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Podcast Manager, The Ringer

Craig Horlbeck

Producer who contributes to the discussion. In the Chicago live episode, he chooses Harrison Ford.

Also referred to as Craig, Bangkok Craig, Craig Grobeck, Craig Gahau

Stats

Episodes credited in this archive
220
Movies in this archive
217
Producer credits
217
Attributed podcast choices
13

Across the table

Appearing on these Rewatchables episodes

Fargo

1996 film

Bill Simmons · Chris Ryan · Kyle Brandt

Aired March 10, 2026

Sicario

2015 film

Bill Simmons · Chris Ryan · Sean Fennessey

Aired March 3, 2026

GoldenEye

1995 film

Bill Simmons · Chris Ryan · Sean Fennessey

Aired February 17, 2026

Zodiac

2007 film

Bill Simmons · Chris Ryan · Sean Fennessey

Aired January 26, 2026

The Sure Thing

1985 film

Bill Simmons · Chris Ryan

Aired December 18, 2025

High Fidelity

2000 film

Bill Simmons · Chris Ryan · Joanna Robinson · Rob Mahoney

Aired December 16, 2025

Shampoo

1975 film

Bill Simmons · Cameron Crowe · Sean Fennessey

Aired December 9, 2025

Rocky II

1979 film

Bill Simmons · Chris Ryan · Van Lathan

Aired December 2, 2025

Weird Science

1985 film

Bill Simmons · Kyle Brandt

Aired November 18, 2025

Snake Eyes

1998 film

Bill Simmons · Sean Fennessey · Van Lathan

Aired November 11, 2025

The Truman Show

1998 film

Bill Simmons · Glen Powell · Chris Ryan

Aired November 4, 2025

Displaying episodes 25 - 36 of 220 in total

Mentioned in discussions

In the discussion (2)
Approx. transcript time · 01:28:48Read transcript
  • Olivier is chosen for bridging an older acting tradition and giving a brave performance.
  • The third participant praises the film’s suspense, delayed explanations, and Diamond District sequence but does not state a winner choice. — Craig Horlbeck
Podcast choices
Speaker not identified
Laurence Olivier
Speaker not identified
Laurence Olivier
Out for Justice

The Stephen A. Smith Hottest Take Award

Unchecked movie-star control should return because singular stars can create unusually memorable movies.

In the discussion (4)
Approx. transcript time · 01:42:39Read transcript
  • Craig argues for restoring singular movie-star control because it can create memorable unintentional comedy. — Craig Horlbeck
  • He contrasts that approach with market-tested films whose failures feel polished and predictable. — Craig Horlbeck
  • The panel imagines giving Jason Momoa a blank-slate police movie with no notes or audience testing. — Craig Horlbeck
  • The opening beret, freeze frame, and hot dog are cited as choices that modern focus groups would likely remove. — Craig Horlbeck

Flex pick · Craig Horlbeck

In the discussion (2)
Approx. transcript time · 00:23:40Read transcript
Close Encounters of the Third Kind

The Stephen A. Smith Hottest Take Award

The five-note musical exchange works, but the extended mothership improvisation becomes awkward.

Flex pick · Craig Horlbeck

In the discussion (2)
Approx. transcript time · 01:35:36Read transcript
  • Craig says the initial five-note exchange works but the extended musical improvisation becomes awkward. — Craig Horlbeck
  • He argues that Spielberg and John Williams overextended the sequence once the brass and tuba-like sounds begin. — Craig Horlbeck
Someone to Watch Over Me

Producer review

Craig enjoyed the unfamiliar film and especially Rogers.

In the discussion (3)
Approx. transcript time · 01:22:53Read transcript
  • The invited viewer says the hosts have converted him: this movie hits love triangle, twangy guitar and dance-club squares in80s movie bingo. — Bill Simmons
  • The hair is praised but the lack of a strong sex scene or nudity is a miss.
  • Rogers’s performance impresses a viewer who knew her name but not her face or work.
Someone to Watch Over Me

The Stephen A. Smith Hottest Take Award

Venza may save the marriage; the film could have been a great erotic thriller.

In the discussion (3)
Approx. transcript time · 00:56:05Read transcript
  • The crisis might reinvigorate Mike and Ellie, though divorce within a year is an alternative. — Bill Simmons
  • The strong premise could support a much more erotic film, with several additional intimacy scenes imagined. — Chris Ryan
  • Buying Ellie a Claire-like dress is suggested as another way to dramatize the triangle; Craig compares the detailed pitching to sports analysis. — Bill Simmons
Can't Hardly Wait

Producer review

Craig’s first viewing is mostly negative, with William and Tripp McNeely exceptions.

In the discussion (6)
Approx. transcript time · 01:16:21Read transcript
  • Introduced as producer Craig, the first-time viewer finds the earnest romance dated, the archetypes and casting weak, and the film caught between Say Anything and American Pie. — Craig Horlbeck
  • He likes William getting drunk and especially Jerry O'Connell’s warning about peaking in high school, likened to Mike seeing his future. — Craig Horlbeck
  • He wants a college follow-up with Mike and Tripp.
  • He concludes that the apparent archetype satire instead feels sloppy. — Craig Horlbeck
  • The other speakers call this a time capsule and a movie where you had to be there. — Joanna Robinson
  • The others defend the film’s modest ambitions, cheap production, young cast and humorous execution as characteristic of the era.
Can't Hardly Wait

What Piece of Memorabilia Would You Want From This Movie?

Loveburger shirt, love kit, signed yearbook and goggles.

In the discussion (2)
Approx. transcript time · 01:12:29Read transcript
  • The Loveburger band shirt is a personal favorite. — Bill Simmons
  • The love kit and signed yearbook are also wanted; the goggles are jokingly assigned to Craig rather than claimed as his own spoken choice. — Joanna Robinson
Can't Hardly Wait

Cruise or Hanks?

Young Hanks as Preston is the final stated choice.

In the discussion (2)
Approx. transcript time · 01:04:47Read transcript
  • Young Hanks as Preston and Risky Business-era Cruise as Preston or Mike are considered; Craig supports Hanks leading and Cruise as Mike. — Joanna Robinson
  • Cruise’s size is questioned for football player Mike; the final Hanks choice mistakenly says Mike and is immediately corrected to Preston. — Joanna Robinson
Best in Show

Just One Oscar

Catherine O’Hara; editing; Fred Willard

In the discussion (5)
Approx. transcript time · 01:23:33Read transcript
  • Guest’s directing and writing are considered for the single Oscar before editing receives support; improvisation is raised as a concern about choosing screenplay. — Mallory Rubin
  • O’Hara is proposed for the Oscar because her comparatively understated performance grounds the more extreme caricatures, with the limp jokingly offered as her ceremony clip. — Mallory Rubin
  • The contemporary supporting-actress nominees are compared, with disagreement over Kate Hudson versus Frances McDormand in Almost Famous. — Bill Simmons
  • Willard is proposed for supporting actor, then reconsidered against O’Hara after reviewing a strong field; another response agrees with Craig’s editing pick, and the O’Hara case gains support. — Mallory Rubin
  • O’Hara is separated as the Oscar choice from Willard as an anticipated movie winner; Posey, Levy, Coolidge and Lynch are also considered difficult to replace. — Mallory Rubin
Displaying discussions 37 - 48 of 110 in total

Flex picks

Flex pick · Craig Horlbeck

In the discussion (3)
Approx. transcript time · 01:13:07Read transcript

Flex pick · Craig Horlbeck

In the discussion (1)
Approx. transcript time · 01:15:35Read transcript
  • The participant explicitly says the resemblance may not be an intentional reference. — Craig Horlbeck
Ghostbusters

Mallory Rubin Award: Did This Movie Need a Better Sex Scene?

A more explicit encounter between possessed Dana and Louis Tully

Flex pick · Craig Horlbeck

In the discussion (3)
Approx. transcript time · 00:52:26Read transcript
  • The selected answer pairs the possessed gatekeeper with the actual Keymaster rather than Venkman. — Craig Horlbeck
  • The film is understood to imply that Dana and Louis had sex, but the flex asks to see more of their physical mismatch without requiring nudity. — Craig Horlbeck
  • The panel then reiterates that Venkman cannot ethically sleep with Dana while she is possessed. — Bill Simmons
Displaying flex picks 1 - 12 of 35 in total