Film credit
Halle Berry
Stats
- Episodes featuring their films
- 3
- Movies in this archive
- 4
Rewatchables episodes featuring Halle Berry’s films
Mentioned in discussions
Casting What-Ifs
Jeff Speakman, Stephen Baldwin and Richard Grieco for Jack; Halle Berry for Annie
In the discussion (10)
- Speakman is reported as attached during Paramount development
- Baldwin and Grieco are discussed as other Jack possibilities
- The Ellen DeGeneres story is explicitly treated as a denied urban legend
- Berry’s own regret and description of the earlier static-bus script are cited
- Other alleged Annie candidates remain uncertain
- Craig T. Nelson reportedly could not leave Coach to play Mac
- Ed Harris was considered when Harry was the villain
- McTiernan, Harlin and Tarantino reportedly declined directing
- McTiernan’s version is imagined as marginally better
- Michael Bay reportedly sought the job before his feature debut
What’s Aged the Worst?
Speed 2, stereotyped passengers and continuity problems
In the discussion (7)
- Hopper’s running is criticized
- College football on a weekday morning seems implausible
- Harry’s limp changes and disappears
- The stereotyped passenger ensemble is criticized, citing Janeane Garofalo’s routine
- Speed 2 and its explanation for Annie leaving Jack are rejected
- The early screenplay’s paramedic description leads to a discussion of Halle Berry’s reported involvement
- The panel distinguishes a useful driving qualification from unnecessary racial framing
The Stephen A. Smith Hottest Take Award
Modern action logic makes the crew’s refusal to shoot Steve hard to accept; Charlize Theron mirrors Halle Berry.
In the discussion (2)
- John Wick-era action logic makes the refusal to shoot Steve difficult to accept. — Chris Ryan
- Charlize Theron is proposed as a career and cultural mirror of Halle Berry. — Van Lathan
Recasting Couch
Retain D.C.; alternate old cities; Pinkett or Blanchett as Agatha; Berry as Lara
In the discussion (4)
- Washington is defended as fitting; Boston, New Orleans and Philadelphia are alternative settings. — Chris Ryan
- Miami is judged too cheerful; an old dense city rebuilt for the future is preferred, with London and Chicago suggested. — Bill Simmons
- Jada Pinkett is proposed as Agatha; Blanchett is praised and Portman’s age is debated. — Bill Simmons
- Halle Berry is proposed as a pre-cog but considered too prominent, then redirected to Lara.
Recasting Couch
Sydney Sweeney; husband unresolved; Brad Pitt; gender-swapped Angela Bassett
In the discussion (7)
- Scarlett Johansson is raised as a contemporary Moore comparison before Sydney Sweeney is proposed for a remake. — Bill Simmons
- For Sydney Sweeney’s husband, a younger Adam Driver is considered; Glen Powell is rejected as too attractive and Miles Teller is viewed as a better candidate. — Mallory Rubin
- Jacob Elordi and Paul Mescal are rejected as too attractive for the desired contrast; Elordi’s height is also noted. — Bill Simmons
- A producer identified in the transcript as Linda Oakes describes Harrelson’s appeal to women as both adorable and adventurous; the name remains uncertain. — Bill Simmons
- Rory Culkin is proposed before the Succession actor is corrected to Kieran; Jeremy Strong follows, but the age gap with Sweeney draws an objection.
- Brad Pitt is favored over “Leo” (surname not spoken) for Gage because of his resemblance to and career association with Redford. — Bill Simmons
- A gender-swapped Gage prompts an emphatic Angela Bassett choice; Halle Berry and Nicole Kidman are additional candidates, while Reese Witherspoon is a joking contrast. — Bill Simmons
In the discussion (4)
- Anna needs a stronger survival presence; Rodriguez, Mendes and Berry are proposed. — Bill Simmons
- The casting discussion considers perceived restrictions on Smith’s romantic pairings and why Braga’s character lacks force. — Bill Simmons
- Rodriguez or Lathan would supply believable physical capability and sensitivity, with Love & Basketball as supporting context for Lathan. — Bill Simmons
- Regina King is another accepted replacement suggestion. — Van Lathan
The Stephen A. Smith Hottest Take Award
Kathy Bates gives the best Best Actress performance from 1990 through the episode’s present
In the discussion (4)
- Kathy Bates is argued to have the best Best Actress performance across the 1990s, 2000s, 2010s, and early 2020s — Bill Simmons
- Frances McDormand in Fargo, Halle Berry in Monster’s Ball, and Emma Stone in La La Land are offered as winning comparators — Bill Simmons
- Meryl Streep in The Devil Wears Prada, Anne Hathaway in Rachel Getting Married, and Laura Linney in You Can Count on Me are offered as non-winning comparators — Bill Simmons
- Charlize Theron in Monster is raised as another major comparator — Bill Simmons
Probably Unanswerable Questions
Which early-1990s athlete could have raised Cindy Herron’s profile through a public relationship?
In the discussion (5)
- The panel asks how Cindy Herron’s career might have changed if celebrity and sports culture had intersected as visibly as it later did. — Bill Simmons
- Penny Hardaway, Emmett Smith, and Larry Johnson are considered and rejected or qualified by timing, fame, age, or fit. — Bill Simmons
- Brian Jordan and Randall Cunningham are proposed as famous but not overwhelmingly famous fits. — Van Lathan
- David Justice is used as the model because of his period visibility with Halle Berry.
- After considering several basketball players, the panel jokingly settles on Sam Perkins. — Bill Simmons
Casting What-Ifs
Grace Jones for the Halle Berry part; John McTiernan as director
In the discussion (6)
- There were fewer casting what-ifs than expected. — Bill Simmons
- A report that Jack Nicholson was up for Joe Hollenbeck is not believed. — Bill Simmons
- Tony Scott wanted Grace Jones for the Halle Berry part and the studio overruled him, which the hosts approve. — Bill Simmons
- John McTiernan declined to direct because it was another Bruce Willis project, having also not done Die Hard 2. — Bill Simmons
- Admittedly a stretch: Tony Scott hated Joel Silver so much that he based Lee Donowitz in True Romance on him, played by Saul Rubinick, and Silver went nuts when he saw it. — Bill Simmons
- An open question is which Joel Silver movie Coming Home in a Body Bag parodies. — Bill Simmons
What’s Aged the Best?
Friday Night Football montage; Joe Hallenbeck's beatings; the title on the football card; the disgraced-hero backstory; bad guys saying a full name derisively; Wayans's hat; the witty exchanges; Halle Berry's brief role; the conspiracy explanation scene
In the discussion (11)
- The Friday Night Football montage, with a question about who Bill Medlay is. — Bill Simmons
- Joe Hallenbeck is hit in the face seven times, three times in the back of the head, tasered and stabbed; he is compared with Marvin in Midnight Run for most abuse. — Bill Simmons
- Nobody is better at getting beaten up in movies than Willis, who lacked the ego seen in the Pacino speech in Once Upon a Time in Hollywood. — Chris Ryan
- The football card signed to the daughter works the title into the movie about as well as it gets; research traced it to the early-90s Pro Set. — Bill Simmons
- The trope of a hero who did the right thing about something terrible, then falls into a much worse job, often a former Secret Service agent, with In the Line of Fire and The Sentinel cited. — Bill Simmons
- Private detectives in movies are always drinking alcoholics sitting in cars. — Chris Ryan
- Bad guys saying someone's full name derisively, as Taylor Negron does, is a great way to mark a villain. — Bill Simmons
- Wayans's fez-style hat with the tassel is cool, also worn by Hallie Berry in Boomerang, and should come back. — Bill Simmons
- The exchanges are witty in script form and Willis somehow pulls them off; the movie is tired, drunk, sarcastic and dead inside. — Chris Ryan
- Hally Berry brings so much to a small part in only four or five minutes, which makes Boomerang's premise ludicrous. — Chris Ryan
- The owner Shelley explaining the conspiracy recalls Donald Sutherland in JFK, and the gambling-and-blackmail conspiracy could still work today. — Chris Ryan
Most Rewatchable Scene
The opening Billy Cole scene
In the discussion (16)
- The scene is set at halftime of a Cleveland versus Los Angeles game with Vern Lundquist, Dick Buckkiss and Lynn Swan as sideline reporter, who berates the L.A. owner about ratings, attendance and where all the heroes have gone. — Bill Simmons
- The hosts want sideline reporters to ask NBA players like Brandon Ingram and LeBron James where all the heroes have gone. — Chris Ryan
- Billy Cole is alleged to take PCP in the locker room, though one host always thought it was cocaine until reading Wikipedia. — Bill Simmons
- Early nits: whether he had the gun in his pants the whole quarter, how it did not affect his burst while breaking four tackles, and whether his touchdown would count for gamblers. — Bill Simmons
- He says 'Ain't life a bitch' as he shoots himself, and the broadcast presumably cuts to a test signal. — Chris Ryan
- Only one spotlight seems to be on in Cleveland Stadium, like a German expressionist film; Tony Scott's football is closer to Zach Snyder's 300 and the rain device returns in The Fan. — Chris Ryan
- The scene was a watershed; the movie arguably peaks in the first six minutes, helped by the Bill Medley Friday Night Football song. — Bill Simmons
- Other rewatchable scenes offered: Joe finding the guy in the closet, which leads to the first of several car bombs. — Bill Simmons
- Jimmy's speech on the NFL stance on drugs and gambling, played back by Craig, reads like Shane Black at 3:30 in the morning.
- Joe versus Kim Coats, where Joe warns him not to touch him again and then kills him. — Bill Simmons
- The quirky hitmen, like Pablo playing piano and Taylor Negron, feel Tarantino-like before Tarantino made a movie. — Bill Simmons
- The stuffed-animal scene with the car chase, despite not knowing how the gun fits in the stuffed animal. — Bill Simmons
- The big football-game ending: a throw from a wounded hand to the senator's box, Damon Wayans on a horse, and Bruce Willis's fight with Taylor Negron ending in a jig. — Bill Simmons
- The Hollywood Hills car chase with cars going down the hill that lands in the pool. — Bill Simmons
- The strip club with Corey and the Corey car-chase murder right after it are offered as another rewatchable scene; the other side left it out because seeing Halle Berry murdered hurts, wishing she had just taken one in the shoulder. — Bill Simmons
- Asked for a most rewatchable pick, the answer is the opening scene, watchable a hundred times in a row; it is jokingly why football had to leave L.A. — Bill Simmons
Apex Mountain
Omar Epps; Halle Berry's hair extensions; Craig Sheffer; Craig Sheffer's tall tales; Steve Lattimer (Andrew Bryniarski); steroids
In the discussion (8)
- Omar Epps is at Apex: coming off Juice and before Higher Learning, he was one of the great sports-movie actors, before things faltered after ER. — Bill Simmons
- Halle Berry's hair extensions are Apex only because she never did it again. — Bill Simmons
- Craig Sheffer is a yes, and this is also the Apex of his tall tales, including a reported Parcells letter about backing up the Patriots' quarterback; one participant says he read it and it was true, though it amounted to Parcells saying he would love to have him around. — Bill Simmons
- Kristy Swanson's peak is probably Buffy the Vampire Slayer instead. — Ryen Russillo
- The guy who played Latimer is absolutely at Apex. — Bill Simmons
- The film may be the Apex Mountain for steroids, before the McMahon trial and baseball's reckoning; it is called wildly irresponsible steroid porn, and the case is agreed with.
- Asked whether Princeton had a urine guy, the speaker jokes he was named Kevin and charged $100. — Kyle Brandt
- A final Apex question is whether this is when people realized Michigan sucks, with its image turning from Big Chill favor to loathsome; Weyman's draft stock is also debated. — Bill Simmons


