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Film credit

Denzel Washington

Also referred to as Denzel

Stats

Episodes featuring their films
12
Movies in this archive
12

Rewatchables episodes featuring Denzel Washington’s films

American Gangster

2007 film

Bill Simmons · Chris Ryan · Van Lathan

Aired September 2, 2025

Philadelphia

1993 film

Bill Simmons · Chris Ryan · Wesley Morris

Aired January 23, 2024

Flight

2012 film

Bill Simmons · Chris Ryan · Van Lathan

Aired January 9, 2024

The Pelican Brief

1993 film

Bill Simmons · Chris Ryan · Sean Fennessey · Amanda Dobbins

Aired December 12, 2023

The Equalizer

2014 film

Bill Simmons · Chris Ryan · Bill’s Dad

Aired August 29, 2023

He Got Game

1998 film

Bill Simmons · Van Lathan · Logan Murdock

Aired April 4, 2023

Man on Fire

2004 film

Bill Simmons · Chris Ryan

Aired December 6, 2022

Inside Man

2006 film

Bill Simmons · Sean Fennessey · Chris Ryan

Aired March 15, 2021

Crimson Tide

1995 film

Bill Simmons · Sean Fennessey · Chris Ryan

Aired May 12, 2020

Unstoppable

2010 film

Quentin Tarantino · Bill Simmons · Chris Ryan

Aired January 9, 2020

Remember the Titans

2000 film

Bill Simmons · Shea Serrano · Rembert Browne

Aired October 8, 2019

Training Day

2001 film

Bill Simmons · Chris Ryan · Sean Fennessey · Shea Serrano

Aired May 31, 2018

Displaying all 12 episodes

Mentioned in discussions

In the discussion (3)
Approx. transcript time · 01:12:10Read transcript
American Gangster

Probably Unanswerable Questions

Absent actors, Denzel’s persona, ideal length, Trupo, Frank’s wife, and Stevie’s Yankees path

In the discussion (8)
Approx. transcript time · 01:51:57Read transcript
  • How Mark Ruffalo missed the large ensemble is asked
  • Whether this performance created Jay Pharoah’s Denzel Washington impression is asked — Bill Simmons
  • The maximum acceptable length is debated; one participant would watch a six-hour event
  • More Vietnam, Jake, Stevie, and Frank-fall material is requested
  • Trupo’s home life and golf club are questioned — Van Lathan
  • Whether Frank’s wife set him up by insisting on the fur coat is debated
  • The unexplained fake beard is raised as evidence of missing connective material
  • Whether Stevie could plausibly go from the street to the Yankees in 1974 is questioned — Bill Simmons
American Gangster

Apex Mountain

Sprawling, disjointed gangster films; Lymari Nadal; bad portrayals of 1960s and 1970s athletes; drug-kingpin biopics: yes

In the discussion (10)
Approx. transcript time · 01:40:44Read transcript
American Gangster

What’s Aged the Best?

Production design, capitalism themes, Denzel’s new career era, historical texture, and the film’s aphorisms

In the discussion (14)
Approx. transcript time · 01:07:00Read transcript
  • Arthur Max’s layered production design and set dressing have aged well — Chris Ryan
  • The script’s connection between corner-store economics and buying direct from manufacturers has aged well — Chris Ryan
  • The film’s treatment of capitalism as more central than crime has aged well — Chris Ryan
  • The drug-packing montage has aged well
  • The film is identified as the start of Denzel Washington’s self-directed elder-star era — Van Lathan
  • A character named Bumpy is treated as an immediate sign of a compelling gangster story — Bill Simmons
  • The Vietnam addiction and smuggling context is praised as material worthy of more screen time — Chris Ryan
  • Shooting 360 scenes across 180 locations is praised — Bill Simmons
  • Ted Levine’s presence has aged well — Bill Simmons
  • Trupo’s reaction after his car explodes has aged well
  • Frank pouring sugar in his coffee as a bodyguard signal has aged well — Bill Simmons
  • John Ortiz’s run from Miami Vice through Public Enemies is praised — Bill Simmons
  • Five Frank Lucas aphorisms are highlighted as durable lines — Bill Simmons
  • The post-meeting golf aside by Trupo’s crew is praised
American Gangster

Most Rewatchable Scene

Frank killing Tango; the final Frank–Richie interview; Frank bringing his family to Harlem; the Bangkok material

In the discussion (26)
Approx. transcript time · 00:49:09Read transcript
  • The opening, with Frank setting a man on fire and shooting him, is nominated — Bill Simmons
  • Richie and Javier debating whether to turn in $987,000 is nominated — Bill Simmons
  • Richie screaming during his custody dispute is nominated — Bill Simmons
  • Frank’s Bangkok and Golden Triangle trip is nominated as material that could sustain a whole film
  • Jake’s unraveling, corpse transport, and leap from a moving vehicle are nominated — Bill Simmons
  • The Blue Magic manufacturing montage is nominated — Bill Simmons
  • Richie’s courtroom work and kitchen encounter with his lawyer are nominated
  • Frank killing Tango is the scene said to live on beyond the film
  • Stringer Bell’s death in The Wire is preferred as Idris Elba’s best screen death — Chris Ryan
  • The family audience and Tango’s refusal to pay are debated as reasons Frank shoots him — Van Lathan
  • Richie reclaiming the seized money from Trupo is nominated — Bill Simmons
  • Frank’s party outburst and piano assault are nominated
  • Stevie choosing Frank’s life over baseball is praised for Frank’s conflicted reaction — Van Lathan
  • The Ali-Frazier event is nominated but criticized for its impersonators and brevity — Bill Simmons
  • Trupo ruining Frank’s wedding day is nominated — Bill Simmons
  • Frank selling Blue Magic to Nicky Barnes is nominated and Cuba Gooding Jr.’s controlled performance is praised
  • The plane and coffin search is nominated — Bill Simmons
  • The final police shootout and naked gunfight are nominated — Bill Simmons
  • Frank leaving church into a mass arrest is nominated — Bill Simmons
  • The final Frank-Richie interrogation is nominated — Bill Simmons
  • Trupo’s suicide is nominated — Bill Simmons
  • Frank killing Tango is selected as the most rewatched scene — Chris Ryan
  • The final Frank-Richie interview is selected as a favorite scene — Chris Ryan
  • Frank bringing his family to Harlem is selected as the most important scene — Van Lathan
  • Every Denzel Washington and Armand Assante exchange is praised — Van Lathan
  • The Bangkok material is producer Craig’s choice — Van Lathan
Death Wish

Half-Assed Internet Research

Bronson’s location demand, difficult reputation, Garfield’s objections, and a false Denzel rumor

In the discussion (6)
Approx. transcript time · 01:01:10Read transcript
  • Bronson reportedly asked for a California shoot so he could remain near his family, while the production stayed in New York. — Bill Simmons
  • The discussion describes Bronson as quiet and difficult rather than socially warm on sets. — Bill Simmons
  • His physical condition and ability to handle action are offered as reasons for his long employment and eventual stardom. — Bill Simmons
  • Author Brian Garfield is reported to have called the film incendiary because his book was more critical of vigilantism. — Bill Simmons
  • Bronson defended the film as an attack on violence, prompting debate over whether the first film romanticizes it. — Chris Ryan
  • A long-running rumor that Denzel Washington appeared as an alley thug is reported and then rejected using Washington's denial. — Bill Simmons
Breaking Away

Sequel, Prequel, Limited Series, or All-Black Remake

Untouchable; an all-Black Gary-to-Bloomington version considered

In the discussion (2)
Approx. transcript time · 01:29:08Read transcript
Displaying discussions 1 - 12 of 101 in total

Films in the archive