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Podcast participant

Brian Koppelman

Brian Koppelman is billed as a participant in the official Rewatchables episode feed. Further biography has not been verified for this prototype.

Also referred to as Koppelman, Copham, Copland, Copleman, Compliment

Stats

Episodes credited in this archive
9
Movies in this archive
9
Attributed podcast choices
4

Across the table

Appearing on these Rewatchables episodes

Quiz Show

1994 film

Bill Simmons · Brian Koppelman

Aired October 21, 2025

Rollerball

1975 film

Bill Simmons · Brian Koppelman

Aired August 12, 2025

Margin Call

2011 film

Bill Simmons · Ryen Russillo · Brian Koppelman

Aired September 20, 2022

Misery

1990 film

Bill Simmons · Brian Koppelman

Aired July 5, 2022

JFK

1991 film

Bill Simmons · Chris Ryan · Sean Fennessey · Brian Koppelman

Aired December 2, 2021

Stripes

1981 film

Bill Simmons · Brian Koppelman

Aired June 22, 2021

First Blood

1982 film

Bill Simmons · Brian Koppelman

Aired January 19, 2021

Wall Street

1987 film

Bill Simmons · Brian Koppelman

Aired December 1, 2020

The Godfather Part II

1974 film

Bill Simmons · Sean Fennessey · Chris Ryan · Brian Koppelman

Aired December 17, 2019

Displaying all 9 episodes

Mentioned in discussions

Rounders The Rewatchables
In the discussion (3)
Approx. transcript time · 01:33:08Read transcript
  • The writers receive an explicit case for unique dialogue and script, qualified that the actors may be essential to realizing it. — Chris Ryan
  • Poker is selected for the appealing world, with New York an added beneficiary. Another case centers on Norton as irreplaceable Worm; a shouted Michael Rappelma suggestion is rejected.
  • The final response ranks poker first and Norton second, then says it would go for him after praising Worm despite his last 25 minutes absence. Without recording, that phrasing and overlapping earlier Norton case do not safely establish an additional distinct ballot. — Bill Simmons
Podcast choices
Speaker not identified
Poker
Misery

What Piece of Memorabilia Would You Want From This Movie?

An unfiltered cigarette and the bloodied typewriter

In the discussion (3)
Approx. transcript time · 01:26:10Read transcript
  • An unfiltered cigarette is selected — Brian Koppelman
  • The typewriter, specifically with fake blood from the final fight, is selected — Brian Koppelman
  • Brian Koppelman explains that his cigarette choice connects to a day spent with Stephen King, who rationed four cigarettes daily — Brian Koppelman
Michael Clayton

Half-Assed Internet Research

George Clooney and Michael O'Keefe both played boyfriends of Laurie Metcalf on Roseanne; Michael Clayton was Catherine Waterston's first feature; Brian Koppelman is the poker player who roasts Michael about hair plugs; the horses appear in Realm and Conquer; Tony Gilroy spent a couple of years getting it made and Clooney passed once or twice

In the discussion (5)
Approx. transcript time · 00:47:55Read transcript
  • Both George Clooney and Michael O'Keefe, who plays Barry, played boyfriends of Laurie Metcalf on Roseanne.
  • Catherine Waterston (as transcribed) makes her first feature appearance as the lawyer in the Milwaukee hotel room who answers Michael's questions about who is taking the deposition and where his briefcase is.
  • The player roasting Michael at the Chinatown poker table is Rounders and Billions writer and friend of the Ringer Brian Koppelman, who subjects himself to a hair-plugs joke ('you bought yourself some new hair' / 'yeah, with your money'); the film has spawned little controversy or behind-the-scenes drama.
  • Tony Gilroy tried to make the film for a couple of years and George Clooney passed on it once or twice, but it was ultimately a smooth ship; it did not do well at the box office yet became a touchstone people wish Hollywood still made.
  • Teased earlier as half-assed internet research: the horses appear in Realm and Conquer.
Displaying all 3 discussions

Flex picks

Margin Call The Rewatchables

Flex pick · Brian Koppelman

In the discussion (2)
Approx. transcript time · 01:00:07Read transcript
  • Sam digging by car light at the end is the selected cinematic image, opening up the film’s visual space despite the limited shoot. — Brian Koppelman
  • Moore looking through a high-rise window during a crisis is an alternative shot choice. — Bill Simmons
Displaying all 2 flex picks