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Film credit

Tom Cruise

Also referred to as Cruise, Cruz, Digger Cruz

Stats

Episodes featuring their films
20
Movies in this archive
18

Rewatchables episodes featuring Tom Cruise’s films

Tropic Thunder

2008 film

Bill Simmons · Chris Ryan · Van Lathan · Joel Anderson

Aired May 12, 2026

Minority Report

2002 film

Bill Simmons · Chris Ryan · Van Lathan

Aired April 22, 2025

Days of Thunder

1990 film

Bill Simmons · Chris Ryan · Kyle Brandt

Aired March 18, 2025

Jerry Maguire

1996 film

Bill Simmons · Chris Ryan · Sean Fennessey · Van Lathan

Aired May 14, 2024

Magnolia

1999 film

Bill Simmons · Chris Ryan · Sean Fennessey

Aired April 16, 2024

Eyes Wide Shut

1999 film

Bill Simmons · Chris Ryan · Sean Fennessey · Mallory Rubin

Aired August 15, 2023

A Few Good Men

1992 film

Bill Simmons · Chris Ryan · Sean Fennessey

Aired August 1, 2023

The Color of Money

1986 film

Bill Simmons · Chris Ryan · Sean Fennessey

Aired October 19, 2021

Rain Man

1988 film

Bill Simmons · Chris Ryan · Sean Fennessey

Aired August 24, 2021

Displaying episodes 1 - 12 of 20 in total

Mentioned in discussions

Top Gun: Maverick

Probably Unanswerable Questions

The unnamed enemy and alternative readings of Maverick

In the discussion (5)
Approx. transcript time · 01:42:49Read transcript
  • Which real country best fits the mission’s fictional opponent? — Bill Simmons
  • Iran and North Korea are suggested without treating either as identified in the film — Bill Simmons
  • Do Cruise’s stunt choices suggest a death wish? This is host speculation, not a personal-health finding — Bill Simmons
  • The hosts discuss a queer reading of the fictional Maverick based on relationships and recurring imagery — Bill Simmons
  • The imagined Maverick/Rooster domestic arrangement extends the joke — Bill Simmons
Top Gun: Maverick

Apex Mountain

Post-prime Cruise, the 1973 Porsche 911, and Joseph Kosinski: yes

In the discussion (10)
Approx. transcript time · 01:27:14Read transcript
Top Gun: Maverick

Half-Assed Internet Research

Cruise’s earlier refusal, cockpit filming and a beach-scene reshoot

In the discussion (13)
Approx. transcript time · 01:20:47Read transcript
  • Cruise reportedly dismissed a sequel as irresponsible in 1990 — Bill Simmons
  • Kosinski pitched the Rooster relationship and Darkstar storyline to Cruise — Bill Simmons
  • A professor’s records research is cited about military input in the film — Bill Simmons
  • The hosts report hourly Navy aircraft fees — Bill Simmons
  • Actors handled aspects of makeup and camera operation while airborne — Bill Simmons
  • They note that extensive practical filming does not make all mission details realistic — Bill Simmons
  • The flight-jacket Taiwan/China flag controversy is briefly discussed without resolving every claim — Bill Simmons
  • Cruise’s own P-51 appears in the final flight — Bill Simmons
  • The beach montage was reportedly reshot after Cruise found the first version insufficient — Bill Simmons
  • The cast reportedly returned to training after celebrating the original shoot — Bill Simmons
  • The sailing sequence reportedly used a J-125 in San Francisco Bay without doubles — Bill Simmons
  • Bruckheimer restored a Don Simpson credit as a tribute — Bill Simmons
  • Teller reportedly learned the piano performance — Bill Simmons
Top Gun: Maverick

What’s Aged the Worst?

Penny’s idealized life, thin mission logic and rushed funeral

The panel is imagining how this might look in the future.

In the discussion (11)
Approx. transcript time · 01:00:50Read transcript
  • Cruise’s introductory theater message feels stiff — Bill Simmons
  • The hosts jokingly connect its placement to the Nicole Kidman AMC advertisement — Bill Simmons
  • Penny’s beauty, successful bar, Porsche, sailboat and almost frictionless family life seem implausibly perfect — Bill Simmons
  • A crowded bar seems impossibly understaffed — Bill Simmons
  • The unnamed uranium target and lack of simpler attack options raise doubts — Bill Simmons
  • Cruise’s dark hair is questioned as an age detail — Bill Simmons
  • The pre-mission encouragement to Rooster feels too ordinary — Bill Simmons
  • The new pop singles compare poorly with the original soundtrack’s cultural footprint — Bill Simmons
  • Rooster’s call sign is not universally liked — Bill Simmons
  • The hosts reject some complaints about omitting McGillis and Meg Ryan, while imagining a Ryan scene — Bill Simmons
  • Iceman’s funeral feels too short — Bill Simmons
In the discussion (4)
Approx. transcript time · 00:58:54Read transcript
  • The hosts describe little onscreen sexual action — Bill Simmons
  • The laughter and dark conversation afterward feel awkward — Bill Simmons
  • They find more apparent passion in the original Cruise–McGillis scene — Bill Simmons
  • Connelly is credited with carrying the intimacy — Bill Simmons
Top Gun: Maverick

What’s Aged the Best?

Jennifer Connelly, practical flying and measured callbacks

The panel is imagining how this might look in the future.

In the discussion (15)
Approx. transcript time · 00:41:07Read transcript
  • Connelly is both hosts’ first choice — Bill Simmons
  • The romance is praised as age-appropriate, warm and unusually convincing for later Cruise — Bill Simmons
  • Making Penny the briefly mentioned woman from the first film is considered smart — Bill Simmons
  • Teller’s resemblance to Anthony Edwards works — Bill Simmons
  • The casting competition is echoed by Maverick choosing Rooster — Bill Simmons
  • The score reuses familiar themes effectively — Bill Simmons
  • The hosts praise the feeling of actors experiencing real flight — Bill Simmons
  • The opening credits recall the original without making the whole film a remake — Bill Simmons
  • Coyote’s G-lock scene is praised — Bill Simmons
  • The trophy, Goose mannerisms, beach yell and carrier reunion are effective callbacks — Bill Simmons
  • Bob’s simple call sign is funny — Bill Simmons
  • Maverick tossing the manual away is appreciated — Bill Simmons
  • Maverick and Iceman texting with punctuation is a good age detail — Bill Simmons
  • An unnamed enemy allows streamlined action — Bill Simmons
  • Jeans, leather jackets, Hawaiian shirts and aviators lend a timeless look — Bill Simmons
Top Gun: Maverick

Most Rewatchable Scene

Cruise and Kilmer into dogfight football; the final mission

In the discussion (11)
Approx. transcript time · 00:24:43Read transcript
  • The Darkstar opening and diner arrival are nominated — Bill Simmons
  • The Hard Deck introduction through Rooster playing piano is praised for economical character work and emotional flashbacks — Bill Simmons
  • Maverick defeating the trainees is nominated — Bill Simmons
  • The Iceman visit is praised for restraint, typing, frustration, vulnerability and the closing joke — Bill Simmons
  • The hosts question how deep the old rivals’ friendship became — Bill Simmons
  • Dogfight football prompts detailed doubts about two balls, scoring, defensive pressure and strategy — Bill Simmons
  • Maverick demonstrating the impossible training route is nominated — Bill Simmons
  • The full final mission through the carrier reunion is a major choice — Bill Simmons
  • Penny with the Porsche and the final flight provide an especially satisfying coda — Bill Simmons
  • Bill favors the Kilmer scene leading into football — Bill Simmons
  • Chris praises the extended finale and the lack of music during part of the mission — Bill Simmons
Limitless The Rewatchables
Limitless

Probably Unanswerable Questions

Best actor ever for Limitless; oven as the NZT hiding spot

In the discussion (9)
Approx. transcript time · 01:15:34Read transcript
  • Asked for the all-time best person to star in Limitless, Will Smith is the first pick for his charm and emotional attachment. — Shea Serrano
  • Given 2002 Will Smith or Firm-era Tom Cruise, the choice is Cruise, with early Michael J. Fox as an interesting alternative after Alex Keaton's diet pills. — Chris Ryan
  • Another vote goes to Cruise, who would have learned skills like flying a helicopter or winning at race-car driving; no one loses.
  • An amendment requires putting Cooper into the swapped star's movie: take 2004 Will Smith after Bad Boys 2 and swap out I, Robot for Cooper.
  • Cooper as Mike Lowrey in Bad Boys with Martin Lawrence is offered as the obvious swap; Cooper in The Firm is another, and Cruise didn't make enough Limitless-type movies, unlike Keanu.
  • With cops coming, the oven is questioned as the best hiding place and called underrated for money, drugs or guns.
  • A childhood memory recalls an aunt who hid drugs in the microwave; anything oven-related is endorsed.
  • An old-fashioned air-conditioner vent, as in No Country, is always great. — Chris Ryan
  • The alternative is to take all the NZT and make yourself police commissioner.
JFK The Rewatchables
In the discussion (16)
Approx. transcript time · 01:01:12Read transcript
  • Costner's 'ashamed to be an American' moment and his New Orleans walk with his investigators, pointing out the FBI, CIA, Secret Service and O&I buildings, are nominated; the editing is praised. — Bill Simmons
  • The New Orleans scenes make participants want to drink and smoke; New Orleans is called the only place one participant still smokes.
  • John Candy's big scene is quoted at length: the big enchilada, a mouse fighting a gorilla, Kennedy as dead as that crab meat, and 'Daddy-o'; his moving sunglasses are praised.
  • Asked when Candy died, the joking reply is that 'they killed him'. — Bill Simmons
  • The hosts want to work Candy's 'any idea what you're getting into, Daddy-o' line into NBA conversations, such as Lakers defense and Frank Vogel.
  • Kevin Bacon's prison scene is quoted; he 'hits a four-three from 30 feet', culminating in a crude line one participant can't believe was in the script, likened to Ashley Schaeffer from Eastbound & Down. — Chris Ryan
  • Pesci's last big scene ('a mystery wrapped in a riddle inside an enigma', 'the shooters don't even know') is called great, though Pesci is said to dial it up too much. — Chris Ryan
  • Pesci's wig is called out of control, and he never inhales while smoking, compared to Tom Cruise smoking.
  • The first Pesci interrogation and the way Costner comports himself in the Sunday detention scene are singled out as a movie-star sequence noticed in the theater. — Brian Koppelman
  • Setting the film in New Orleans lets the actors play Foghorn Leghorn, and Richardson's frames are packed with layers, such as the flambe in the restaurant scene. — Brian Koppelman
  • For the Mr. X scene, Dale Die (as transcribed) wearing aviator sunglasses indoors is praised, and Garrison appearing as Earl Warren is a moment one participant rewinds to watch.
  • Anecdote: after moving to Los Angeles to work for Grantland, one participant repeatedly made his wife and a friend's wife watch the Mr. X scene on Friday nights to show how the two friends talk; they never enjoyed it. — Sean Fennessey
  • The Mr. X scene is compared to the 35-minute Boogie Nights sequence at Jack Horner's house as a mega-sequence. — Bill Simmons
  • Two more nominations: Jim explaining the magic bullet theory, iconic once Seinfeld grabbed it, and 'back and to the left' leading to the big monologue. — Bill Simmons
  • 'X is the answer' is stated over the John Candy scene, while another participant votes for the John Candy scene but says they understand.
  • Also praised: the Clay Shaw interrogation, Jack Lemmon at the horse track, and Ed Asner beating up Lemmon's character at the opening. — Brian Koppelman
Displaying discussions 145 - 156 of 263 in total

Films in the archive