Film credit
Colin Farrell
Stats
- Episodes featuring their films
- 2
- Movies in this archive
- 3
Rewatchables episodes featuring Colin Farrell’s films
Mentioned in discussions
Not Like This: Beloved Star in an Unwelcome Role
Evil Harrison Ford; disguised Colin Farrell; Roman J. Israel. Interview with the Vampire still praised.
The panel proposes a new category here.
In the discussion (5)
- Seeing Harrison Ford play a man who kills women is called upsetting because the viewer identifies him with heroic roles.
- The category name “Not Like This” is proposed for beloved actors in unwelcome roles. — Bill Simmons
- Interview with the Vampire is called a really good movie despite using Cruise in an unwelcome role. — Bill Simmons
- The Penguin is described as difficult to watch because a participant wants favored actor Colin Farrell to remain beautiful, although his performance is praised. — Bill Simmons
- Roman J. Israel is proposed as Denzel’s analogous title and is explicitly disliked. — Mallory Rubin
Apex Mountain
Eurail trains; Austrian palm readers; littering; Kath Bloom; Cemetery of the Nameless; listening booths disputed
In the discussion (10)
- Hawke's apex is debated as Reality Bites followed by a re-apex at Training Day. — Bill Simmons
- Boyhood and the Purge/Sinister period are proposed as a third Hawke wave strengthened by his public storytelling. — Sean Fennessey
- Julie Delpy's apex is placed at Before Sunset. — Sean Fennessey
- Eurail trains, Austrian palm readers, and the film's conspicuous littering are easy answers. — Sean Fennessey
- Vienna is compared with The Third Man and a Billy Joel song as a cultural apex.
- The first date is compared with Neil and Eadie in Heat and Colin Farrell and Gongley in Miami Vice.
- The film is called a powerful date movie that can expose a weak relationship.
- Gen X is placed around 1994–95, with Reality Bites and Kicking and Screaming as reference points. — Bill Simmons
- The listening booth is compared to Philip Seymour Hoffman hearing jazz in The Talented Mr. Ripley. — Sean Fennessey
- Kath Bloom and the Cemetery of the Nameless receive direct apex answers. — Bill Simmons
In the discussion (9)
- De Niro as Moss or a younger Levene and Willis as Williamson or Blake are considered; the discussion’s Jimmy Conway reference leaves the final Blake alternative ambiguous. — Sean Fennessey
- Modern franchise stars and British actors may lack the ordinary, badly dressed New York or Chicago quality needed for these roles. — Chris Ryan
- Leo is proposed as Roma. — Sean Fennessey
- Joaquin Phoenix is proposed as Moss. — Sean Fennessey
- Colin Farrell is proposed as Blake. — Sean Fennessey
- Casey Affleck is proposed as Aaronow. — Sean Fennessey
- Levene options are Gary Oldman or a returning Pacino. — Sean Fennessey
- Eddie Murphy would be interesting because of his exceptional verbal delivery, without a specific role assigned. — Sean Fennessey
- A character-actor version pairs Richard Jenkins as Levene with J.K. Simmons as Moss. — Sean Fennessey
In the discussion (4)
- Whether Katarina Witt belongs in the Joey Pants award or Who Won the Movie is deferred. — Chris Ryan
- Sudduth's part suits a late-1990s up-and-comer, so Ben Affleck is proposed, filming before Good Will Hunting broke when he had Chasing Amy and Mallrats. — Bill Simmons
- Sudduth is recalled from TV, possibly as a precinct captain on a Chicago show. — Chris Ryan
- Colin Farrell would have been too early for the part but is answered 'that would have been cool'; he could maybe also have done the Sean Bean part. — Bill Simmons
In the discussion (4)
- Peter, played by Jack Davenport, is the role to recast: an early Colin Farrell is floated though maybe too young, with a wish for a future star to make it six instead of five. — Bill Simmons
- One participant long mistook the actor for Robert Sean Leonard.
- Colin Firth is suggested instead and agreed with, because Peter is supposed to be a good person despite some elitism. — Amanda Dobbins
- Jack Black, Will Ferrell and Chevy Chase are thrown out as jokes and rejected.
What’s Aged the Worst?
The acting; the crawling monkey fighter; the reporter plot; the 'On My Own' moping montage; the chase with Forrest Whitaker; Ray Jackson's lack of MMA skills; young Frank's accent; Ray Jackson harassing the woman on the train
In the discussion (9)
- The acting was mentioned first; the crawling monkey fighter is problematic now, loved for years before anyone thought twice; his low, hopping style got him to the semis but is like small ball or the James Harden one-on-five: a surprise at first, scouted by the later rounds, unable to work over a seven-game series.
- The torch-holding islanders in the opening show the film was written by white guys who, asked what they knew about this, said make them a monkey; it is called really bad.
- The reporter plot has aged worst in parts: going undercover basically as a call girl and sleeping with a subject is very bad, part of a seventies-eighties trope of how to get the female reporter in, as in The A Team; the making-of says they wanted the action movie everyone liked in the eighties with a little romance added, so the writers gave the reporter a thing for Jean-Claude.
- Two tough minutes after Ray Jackson's injury have Jean-Claude moping around Hong Kong to a song going 'on my own, I can be strong', worse than Frank Stallone, but it leads to the split on a balcony around the fifteenth floor with no ropes or harness, a pretty great shot Scorsese would approve of in a terribly acted and probably directed movie.
- The lame chase is a fall from grace for Forrest Whitaker, the star linebacker of Fast Times who now cannot run through Hong Kong; his IMDb run from 1985 to 1988 is read out: Vision Quest, The Fall Guy, Diff'rent Strokes, North and South, Amazing Stories, The Color of Money, Platoon, Stakeout, Good Morning Vietnam, Bloodsport and Bird, several Oscar-nominated films with Bloodsport thrown in; he later popped up in Species.
- Whitaker is respected for securing the bag, or for simply wanting to do things that sound cool, like a sex alien movie after a Vietnam picture; he eventually won an Oscar playing Amin (transcribed 'D.D. Amin') and carries Phone Booth with Colin Farrell; told there was an Oscar winner in this movie, nobody would have picked Jean-Claude or Gibb, and the actress might have been the guess; Whitaker is definitely mailing it in here.
- Ray Jackson's MMA skills have aged badly since he does no MMA at all, more a Chuck Liddell knock-you-out-or-get-knocked-out fighter; young Frank's accent and acting feel like a head-shot pick with $1,200 left in the budget, and his father has a totally different accent.
- Final answer: the monkey guy and the reporter; Ray Jackson sexually harassing the woman on the train, trapping her in her seat with his gigantic leg while Jean-Claude looks on amused, is also recalled as very dumb.
- The acting is named first as what aged worst, before the discussion returns to aged best.
Casting What-Ifs
Russell Crowe as Vincent; Adam Sandler as Max and Edward Norton in either lead (uncertain); Val Kilmer as Fanning
In the discussion (5)
- Mimi Leder and Janusz Kamiński were attached before Crowe’s interest brought Mann to the project; Spike Lee, Scorsese, and Spielberg were also approached. — Bill Simmons
- Crowe would make a different but exciting Vincent, while Sandler would make the movie funnier but might prevent viewers from accepting Max. — Bill Simmons
- Edward Norton was reportedly offered both leads, Colin Farrell Vincent, and Cuba Gooding Jr. Max. — Bill Simmons
- Val Kilmer withdrew from Fanning because of Alexander, leaving the hosts imagining his facial-hair choices and 80-take phone scene. — Bill Simmons
- Dennis Farina was the original Bruce McGill possibility. — Bill Simmons
Casting What-Ifs
The studio would greenlight only with Timothy Olyphant as Dom, and he declined; Neil Moritz suggested Vin Diesel off Pitch Black; Mia was written for Elijah Dushku (as transcribed), who turned it down; Colin Farrell was pushed for Dom at one point
In the discussion (3)
- The studio told the producers they would greenlight the film if they got Timothy Oliphant (as transcribed), who had starred in the previous year's car blockbuster Gone in 60 Seconds, to play Dom; he declined, which the hosts think was a bad move for him but good for the film, since Vin checked many more boxes than another white guy in an action movie; Neil Moritz suggested Vin Diesel, coming off Pitch Black, a perfect call.
- Mia was written for Elijah Dushku (as transcribed), who turned it down, a tough one since Jordana Brewster went on to five films and multi-millionaire status; everything else was built around Paul Walker, for whom the movie was made.
- Colin Farrell was pushed for Dom at one point, a what-if that surfaces late during research; the hosts like him and SWAT but pass, joking that Vin Diesel would then have to take Phone Booth, which would have been better with him.
Who Won the Movie?
Colin Farrell receives two explicit choices.
In the discussion (3)
- The first choice is Colin Farrell. — Bill Simmons
- Michael Mann is considered but rejected in comparison with earlier achievements in The Insider, Heat, Manhunter and The Last of the Mohicans. — Chris Ryan
- A second explicit choice is Farrell, followed by the explanation that the rundown had only one candidate and a renewed apex claim. — Chris Ryan
Podcast choices
- Speaker not identified
- Colin Farrell
- Speaker not identified
- Colin Farrell
Casting What-Ifs
Colin Farrell as Crockett
In the discussion (9)
- The reported chance for Edward James Almost to reprise Castillo was declined, disappointing the hosts; the transcribed spelling remains unresolved. — Bill Simmons
- Jan Hammer reportedly declined a request for a different score. — Bill Simmons
- The idea that the requested score was death metal is a joke and speculation. — Bill Simmons
- Will Smith, Denzel Washington and Samuel Jackson are reported Tubbs alternatives; the list is doubted, with Smith considered more plausible. — Bill Simmons
- Tom Cruise, Brad Pitt and Matthew McConaughey are reported Crockett alternatives; Cruise and McConaughey are strongly doubted. — Bill Simmons
- Farrell remains preferable to Pitt and other stars; the performance is admired despite its perceived lack of conventional charisma. — Chris Ryan
- The perceived strain in Farrell performance is compared to Martin Sheen in the Apocalypse Now making-of documentary. — Chris Ryan
- The troubled, drinking television Crockett is seen as a fit for Farrell portrayal. — Chris Ryan
- Farrell is described as looking worse and barely getting through the last third before the shootout; this is a subjective impression. — Bill Simmons


