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Three takes argue Daniel may be sexually attracted to Henry, the film is much better and more important than No Country, and Day-Lewis cannot be greatest without a mass-audience movie.

The Henry theory draws on betrayal, brothel jealousy, beach intimacy, impotence, and Daniel’s absence of women; the counterview sees a needed surrogate after H.W.’s injury.

Sean Fennessey: All three prefer There Will Be Blood to No Country despite calling the latter an exceptional Best Picture winner.

The film

There Will Be Blood (2007)

Directed by Paul Thomas Anderson · Drama

158 minutes

Cast

Selected cast credits · Film reference

Daniel Day-Lewis Daniel Plainview
Paul Dano Paul & Eli Sunday
Ciarán Hinds Fletcher Hamilton
Russell Harvard H.W. Plainview
Dillon Freasier young H.W. Plainview
Colleen Foy Mary Sunday
Sydney McCallister young Mary Sunday
David Willis Abel Sunday
Hans Howes William Bandy

Everything from the episode

In the order the hosts got to it. Open a row for the discussion.

50:29

Roger Ebert's review

In the discussion (3)
Approx. transcript time · 00:50:29Read transcript
  • The lack of women is acknowledged as a real feature, with screenplay material about Daniel’s impotence helping explain his separation from ordinary society. — Bill Simmons
  • Peter Travers’s decade-best praise and bet on PTA are cited as a contemporary judgment that aged better. — Bill Simmons
  • PTA’s slow camera movement, landscape construction, fresh lumber, and non-linear use of locations make viewers physically follow the image.
54:53

Most Rewatchable Scene

The derrick explosion

The derrick explosion

In the discussion (10)
Approx. transcript time · 00:54:53Read transcript
  • Fourteen dialogue-free minutes show Daniel breaking his leg and dragging himself from a mine, establishing that he will endure anything for wealth. — Bill Simmons
  • Eli’s first sermon lets Daniel identify the rival he must pressure. — Bill Simmons
  • The practical-looking explosion combines danger, hellfire imagery, H.W.’s injury, and Daniel choosing the ocean of oil over his child; all three settle on it.
  • Daniel’s oil-soaked assault on Eli is short, physical, and appears painfully real.
  • The “competition in me” confession reveals his hatred and sociopathy to the false brother. — Bill Simmons
  • The baptism turns genuine pain and calculated pipeline submission into simultaneous truths.
  • The Pacific beach lets Daniel quietly discover Henry’s lie before murder; the drunk steak lunch shows his power and contempt in posture and line delivery.
  • Adult H.W.’s departure forces Daniel to reveal the adopted child as a sales instrument, though their earlier bond remains emotionally ambiguous.
  • The milkshake scene ends oil versus religion with drunken pantomime, humiliation, and a bowling-pin murder; power inevitably wins.
  • Paul Sunday’s initial pitch is an understated two-actor negotiation that unlocks the entire plot. — Sean Fennessey
1:12:34

What’s Aged the Best?

The theme, emerging humor, visible oil-building process, score, ambiguity, PTA’s ascendancy, practical landscapes, sc...

The theme, emerging humor, visible oil-building process, score, ambiguity, PTA’s ascendancy, practical landscapes, script, trailer, young H.W., and “I’m finished”

In the discussion (7)
Approx. transcript time · 01:12:34Read transcript
  • The first minutes methodically turn a hole into an oil enterprise and make a complex process legible. — Bill Simmons
  • Oil superseding religion reads as the twentieth century replacing nineteenth-century structures of power. — Bill Simmons
  • The movie’s shots range from vast fire landscapes to intimate church movement and precise match cuts.
  • The bowling ball visibly striking Dano’s foot enhances the climactic physical risk. — Bill Simmons
  • No opening credits, Daniel leaving H.W. on the train, Dylan Freasier’s one-film performance, and the final line are individually celebrated.
  • Ambiguity about Eli’s faith, Daniel’s love, and the curse of the unblessed site changes with each viewing. — Chris Ryan
  • PTA’s scale and command pushed contemporaries toward their own mature masterworks.
1:20:33

The Slow Ride / Kid Cudi – Pursuit of Happiness Award for Best Needle Drop

Jonny Greenwood’s clacking, accelerating explosion score

Jonny Greenwood’s clacking, accelerating explosion score

In the discussion (1)
Approx. transcript time · 01:20:33Read transcript
  • Jonny Greenwood’s clacking, accelerating explosion score wins; “Slow Ride” over “I’m finished” is the comic alternative.
1:22:39

Dracula the Musical Award for Best Imitation of Real Art

Oil drilling

Oil drilling

In the discussion (1)
Approx. transcript time · 01:22:39Read transcript
  • The oil drilling is the most convincing imitation of a real craft. — Bill Simmons
1:22:56

The Big Kahuna Burger Award for Best Use of Food and Drink

Two steaks, whiskey water, and goat’s milk lead, with final-scene steak and whiskey in H.W.’s baby bottle as alternat...

Two steaks, whiskey water, and goat’s milk lead, with final-scene steak and whiskey in H.W.’s baby bottle as alternatives.

In the discussion (1)
Approx. transcript time · 01:22:56Read transcript
  • Two steaks, whiskey water, and goat’s milk lead, with final-scene steak and whiskey in H.W.’s baby bottle as alternatives. — Bill Simmons
1:24:00

The Den of Thieves Benihana Award for Scene-Stealing Location

The bowling alley

The bowling alley

In the discussion (1)
Approx. transcript time · 01:24:00Read transcript
  • The bowling alley wins over the Pacific Ocean and opening silver mine, aided by its intentional Shining resemblance. — Bill Simmons
1:25:28

The Great Shot Gordo Award for Most Cinematic Shot

The beach two-shot with Henry’s face partly in sunlight

The beach two-shot with Henry’s face partly in sunlight

In the discussion (3)
Approx. transcript time · 01:25:28Read transcript
  • The favored beach framing mirrors a famous painting and visually anticipates Daniel seeing through Henry. — Chris Ryan
  • Fletcher and Daniel in shadow before the burning derrick turn destruction into triumph.
  • A modified 1910 Pathé lens created the unusual train image of Daniel and infant H.W.
1:27:46

The Butch’s Girlfriend Award for the Weakest Link in the Film

No weak link

No weak link

In the discussion (1)
Approx. transcript time · 01:27:46Read transcript
  • The category is deliberately left blank because the panel supports the film’s decisions.
1:28:23

What’s Aged the Worst?

The real fire’s environmental damage, Miramax branding, and the oil state’s global damage

The real fire’s environmental damage, Miramax branding, and the oil state’s global damage

In the discussion (1)
Approx. transcript time · 01:28:23Read transcript
  • The real fire’s environmental damage, Miramax branding, and the oil state’s global damage are the only candidates. — Bill Simmons
1:29:01

The Ron Burgundy Flute Award for the Best Time for a Pee Break

Travel to inspect Paul Sunday’s claim; the Bandy-tract pipeline survey

Travel to inspect Paul Sunday’s claim; the Bandy-tract pipeline survey

In the discussion (1)
Approx. transcript time · 01:29:01Read transcript
  • Either the travel to inspect Paul Sunday’s claim or the Bandy-tract pipeline survey is the suggested break. — Sean Fennessey
1:30:11

Mallory Rubin Award: Did This Movie Need a Better Sex Scene?

No additional sex scene

No additional sex scene

In the discussion (1)
Approx. transcript time · 01:30:11Read transcript
  • The removed material explains his reaction to Eli’s accusation of lust. — Bill Simmons
1:30:55

The Neil McCauley “A Book about Metals” Award for Best Line from the Movie

No consensus; one preference is “I have a competition in me”

No consensus; one preference is “I have a competition in me”

In the discussion (1)
Approx. transcript time · 01:30:55Read transcript
  • “I have a competition in me” wins one preference; “I drink your milkshake,” “I’ve abandoned my boy,” the economic-panic line, and Eli’s threats remain competing choices. — Chris Ryan
1:31:30

Jesse Eisenberg “That’s good. You should be proud of that right there. Don’t worry if you don’t make it any further” Award for Best Line Reading

“Yes, I do”

“Yes, I do”

In the discussion (1)
Approx. transcript time · 01:31:30Read transcript
  • “Yes, I do” is the selected line reading, with Eli’s teeth-and-gums sermon material also praised. — Chris Ryan
1:31:58

The Stephen A. Smith Hottest Take Award

Three takes argue Daniel may be sexually attracted to Henry, the film is much better and more important than No Count...

Three takes argue Daniel may be sexually attracted to Henry, the film is much better and more important than No Country, and Day-Lewis cannot be greatest without a mass-audience movie.

In the discussion (3)
Approx. transcript time · 01:31:58Read transcript
  • The Henry theory draws on betrayal, brothel jealousy, beach intimacy, impotence, and Daniel’s absence of women; the counterview sees a needed surrogate after H.W.’s injury.
  • All three prefer There Will Be Blood to No Country despite calling the latter an exceptional Best Picture winner. — Sean Fennessey
  • The Day-Lewis dissent wishes he had played Nicholson’s Departed role or another broad commercial part.
1:37:12

Casting What-Ifs

Kel O’Neill’s removal after three weeks forced Paul Dano into both Sunday roles; Philip Seymour Hoffman was originall...

Kel O’Neill’s removal after three weeks forced Paul Dano into both Sunday roles; Philip Seymour Hoffman was originally imagined for Telford.

In the discussion (3)
Approx. transcript time · 01:37:12Read transcript
  • The hosts avoid blaming O’Neill beyond the sourced account that PTA was not getting what he needed; he never acted again.
  • Dano’s lack of preparation and immediate opposition to Day-Lewis make his eventual performance more impressive.
  • PTA rejected familiar collaborators to make a new statement, removing Hoffman from Telford consideration.
1:40:32

The Ruffalo / Hanna / Rubinek / Partridge Overacting Award

Paul Dano’s exorcism

Paul Dano’s exorcism

In the discussion (1)
Approx. transcript time · 01:40:32Read transcript
  • Paul Dano’s exorcism wins, while Day-Lewis is declared ineligible despite the climactic pantomime.
1:41:37

The Joey Pants “That Guy” Award

Legendary SNL writer Jim Downey

Legendary SNL writer Jim Downey

In the discussion (1)
Approx. transcript time · 01:41:37Read transcript
  • Legendary SNL writer Jim Downey wins for his small real-estate role. — Sean Fennessey
1:42:04

The Dion Waiters Award for Best Heat Check Performance

Bandy

Bandy

In the discussion (1)
Approx. transcript time · 01:42:04Read transcript
  • Bandy wins for two compact, forceful scenes. — Bill Simmons
1:42:13

Recasting Couch

Philip Seymour Hoffman as Henry; Paul Dano retained as Eli

Philip Seymour Hoffman as Henry; Paul Dano retained as Eli

In the discussion (2)
Approx. transcript time · 01:42:13Read transcript
  • Hoffman as the false brother would create a different two-actor confrontation at a fitting career moment. — Bill Simmons
  • Ledger is the strongest Eli alternative but perhaps too beautiful; most other candidates feel too contemporary or famous for the period world.
1:46:06

Half-Assed Internet Research

The milkshake metaphor to Albert Fall’s Teapot Dome testimony, the adjacent No Country fire disruption, difficult fin...

The milkshake metaphor to Albert Fall’s Teapot Dome testimony, the adjacent No Country fire disruption, difficult financing, Day-Lewis’s laborer letters, Greystone Mansion, and Edward Doheny parallels

In the discussion (4)
Approx. transcript time · 01:46:06Read transcript
  • PTA paraphrased the milkshake metaphor from a congressional investigation of Albert Fall. — Bill Simmons
  • Smoke from this production entered No Country shots nearby. — Bill Simmons
  • Day-Lewis studied period laborers’ letters and photographs. — Bill Simmons
  • The mansion belonged to Doheny, whose life overlaps Daniel in Wisconsin, Kansas, mining, oil, Teapot Dome, and possible family scandal. — Bill Simmons
1:48:12

Apex Mountain

Daniel Day-Lewis, Paul Thomas Anderson, oil, modern outdoor epics, oil-covered faces, private bowling alleys, well ex...

Daniel Day-Lewis, Paul Thomas Anderson, oil, modern outdoor epics, oil-covered faces, private bowling alleys, well explosions, and feeding liquor to a baby

In the discussion (1)
Approx. transcript time · 01:48:12Read transcript
  • Day-Lewis and PTA both have strong apex cases; oil, modern outdoor epics, oil-covered faces, private bowling alleys, well explosions, and feeding liquor to a baby receive playful subcases. — Bill Simmons
1:52:19

Hall of Fame Plaque

Daniel Day-Lewis: yes; PTA: split between There Will Be Blood and Boogie Nights

Daniel Day-Lewis: yes; PTA: split between There Will Be Blood and Boogie Nights

In the discussion (1)
Approx. transcript time · 01:52:19Read transcript
  • This is Day-Lewis’s plaque movie; for PTA the panel splits between There Will Be Blood and Boogie Nights.
1:53:15

Best Race Horse Name from This Movie

Third Revelation

Third Revelation

In the discussion (1)
Approx. transcript time · 01:53:15Read transcript
  • Third Revelation wins over Get Out Ghost, Bandy Tract, My Son and My Partner H.W., Milkshake, Plainview, and Peach Tree Dance.
1:53:46

Picking Nits

The unexplained mine escape, orphan’s mother, Daniel’s late discovery of Henry, Eli’s agelessness, and Paul’s cheaply...

The unexplained mine escape, orphan’s mother, Daniel’s late discovery of Henry, Eli’s agelessness, and Paul’s cheaply sold family fortune

In the discussion (2)
Approx. transcript time · 01:53:46Read transcript
  • Eli appears unchanged across roughly sixteen years. — Bill Simmons
  • Daniel should have tested Henry’s Fond du Lac knowledge immediately. — Bill Simmons
1:55:18

Sequel, Prequel, Limited Series, or All-Black Remake

No remake; an all-Black version as a thought experiment

No remake; an all-Black version as a thought experiment

In the discussion (1)
Approx. transcript time · 01:55:18Read transcript
  • The movie is untouchable, though an all-Black version is briefly enjoyed as a thought experiment. — Bill Simmons
1:55:18

Is This Movie Better With…?

Wayne Jenkins (comic default); Philip Baker Hall; Steve Buscemi; Jon Bernthal in Ciarán Hinds’s role

Wayne Jenkins (comic default); Philip Baker Hall; Steve Buscemi; Jon Bernthal in Ciarán Hinds’s role

In the discussion (1)
Approx. transcript time · 01:55:18Read transcript
1:56:43

Just One Oscar

Daniel Day-Lewis gets the single Oscar.

Daniel Day-Lewis gets the single Oscar.

In the discussion (1)
Approx. transcript time · 01:56:43Read transcript
1:57:02

Probably Unanswerable Questions

Is Day-Lewis cinema’s greatest facial-hair actor? Why does Daniel hate Standard Oil so intensely?

Is Day-Lewis cinema’s greatest facial-hair actor? Why does Daniel hate Standard Oil so intensely?

In the discussion (2)
Approx. transcript time · 01:57:02Read transcript
  • Mustaches, Bill the Butcher hair, and Lincoln’s chin strap demonstrate Day-Lewis’s range. — Bill Simmons
  • The Standard executive’s mild advice about H.W. seems insufficient to explain Daniel’s throat-cutting threat, implying missing backstory. — Sean Fennessey
1:58:27

Best Double Feature

No Country for Old Men, Citizen Kane, The Treasure of the Sierra Madre, Chinatown, The Karate Kid Part III, and Top G...
1:59:07

The Andy and Red – Zihuatanejo Award for What Happens the Next Day?

The butler discovers another bowling-alley corpse and may treat it as routine; the discussion then asks whether Paul ...

The butler discovers another bowling-alley corpse and may treat it as routine; the discussion then asks whether Paul profited ethically by destroying his family.

In the discussion (1)
Approx. transcript time · 01:59:07Read transcript
  • The butler discovers another bowling-alley corpse and may treat it as routine; the discussion then asks whether Paul profited ethically by destroying his family.
2:00:48

What Piece of Memorabilia Would You Want From This Movie?

The bloody bowling pin leads Daniel’s flask, hat, Henry’s diary, long swimming trunks, and Eli’s final cross.

The bloody bowling pin leads Daniel’s flask, hat, Henry’s diary, long swimming trunks, and Eli’s final cross.

In the discussion (1)
Approx. transcript time · 02:00:48Read transcript
  • The bloody bowling pin leads Daniel’s flask, hat, Henry’s diary, long swimming trunks, and Eli’s final cross.
2:01:35

The Coach Finstock Award for Best Life Lesson

Oil defeats religion and unchecked competition can poison the self and the world.

Oil defeats religion and unchecked competition can poison the self and the world.

In the discussion (1)
Approx. transcript time · 02:01:35Read transcript
  • Oil defeats religion and unchecked competition can poison the self and the world.
2:03:04

Who Won the Movie?

Daniel Day-Lewis

Daniel Day-Lewis

In the discussion (3)
Approx. transcript time · 02:03:04Read transcript
  • Sean selects PTA as writer, director, producer, conceiver, and career-transforming author of the whole work. — Sean Fennessey
  • The other two hosts choose Day-Lewis because no substitute could reproduce the singular performance or the movie’s rewatchability.
  • Craig evaluates the arguments without declaring his own candidate, and the panel acknowledges that PTA may own the film’s longer historical legacy.
Podcast choices
Speaker not identified
Daniel Day-Lewis
Speaker not identified
Daniel Day-Lewis

More from the conversation

Sean’s 40th-birthday selection opens a discussion of the movie’s humor, oppressive power, rewatchability, and importance to Paul Thomas Anderson and Daniel Day-Lewis.
Approx. transcript time · 00:01:30Read transcript
The hosts frame the film as PTA’s leap into the greatest-living-American-filmmaker conversation: a California industrial history, biblical allegory, corporate thriller, and recurring portrait of conquerors from Doheny to modern billionaires.
Approx. transcript time · 00:06:05Read transcript
Day-Lewis’s screen dominance, physical transformation, method commitment, artistic selectivity, and comparison with Brando, Pacino, Nicholson, and Philip Seymour Hoffman establish the performance as nearly incomparable.
Approx. transcript time · 00:20:10Read transcript
There Will Be Blood is placed in a lineage with Greed, Citizen Kane, Chinatown, and No Country for Old Men, with the claim that its cultural stature and 21st-century importance continue to grow.
Approx. transcript time · 00:43:28Read transcript

Mentions across The Rewatchables

Recorded movie reference

Pulp Fiction

The Rewatchables · aired July 29, 2024

Best Picture losers: introduced as ten, twelve titles named without ranks