Guest’s directing and writing are considered for the single Oscar before editing receives support; improvisation is raised as a concern about choosing screenplay. — Mallory Rubin
O’Hara is proposed for the Oscar because her comparatively understated performance grounds the more extreme caricatures, with the limp jokingly offered as her ceremony clip. — Mallory Rubin
Willard is proposed for supporting actor, then reconsidered against O’Hara after reviewing a strong field; another response agrees with Craig’s editing pick, and the O’Hara case gains support. — Mallory Rubin
O’Hara is separated as the Oscar choice from Willard as an anticipated movie winner; Posey, Levy, Coolidge and Lynch are also considered difficult to replace. — Mallory Rubin
Apex Mountain is defined, with Craig asked to correct it, as the point of most objective power in a career, not a personal favorite, given the context of the movie and the movie itself; all four stars and Nancy Meyers are to be assessed.
Cameron Diaz is a firm no: 2006 is the very beginning of her slowing down, her peak being the plateau from There's Something About Mary in 1998 through Charlie's Angels and Shrek in 2001, before Vanilla Sky and Gangs of New York; on this press tour she described going movie to movie without stopping, and she has since retired from acting.
Jack Black is argued as the one yes: this follows School of Rock in 2003, King Kong and Tenacious D, and he peters off afterward into voice work and the Goosebumps movies; another host says his apex is School of Rock, the one movie associated with him, and the panel settles on the 2002 to 2006 run as peak Jack Black.
Kate Winslet is on the rise rather than at her apex: she has had many peaks, Titanic catapulted her, nobody thinks The Holiday is her best work, and she won her Oscar in 2008, after this, for The Reader, called a terrible movie, the same year as Revolutionary Road.
Jude Law's apex of hotness is debated between this movie, as rich, handsome, jazz-loving dad Graham Simpkins, and The Talented Mr. Ripley in a rowboat in Italy wearing linens; his career apex is Ripley, with an Oscar nomination, after which it was a gradual decline through Closer, Cold Mountain and I Heart Huckabees without ever carrying a movie, Alfie being a non-hit during the Sienna Miller scandal.
An argument that Jude Law is in his apex now, doing whatever he wants in The Young Pope, the Harry Potter spinoff and Marvel movies, is heard, but for actual power and hotness it is Talented Mr. Ripley, which should get its own episode at 20 years old this December.
Nancy Meyers's apex is not this but likely Something's Gotta Give, a critical breakthrough with Keaton, Jack Nicholson and Keanu Reeves in 2003 when studio comedies still made money, plus Frances McDormand and Jon Favreau in a really good cast; Home Again is her daughter's movie that she produced; so the only possible apex here, and probably not even, is Jack Black.
Luke and Owen Wilson were originally slated to play the Malloy brothers, eventually played by Scott Kahn (as transcribed) and Casey Affleck; they could not do the movie because they had to shoot Tenenbaums, and two of the hosts spent ten minutes on this the day before.
The Wilsons would have been an infusion of Bottle Rocket, but more twee, with more emphasis on the pitter patter of their speech; they also had bigger profiles in 2001 than Kahn and Affleck and might have taken shine from the top three, like needing an Iguodala and a David West on the roster.
Owen can play dumb better than Luke; the Mormon twins' gags are supposed to be stupid so you laugh at and with them, and the Wilsons might have made it too pretentious or arch; this is the only what-if one host would have been okay with, since the brothers are comic relief, and the hosts are glad Tenenbaums got made.
Joel and Ethan Coen were reportedly also up for the Malloy brothers; one host wants documentation because the Coens in front of the camera seems implausible, while another likes it given the stories of them living with Holly Hunter and Frances McDormand after college, but agrees it is too inside-joke.
Ralph Fiennes, whom one host presumed was up for Basher on the strength of In Bruges, was actually one of three possible Terry Benedicts; he has done villains, including he who shall not be named; as Benedict it would scramble the allegiances because it is too close to English Patient and you might want Julia to be with Ray Files (as transcribed), when you need to be on Danny's side.
Alan Arkin was originally going to play Saul, the role played by Carl Reiner, which would have been fine; Mike Myers was attached to the cast; one of the earliest articles about Brad Pitt circling the film, a 2000 Hollywood Reporter Variety piece, has Johnny Depp playing Linus.
One host is against Depp, enjoying him only in What's Eating Over Grape (as transcribed) and finding the rest overacting; another was a fan in 2000, before Willy Wonka and Pirates of the Caribbean, but not at the right frequency for this movie: a darkness, the same handsome vibe as Pitt, and impossible to picture in glasses, a baseball hat and a parka in Chicago getting dunked on, since he never wants to blend in and would want to be bald with a snaggle tooth.
Mark Wahlberg was also attached to play Linus and had a weird reaction after the fact; a question to Amanda about the Julia Roberts role turns up no other what-ifs.
Bruce Willis was reportedly, on specious evidence, in contention for Danny Ocean, which would be an entirely different movie because Clooney anchors the whole thing; his absence set up a favorite Ocean's 12 cameo, where he arrives mid-heist while Julia Roberts' Tess is pretending to be Julia Roberts, with a SpongeBob pillow, as commentary on 2000s celebrity; the hosts are glad he turned the role down, and Ocean's 12 made one like Julia Roberts even more.
Earlier, in the intro: Mark Wahlberg, initially slated to play Linus, was salty after release, saying he went off and made Planet of the Apes and The Truth About Charlie, which both sucked, rather than sit around patting George on the back.
