatchable: the situation room call where Ed Harris calls in, with John Spencer, the White House Chief of Staff and Philip Baker Hall in the room; no movie has ever suffered from a situation room. — Chris Ryan
- The situation room is felt to be a couple of that-guy types short (where was Robert Ridgely?); Harris announcing "Hummel from Alcatraz" and looking straight into the camera after the shower room scene are highlighted.
- Favorite is the "Cistern scene" with a "Welcome to the Rock" attempt; second is the morgue scene, with the knife throw ("You must never hesitate"), the air conditioner kill, "that's just about the most awful thing I've ever seen," and the kicking feet. — Mina Kimes
- A further most-rewatchable answer names the shower assault (SEALs versus Marines in the shower) and the mine cart chase; the answering voice is unresolved. — Bill Simmons
Recasting Couch
Lisa Bonet as Rianne; Mimi Rogers as the doctor; Sam Shepard, Harry Dean Stanton or Robert Duvall as the General
In the discussion (5)
- The actress playing Rianne has eight IMDb credits, four of them Lethal Weapon; she married and had kids; she is seen as a good actress but too old for the part. — Bill Simmons
- Prime Lisa Bonet could have done this instead of Angel Heart. — Bill Simmons
- The doctor could be Mimi Rogers with some sexual tension with Riggs; one host likes Mary Ellen Trainor but sees the point. — Bill Simmons
- The General is 'the winner for this': Sam Shepard, Harry Dean Stanton, or DeVal paid for three days to do his Apocalypse Now scene. — Bill Simmons
- Even a Road House-style over-the-top town-owner villain would have been more enjoyable. — Bill Simmons
Casting What-Ifs
Steve McQueen; Kris Kristofferson; Gene Hackman; Robert Duvall; Lee Marvin; Kirk Douglas
In the discussion (6)
- The film was nearly made in 1975; producers wanted Steve McQueen, then judged him too old, and considered Chris Christopherson before it went into turnaround. — Bill Simmons
- Gene Hackman and Robert Duvall turned down the Teasle role. — Bill Simmons
- Hackman would lift the movie a level, but then he might not do Unforgiven; Dennehy is judged the better outcome. — Bill Simmons
- Duvall would have been good, but Dennehy's use of his body mattered. — Bill Simmons
- Lee Marvin turned down Troutman; Kirk Douglas was hired and quit over a script dispute, with an uncertain story that he wanted Troutman to become Rambo. — Bill Simmons
- Crenna, hired within 24 hours, is preferred to Douglas for enjoying every line. — Brian Koppelman
Films in the archive
Apocalypse Now
1979
Days of Thunder
1990
Network
1976
The Godfather
1972
The Godfather Part II
1974
The Natural
1984
The Paper
1994


