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Film credit

Harrison Ford

Also referred to as Ford

Stats

Episodes featuring their films
9
Movies in this archive
13

Rewatchables episodes featuring Harrison Ford’s films

What Lies Beneath

2000 film

Bill Simmons · Chris Ryan · Mallory Rubin

Aired January 14, 2026

Witness

1985 film

Bill Simmons · Mallory Rubin

Aired August 26, 2025

Working Girl

1988 film

Bill Simmons · Amanda Dobbins · Joanna Robinson

Aired June 10, 2025

Star Wars: A New Hope

1977 film

Bill Simmons · Chris Ryan · Sean Fennessey · Van Lathan

Aired May 6, 2025

Star Wars: A New Hope

1977 film

Bill Simmons · Chris Ryan · Sean Fennessey · Van Lathan

Aired May 6, 2025

The Fugitive

1993 film

Bill Simmons · Chris Ryan · Mallory Rubin

Aired February 6, 2024

The Fugitive

1993 film

Bill Simmons · Chris Ryan · Andy Greenwald

Aired November 2, 2017

Displaying all 9 episodes

Mentioned in discussions

Star Wars: A New Hope

What’s Aged the Best?

The film’s influence, Leia, practical craft, mythmaking, Darth Vader, Obi-Wan, world-building, and cultural afterlife form a long field.

In the discussion (15)
Approx. transcript time · 00:27:58Read transcript
  • Interconnected cinematic universes and ILM are credited as foundations of contemporary Hollywood storytelling. — Sean Fennessey
  • Leia is praised as a fearless hero rather than a passive damsel, with particular importance for young viewers. — Sean Fennessey
  • Lightsabers update the durable screen appeal of sword fighting through a futuristic design. — Sean Fennessey
  • The fast spaceships are traced to hot-rod culture and Lucas’s American Graffiti experience. — Sean Fennessey
  • The Force works especially well as an almost-forgotten spiritual discipline practiced by a few remaining believers. — Chris Ryan
  • Minor details such as squadron check-ins and a stormtrooper hitting his head became durable shared lore. — Chris Ryan
  • The trench run is treated as an enduring aerial-attack template copied by later action films. — Chris Ryan
  • Darth Vader is the leading answer because he expanded from mysterious villain into the franchise’s most recognizable tragic figure. — Van Lathan
  • Introducing Vader immediately is defended because later stories reveal the saga to be partly his story and the Emperor to be the deeper evil.
  • The secret that Vader is Luke’s father is praised for leaving subtle retrospective possibilities without revealing itself.
  • Obi-Wan is praised as an archetypal mentor and every Vader entrance retains power. — Bill Simmons
  • The strange creatures, villains, opening crawl, and constant parody produced a distinct world with an unusually long cultural life. — Bill Simmons
  • The long-concealed Carrie Fisher and Harrison Ford affair is offered as something that aged well because their chemistry remains visible in the film. — Bill Simmons
  • Blasters age well relative to bullets because their clean impacts make the movie accessible to younger viewers and avoid ammunition-count questions.
  • Carrie Fisher’s advice that she and Mark Hamill should accept their defining roles is praised as a healthy view of fame. — Bill Simmons
The Longest Yard

Producer review

The producer praises the football and final forty minutes, finds the first hour dated, admires the older stars’ natural presence, wants a stronger final speech, and argues Crewe should have thrown the game

In the discussion (9)
Approx. transcript time · 01:41:01Read transcript
Manchester by the Sea

The Stephen A. Smith Hottest Take Award

The wife shares half the blame; a great four-film career is enough.

In the discussion (4)
Approx. transcript time · 01:08:23Read transcript
  • A reader’s proposed rename commemorating the Luke Wilson and Harrison Ford comparison is enthusiastically accepted. — Bill Simmons
  • The hottest take assigns the wife half the blame because of the heat, fireplace screen and escape circumstances, while still acknowledging the husband is not blameless. — Bill Simmons
  • The opposing response emphasizes intoxication, drugs and a late-night alcohol trip before the blame discussion moves on. — Bill Simmons
  • A lower-stakes take argues that a genius ending with only four movies can still have an excellent career.
Internal Affairs

Casting What-Ifs

Nick Nolte declined Peck; the extensive other-candidate list is treated skeptically.

In the discussion (2)
Approx. transcript time · 01:10:23Read transcript
Internal Affairs

Recasting Couch

Swap Sciorra and Travis; Reeve, Johnson, Ford, Denzel or modern-day Gosling as Peck.

In the discussion (4)
Approx. transcript time · 00:59:36Read transcript
  • Swap Annabella Sciorra and Nancy Travis: Sciorra's passion and contrast with Peck would strengthen Raymond's marriage story.
  • Christopher Reeve is an intriguing against-type option; Don Johnson has the right appeal, though his acting range is questioned. Harrison Ford is another preferred alternative.
  • Denzel Washington could play Peck, but the racial dynamics would make a substantially different movie.
  • Ryan Gosling is the modern Peck choice, with Murder by Numbers recalled as evidence he can play a villain.
In the discussion (4)
Approx. transcript time · 01:46:47Read transcript
Podcast choices
In the discussion (12)
Approx. transcript time · 01:13:31Read transcript
The Fugitive

Half-Assed Internet Research

Ford’s injury, the real train crash and Chicago filming

In the discussion (6)
Approx. transcript time · 01:11:34Read transcript
In the discussion (5)
Approx. transcript time · 01:02:53Read transcript
The Fugitive

What’s Aged the Worst?

Defense failures, disguise logic and sequels

In the discussion (11)
Approx. transcript time · 00:55:33Read transcript
  • Kimble’s legal defense
  • Forensic/DNA handling is criticized as dated
  • Failure to show Kimble testifying
  • Slow parallel prosthetics investigations
  • Oversized opening credits
  • Joe Pantoliano’s wig
  • Pre-CGI concealment of the actor’s arm
  • U.S. Marshals and later adaptations
  • Removal of Julianne Moore’s romantic subplot is debated and defended
  • People failing to recognize Ford’s distinctive face
  • The final Nichols/Kimble fight
Displaying discussions 37 - 48 of 100 in total

Films in the archive