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Film credit

Ving Rhames

Also referred to as Ving Ramsey, Ving, Ving Rang, Bing, Bing Raim's, Bing Raim

Stats

Episodes featuring their films
7
Movies in this archive
6

Rewatchables episodes featuring Ving Rhames’s films

Pulp Fiction

1994 film

Bill Simmons · Chris Ryan · Sean Fennessey

Aired July 29, 2024

Pulp Fiction

1994 film

Bill Simmons · Chris Ryan · Sean Fennessey

Aired July 29, 2024

Out of Sight

1998 film

Bill Simmons · Ryen Russillo · Bill Lawrence

Aired February 2, 2021

Dave

1993 film

Bill Simmons · Sean Fennessey · Amanda Dobbins

Aired February 18, 2019

Con Air

1997 film

Bill Simmons · Shea Serrano · Chris Ryan

Aired December 18, 2018

Mission: Impossible

1996 film

Chris Ryan · Sean Fennessey · Jason Concepcion

Aired July 26, 2018

Displaying all 7 episodes

Mentioned in discussions

Pulp Fiction

Apex Mountain

Samuel L. Jackson; Quentin Tarantino; diners;1964 Chevelle Malibu; Ving Rhames; souped-up Acuras; Christopher Walken monologues;1974 Chevy Nova; cinematic coffee; UC Santa Cruz merchandise; Monster Joe’s Truck and Tow

In the discussion (27)
Approx. transcript time · 01:58:29Read transcript
  • Jackson is affirmed, including the nomination and subsequent Die Hard 3 role.
  • Tarantino is affirmed for the clout and opportunities following the film, while later films remain artistic alternatives.
  • Amsterdam is proposed without a resolved answer.
  • MacGuffins lose to the Ark of the Covenant.
  • Travolta is rejected in favor of Saturday Night Fever’s greater historical fame. — Bill Simmons
  • Diners are probably affirmed for the phenomenon despite the film Diner and personal diner habits predating Pulp Fiction.
  • Uma Thurman loses to Kill Bill.
  • Milkshakes face 1957 and There Will Be Blood alternatives without a settled affirmative choice.
  • The 1964 Chevelle Malibu is affirmed. — Bill Simmons
  • Bruce Willis is rejected. — Bill Simmons
  • Ving Rhames is affirmed for the career transition leading toward Mission: Impossible and Don King. — Bill Simmons
  • Tarantino’s three-count gestures are proposed without a settled Apex choice. — Bill Simmons
  • Mexican standoffs lose to Reservoir Dogs after an initial True Romance answer is corrected.
  • The Twist loses to Chubby Checker.
  • Miramax loses to Shakespeare in Love.
  • Souped-up Acuras are affirmed.
  • Walken monologues are affirmed; Poolhall Junkies, Annie Hall and The Comfort of Strangers are alternatives.
  • Modesty Blaise loses to the Monica Vitti film.
  • Keitel is rejected, with Taxi Driver, The Piano and Bad Lieutenant discussed.
  • The 1974 Chevy Nova is affirmed.
  • Jimmie’s coffee and cinematic coffee are affirmed, prompting a joking broader coffee argument.
  • UC Santa Cruz merchandise is called elite in an approving response to its Apex nomination. — Chris Ryan
  • Monster Joe’s Truck and Tow is affirmed.
  • A reported Joe Dante namesake is discussed; a Reservoir Dogs Joe connection is wondered about without resolution. — Sean Fennessey
  • Conversations about pigs remain unresolved amid Animal Farm and Babe alternatives.
  • The assault scene loses to Deliverance.
  • The Ezekiel passage prompts biblical-literacy and misquotation discussion without an affirmative apex conclusion. — Chris Ryan
Mission: Impossible – Fallout

Apex Mountain

First Mission Impossible preferred for franchise impact; Cruise-stunt apex debated.

In the discussion (13)
Approx. transcript time · 01:11:12Read transcript
  • The first Mission: Impossible is preferred to Fallout for franchise Apex.
  • Cruise is denied career Apex.
  • Whether this is the Apex of insane Cruise stories is disputed.
  • Knight and Day publicity, Ghost Protocol’s building, skydiving and hanging outside aircraft compete as extreme Cruise examples. Skydiving gets number-one support, while the aircraft stunt is recalled as hardest; hypothetical personal willingness differs.
  • Henry Cavill is denied Apex. — Chris Ryan
  • The nightclub is compared against John Wick and Collateral.
  • Bathroom fighting is given Apex. — Bill Simmons
  • HALO jumping is given Apex. — Bill Simmons
  • Helicopter action is given Apex. — Bill Simmons
  • Paris is denied Apex, with Last Tango in Paris raised. — Chris Ryan
  • Ving Rhames is denied Apex. — Chris Ryan
  • Simon Pegg’s Apex is disputed against Shaun of the Dead and Hot Fuzz. — Chris Ryan
  • Dr. Rob Thorne is a joking Apex choice. — Craig Horlbeck
Mission: Impossible – Fallout

The Ruffalo / Hanna / Rubinek / Partridge Overacting Award

Confused shout offered; Ving speech discussed but not really overacting.

In the discussion (2)
Approx. transcript time · 01:05:58Read transcript
  • The overacting exchange quotes an exaggerated confused line without securely identifying its speaker. — Bill Simmons
  • Ving Rhames is considered, then qualified as not really overacting. — Bill Simmons
Mission: Impossible – Fallout

What’s Aged the Worst?

Bentley, wife storyline, villain and manifesto draw objections with an emotional-defense qualification.

In the discussion (5)
Approx. transcript time · 00:52:32Read transcript
  • The weak-link Bentley choice is explicitly also placed in aged worst, with his ignorance of the former couple’s chemistry and conflicting cover story mocked. — Bill Simmons
  • The wife’s inclusion is questioned and the explanation dismissed. A defense values the emotional tug; a separate proposal suggests a threat photograph alone might suffice. The undiarized source does not establish that one person made both remarks.
  • The beard is an aged-worst complaint. — Bill Simmons
  • Ving Rhames’s dexterity is questioned. — Chris Ryan
  • The manifesto is criticized. — Chris Ryan
Mission: Impossible – Fallout

What’s Aged the Best?

Action conventions, Paris, score and performers earn praise; Cavill and chemistry remain contested.

In the discussion (19)
Approx. transcript time · 00:41:10Read transcript
  • The fake threat to shoot Ethan’s friend is praised. — Bill Simmons
  • An Eyes Wide Shut connection is raised. — Chris Ryan
  • Alec Baldwin is praised. — Bill Simmons
  • The mission message is praised. — Bill Simmons
  • Paris is praised as a setting. — Bill Simmons
  • Ving Rhames is praised.
  • Ving Rhames’s wardrobe is praised.
  • The tracker trick is praised. — Bill Simmons
  • The theme and score are praised.
  • Cruise’s ankle injury and the reported expensive delay are discussed; the cost is a podcast claim.
  • The nuclear specialist is praised.
  • The plutonium itself is praised.
  • Baldwin’s lateral move is praised. — Chris Ryan
  • The Once Upon a Time in Hollywood speech provides a contrast with Cruise refusing to yield. Reported Man from Uncle casting and a planned Renner transition feed speculative motives for choosing a large handsome opponent. — Chris Ryan
  • Cavill is praised as awesome by some but Craig disputes his charisma and contribution, allowing that hidden identity may explain restraint. A defender values his sneaky presence and agrees to reconsider.
  • Vanessa Kirby is praised as the daughter of Vanessa Redgrave’s earlier character. — Chris Ryan
  • The nightclub sequence is praised.
  • Rebecca Ferguson and Michelle Monaghan are praised. — Bill Simmons
  • Cruise’s chemistry with the women is discussed favorably.
Focus The Rewatchables
In the discussion (3)
Approx. transcript time · 01:12:20Read transcript
  • Pay Russell Crowe a million to play the crazy Australia car guy McEwen for two scenes, heavier and bearded, around his Noah period. — Bill Simmons
  • The confusing dad part might be less confusing with Ving Rames, another Soderbergh connection; one participant expected the dad to turn out to be Rames, though it would make even less sense. — Bill Simmons
  • Ving Rames's six-year 90s run is on the short list of forgotten iconic runs. — Bill Simmons
The Bodyguard

What’s Aged the Best?

Whitney and Costner at their peaks; bodyguard-romance premise; soundtrack; Dolly Parton connection; resentful-sister concept; 'permanent position' quote; widescreen; Costner's haircut; a cappella opening; song-swap story; Costner's eulogy; Secret Service guys

In the discussion (17)
Approx. transcript time · 00:37:49Read transcript
  • Whitney in her late prime and Costner at his peak head the list. — Van Lathan
  • Professional bodyguard romances are loved, including Ridley Scott's late-80s Someone to Watch Over Me with Mimi Rogers, which has a similar premise. — Bill Simmons
  • A British terrorism series possibly called Bodyguard, with a Game of Thrones actor named Richard is liked. — Bill Simmons
  • Protectors crossing lines are compelling because the job is so intimate: a rigid, disciplined guy whose gooey center someone reaches. — Van Lathan
  • The Sentinel with Michael Douglas as a framed Secret Service agent is recommended as a rewatchable mid-2000s entry. — Bill Simmons
  • The soundtrack is loaded and called the best of all time; I Will Always Love You was a Dolly Parton song that finally found the right voice. — Bill Simmons
  • One participant learned only about four years earlier, from a Dolly Parton fan at TMZ, that the song was a cover, at 37 years old. — Van Lathan
  • The original singer owned and loved the cover, pulled over the first time she heard it, and showed no bitterness. — Bill Simmons
  • The resentful older sister-assistant concept is an untapped idea for movies and TV. — Bill Simmons
  • A favorite quote: "I'm no good in a permanent position, Monty, my feet go to sleep." — Bill Simmons
  • The widescreen framing was hard to follow on square TVs for 15 years and now plays better. — Bill Simmons
  • Costner's crew-cut, Steve McQueen-style hair became a thing that Clooney took further on ER and Jake tried on Melrose Place, sparking a Grant Show tangent. — Bill Simmons
  • Costner's idea to open I Will Always Love You a cappella was great. — Bill Simmons
  • What Becomes of the Brokenhearted was meant to be the cover until Fried Green Tomatoes used it to end that film in 1991. — Bill Simmons
  • A piece of Costner's eulogy is read: Whitney lacked confidence during filming, sang the whole song without a band, and was the only one who could have played Rachel at that time.
  • Costner's feelings for Houston deserve their own discussion; a Grantland party anecdote says Costner, brought by Kimmel five or six years earlier, still had it. — Bill Simmons
  • Secret Service guys have aged well: The Last Boy Scout is defended, later entries include the Channing Tatum White House movie and the Fallen films, and Ving Rhames in Dave is a shared favorite. — Van Lathan
The Rock

Recasting Couch

Ving Rhames; Phil Hartman as the Alcatraz guide; Delroy Lindo; John Cusack; Danny Trejo; Josh Hamilton as White House Chief of Staff

In the discussion (5)
Approx. transcript time · 01:09:19Read transcript
Out of Sight

Apex Mountain

Steaks in a fridge

In the discussion (7)
Approx. transcript time · 01:33:02Read transcript
  • George Clooney: no; Ocean's 11 was his pinnacle. — Bill Simmons
  • Lopez's Apex probably came about two years later with an album and multimedia stardom. — Bill Simmons
  • Soderberg: no. Ving Rames: probably Pulp Fiction. — Bill Simmons
  • Elmore Leonard: Get Shorty stands out more from the decade and was more in the zeitgeist, though this is cooler. — Bill Simmons
  • Steaks in a fridge: yes. — Bill Simmons
  • Detroit: no; its Apex was the mid-80s with Isaiah Thomas, Axel Foley, Tommy Hearns, WrestleMania 3 at the Silver Dome and the Kronk Jim.
  • Detroit's cold look is compared to The Revenant; the snowy trip to Albert Brooks's house shows stunning suburbs.
Out of Sight

Half-Assed Internet Research

Ad-libbed dialogue; summer release; White Boy Bob callback

In the discussion (3)
Approx. transcript time · 01:32:00Read transcript
  • Per the commentary track with writer Scott Frank, cast members ad-libbed, including Cheeto's line about the high potentiality for the common motherfucker to bitch out. — Bill Simmons
  • Many in the industry felt the movie was mismarketed as a summer release when it should have come out in the fall. — Bill Simmons
  • Ving Rames tells White Boy Bob he likes to shoot his big mouth off, and later Bob literally shoots himself. — Bill Simmons
Out of Sight

What’s Aged the Best?

Opening bank robbery; 1990s Detroit; robbing banks without a gun; Dennis Farina and Jennifer Lopez scenes; nicknames; Catherine Keener; Ving Rhames; David Holmes score; one-last-big-score line

In the discussion (12)
Approx. transcript time · 01:11:05Read transcript
  • The opening bank robbery, 1990s Detroit with the Cronk Jim and Emmanuel Stewart, and the color changes have aged well. — Bill Simmons
  • Clooney's strategy of robbing banks without a gun is admired. — Bill Simmons
  • The Dennis Farina and Lopez scenes: as her father he adds color without cliche, is too important for the Joey Pants award, and immediately knew she was into the guy. — Bill Simmons
  • Great nicknames: Dick the Ripper for Albert Brooks's character and Snoopy the boxer, who hates the name. — Bill Simmons
  • Catherine Caner is great in a couple of scenes, part of a 1998-99 run of Out of Sight, Your Friends and Neighbors, 8mm and Being John Malkovich. — Bill Simmons
  • Ving Rhames's 93-98 run (Dave, Pulp Fiction, ER, Kiss of Death, Mission Impossible, Rosewood, Conair, Out of Sight) is called automatic and compared to Ray Allen; his later commercial voice work now takes one speaker out of some line readings.
  • Rhames can be really scary yet also Clooney's believable loyal best friend. — Bill Simmons
  • A speaker's father repeated the 'get medieval' line for about a year. — Ryen Russillo
  • The DJ David Holmes score is really good. — Bill Simmons
  • Clooney's line asking whether anyone has done one last big score and gone on to live the good life holds up; only Fast and Furious pulled that off. — Bill Simmons
  • No additional aged-best pick. — Ryen Russillo
  • Agreeing on the last-score line: even on the big score the crew is dumb, one robbing steaks and White Boy Bob tripping and shooting himself; Cheddar Bob is joked to be his younger brother. — Bill Lawrence
Dave The Rewatchables
In the discussion (3)
Approx. transcript time · 01:06:08Read transcript
  • Kevin Klaid (as transcribed) is the instant answer, with 'can't believe this is a podcast' and 'that was easy', followed by agreement and a shout-out to Ving Rhames.
  • A stealth case is made for Ivan Reitman, since this kind of movie is really hard to do with the right tone and could go wrong in so many ways; it may be his last great movie, after a resume of Stripes, Meatballs, Ghostbusters, Twins and Kindergarten Cop, with Junior in 94, Six Days and Seven Nights and Evolution less impressive, his style specific to a time period and this the last confluence of those events.
  • Reitman's two interesting movies this decade, No Strings Attached and Draft Day, would probably have been huge hits in 1986 or 1988; No Strings Attached, written by Liz Merriweather (as transcribed) of New Girl under a cruder original script title, is judged better than Friends with Benefits, features Kevin Kline, and the hosts admit they all like it; you're in safe hands with Ivan Reitman, who has never made a bad movie.
Podcast choices
Speaker not identified
Kevin Kline
Speaker not identified
Kevin Kline
Displaying discussions 1 - 12 of 20 in total

Films in the archive