The guests dying in rapid succession after the apocalypse begins is proposed. — Bill Simmons
Jonah playing with the gun and the Milky Way argument are proposed. — Bill Simmons
Danny McBride's breakfast entrance is proposed as the point when the film rises to another level. — Bill Simmons
The homemade Pineapple Express 2: Blood Red is proposed. — Bill Simmons
The group's conversation about Emma Watson and her armed departure is proposed, with the scene's sexual-threat humor acknowledged as potentially harder to stage later. — Bill Simmons
The opening credits are indelible and endlessly parodied; most people have only seen the first minute. — Bill Simmons
In the opening Tony carries a paint can, stacks two pizza slices and eats them at once, and hits on two women, blocking one from passing in a point-of-view shot; the music makes the scene. — Jimmy Kimmel
Travolta gives a one-of-one unicorn performance; no actor of the last 50 years could pull off the opening walk, with only a young Mario Lopez or a young Pacino floated. — Jimmy Kimmel
Magic Mike and Channing Tatum are named the closest current-era equivalent for driving women crazy. — Jimmy Kimmel
The first disco sequence brings Disco Inferno, an "I love to watch you dance" cameo by a Saturday Night Live alum, and the Night Fever group line dance. — Bill Simmons
Tony popping out of his bedroom in his underwear doing "Al Pacino, Attica" for his grandmother is a funny, real moment rooted in 1977. — Jimmy Kimmel
The first coffee scene, where Tony is called a cliche on his way to no place, is praised as well written and well acted.
The Father Frank Jr. disco visit includes the Fran Drescher cameo, and she is called the best-looking girl in the club.
In the You Should Be Dancing scene Travolta takes over the floor; he threatened to quit unless it was shot wide instead of in close-ups, and it plays like a sports movie. — Bill Simmons
The solo scene is called one of the five most iconic scenes of the 1970s and announced in advance as this participant's category winner. — Bill Simmons
The first Brooklyn Bridge scene was filmed about 600 feet up with few safety precautions. — Bill Simmons
The dance contest is enjoyable because it is infuriating, with Caesar and Maria excelling; the other view is that the final dance is underwhelming compared with the solo scene. — Jimmy Kimmel
The You Should Be Dancing scene is picked as most rewatchable. — Bill Simmons
The opening scene with the credits is the other pick, accepted as fair. — Bill Simmons
Whitney and Costner at their peaks; bodyguard-romance premise; soundtrack; Dolly Parton connection; resentful-sister concept; 'permanent position' quote; widescreen; Costner's haircut; a cappella opening; song-swap story; Costner's eulogy; Secret Service guys
Whitney in her late prime and Costner at his peak head the list. — Van Lathan
Professional bodyguard romances are loved, including Ridley Scott's late-80s Someone to Watch Over Me with Mimi Rogers, which has a similar premise. — Bill Simmons
A British terrorism series possibly called Bodyguard, with a Game of Thrones actor named Richard is liked. — Bill Simmons
Protectors crossing lines are compelling because the job is so intimate: a rigid, disciplined guy whose gooey center someone reaches. — Van Lathan
The Sentinel with Michael Douglas as a framed Secret Service agent is recommended as a rewatchable mid-2000s entry. — Bill Simmons
The soundtrack is loaded and called the best of all time; I Will Always Love You was a Dolly Parton song that finally found the right voice. — Bill Simmons
One participant learned only about four years earlier, from a Dolly Parton fan at TMZ, that the song was a cover, at 37 years old. — Van Lathan
The original singer owned and loved the cover, pulled over the first time she heard it, and showed no bitterness. — Bill Simmons
The resentful older sister-assistant concept is an untapped idea for movies and TV. — Bill Simmons
A favorite quote: "I'm no good in a permanent position, Monty, my feet go to sleep." — Bill Simmons
The widescreen framing was hard to follow on square TVs for 15 years and now plays better. — Bill Simmons
Costner's crew-cut, Steve McQueen-style hair became a thing that Clooney took further on ER and Jake tried on Melrose Place, sparking a Grant Show tangent. — Bill Simmons
Costner's idea to open I Will Always Love You a cappella was great. — Bill Simmons
What Becomes of the Brokenhearted was meant to be the cover until Fried Green Tomatoes used it to end that film in 1991. — Bill Simmons
A piece of Costner's eulogy is read: Whitney lacked confidence during filming, sang the whole song without a band, and was the only one who could have played Rachel at that time.
Costner's feelings for Houston deserve their own discussion; a Grantland party anecdote says Costner, brought by Kimmel five or six years earlier, still had it. — Bill Simmons
Secret Service guys have aged well: The Last Boy Scout is defended, later entries include the Channing Tatum White House movie and the Fallen films, and Ving Rhames in Dave is a shared favorite. — Van Lathan
