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Film credit

Philip Seymour Hoffman

Stats

Episodes featuring their films
9
Movies in this archive
9

Rewatchables episodes featuring Philip Seymour Hoffman’s films

Twister

1996 film

Bill Simmons · Chris Ryan · Van Lathan

Aired July 9, 2024

Magnolia

1999 film

Bill Simmons · Chris Ryan · Sean Fennessey

Aired April 16, 2024

Boogie Nights

1997 film

Bill Simmons · Chris Ryan · Sean Fennessey

Aired September 27, 2022

Boogie Nights

1997 film

Bill Simmons · Chris Ryan · Sean Fennessey

Aired September 27, 2022

25th Hour

2002 film

Bill Simmons · Wesley Morris

Aired July 16, 2020

The Big Lebowski

1998 film

Chris Ryan · Sean Fennessey · Jason Concepcion · David Shoemaker

Aired March 9, 2018

Moneyball

2011 film

Bill Simmons · Chris Ryan

Aired August 7, 2017

Displaying all 9 episodes

Mentioned in discussions

In the discussion (8)
Approx. transcript time · 01:34:12Read transcript
Before Sunrise

Apex Mountain

Eurail trains; Austrian palm readers; littering; Kath Bloom; Cemetery of the Nameless; listening booths disputed

In the discussion (10)
Approx. transcript time · 01:21:54Read transcript
  • Hawke's apex is debated as Reality Bites followed by a re-apex at Training Day. — Bill Simmons
  • Boyhood and the Purge/Sinister period are proposed as a third Hawke wave strengthened by his public storytelling. — Sean Fennessey
  • Julie Delpy's apex is placed at Before Sunset. — Sean Fennessey
  • Eurail trains, Austrian palm readers, and the film's conspicuous littering are easy answers. — Sean Fennessey
  • Vienna is compared with The Third Man and a Billy Joel song as a cultural apex.
  • The first date is compared with Neil and Eadie in Heat and Colin Farrell and Gongley in Miami Vice.
  • The film is called a powerful date movie that can expose a weak relationship.
  • Gen X is placed around 1994–95, with Reality Bites and Kicking and Screaming as reference points. — Bill Simmons
  • The listening booth is compared to Philip Seymour Hoffman hearing jazz in The Talented Mr. Ripley. — Sean Fennessey
  • Kath Bloom and the Cemetery of the Nameless receive direct apex answers. — Bill Simmons
Margin Call The Rewatchables
Margin Call

Recasting Couch

Hanks as Sam (disputed); Crowe; Gandolfini; Hoffman; financing-driven Clooney

In the discussion (8)
Approx. transcript time · 00:12:00Read transcript
  • The existing cast is initially considered so strong that no obvious replacement comes to mind. — Bill Simmons
  • A present-day feature might require a star such as Clooney in the Irons role to obtain financing. — Brian Koppelman
  • Hanks as Sam would exploit the audience’s instinct to trust him and his skill at vulnerable human moments, possibly making the moral struggle stronger. — Ryen Russillo
  • Hanks’s lack of screen sleaze makes him a disputed Sam replacement; he would handle the dog and speeches well but deliver the salesman’s compromised moments differently. — Brian Koppelman
  • An Insider-style, heavier Russell Crowe is an alternative Sam, followed by a joking unnecessary Jersey accent. — Brian Koppelman
  • Gandolfini would be an excellent Sam.
  • Gandolfini could also play John; a claim he could play almost everyone is corrected to exclude Quinto as well as Seth.
  • Philip Seymour Hoffman is another highly praised Sam alternative. — Brian Koppelman
Scent of a Woman

Apex Mountain

Apex checks cover Pacino, O’Donnell, blind movie characters, the Ferrari, bad Thanksgivings, and the Ringer chokehold.

In the discussion (10)
Approx. transcript time · 01:07:09Read transcript
In the discussion (5)
Approx. transcript time · 00:58:46Read transcript
In the discussion (2)
Approx. transcript time · 01:42:13Read transcript
  • Hoffman as the false brother would create a different two-actor confrontation at a fitting career moment. — Bill Simmons
  • Ledger is the strongest Eli alternative but perhaps too beautiful; most other candidates feel too contemporary or famous for the period world.
There Will Be Blood

Casting What-Ifs

Kel O’Neill’s removal after three weeks forced Paul Dano into both Sunday roles; Philip Seymour Hoffman was originally imagined for Telford.

In the discussion (3)
Approx. transcript time · 01:37:12Read transcript
  • The hosts avoid blaming O’Neill beyond the sourced account that PTA was not getting what he needed; he never acted again.
  • Dano’s lack of preparation and immediate opposition to Day-Lewis make his eventual performance more impressive.
  • PTA rejected familiar collaborators to make a new statement, removing Hoffman from Telford consideration.
Displaying discussions 13 - 24 of 31 in total

Films in the archive