The Stephen A. Smith Hottest Take Award · 2:01:50
Zodiac as the greatest American crime film
A modern Zodiac case would be flattened into partisan internet discourse.
Sean Fennessey: Zodiac is proposed as the greatest American crime film.
Selected cast credits · Film reference
In the order the hosts got to it. Open a row for the discussion.
57 minutes over Craig’s 100-minute ideal; about 15 minutes could be cut
The panel proposes a new category here.
The Arthur Leigh Allen interrogation
Folgers coffee; difficulty coordinating investigations across cities
Fincher’s repeated takes and exacting treatment of Gyllenhaal, Downey, and Ruffalo supply several production-shoot anecdotes.
Fails: Graysmith’s obsession would quickly break his marriage to Melanie
The panel proposes a new category here.
True-crime culture, period San Francisco, Downey, the protagonist shift, Graysmith’s internet-like obsession, Fincher’s catalog, and several craft details
Lake Berryessa, the opening fireworks, a phone booth, the Golden Gate Bridge, and rebuilt San Francisco compete for the most cinematic shot.
Hurdy Gurdy Man leads a field including Inner City Blues and Bernadette.
Digitally adding knuckle hair to Jake Gyllenhaal’s hands
The panel proposes a new category here.
Memories of Murder
The Zodiac Killer starring John Holmes
Flex pick · Craig Horlbeck
The Zodiac is judged surprisingly bad at his job because victims survive and he leaves conspicuous clues.
Flex pick · Craig Horlbeck
Avery’s Riverside detour, the missing first murder, and reliance on Donald Cheney’s claims are the main weak-link concerns.
The abrupt four-year title card, too little Downey–Gyllenhaal time, their fictionalized friendship, Anthony Edwards’s wig, and the film’s persuasive Arthur Leigh Allen framing
Melanie Graysmith is nominated for “sneaky suck,” but the panel disputes it: one case says she knew from the first date that Robert was obsessive, while the defense calls her reasonable and extraordinarily patient.
Robert Downey Jr.’s houseboat performance
Flex pick · Bill Simmons
Zodiac as the greatest American crime film; Zodiac as the greatest serial-killer brand
Gary Oldman, Orlando Bloom, Brad Pitt, and Jennifer Aniston appear in a detailed casting history.
No single winner: John Terry, Charles Fleischer, and other veteran supporting actors
Reject Michael Keaton for Anthony Edwards; John Slattery for the ensemble
John Carroll Lynch going toe to toe with Mark Ruffalo
Flex pick · Sean Fennessey
The basement scene
Flex pick · Sean Fennessey
Period reconstruction, digital photography, a 1972 sting film, repeated straw takes, Ruffalo’s deal, and a cocktail
David Fincher (creative apex disputed); Mark Ruffalo as a movie detective; John Carroll Lynch; Zodiac within Fincher’s filmography
Split choice: Tom Hanks and Tom Cruise
Split: Scorsese; Spielberg (Bill favors Scorsese)
Meetings, the roadside sequence, a clue, detective conduct, food history, and Herb Caen produce distinct nitpicks.
Mindhunter as the prestige-TV version
Who the Zodiac was, why police did not begin with people known to victims, what non-work obsession could consume a life, whether Graysmith saw money in the project, and how a 1970s handwriting expert established authority
The I Am Not Paul Avery button
“It’s not finished until you type it up”; keep investigating even at the cost of family and sanity if Fincher may adapt it (sarcastic)
Double Feature
The Rewatchables · aired October 15, 2024
Manhunter (two preferences); Zodiac (another pick)