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The Rewatchables ·

Can't Hardly Wait

year 1998decade 90sdirector Deborah Kaplan and Harry Elfontgenre Comedygenre Romance
host Bill Simmonshost Joanna Robinsonproducer Craig Horlbeck
All 40 categories

The Stephen A. Smith Hottest Take Award · 46:23

Amanda should choose herself rather than immediately date Preston.

Bill Simmons: A participant argues that Amanda needs time to discover herself after defining her identity through Mike, instead of starting another relationship the same day; Kelly Taylor’s self-choice is invoked.

Bill Simmons: Another agrees the new romance felt too soon and had listed it under Picking Nits.

The Coach Finstock Award for Best Life Lesson · 1:12:53

Fate has limits

Joanna Robinson: Fate only takes you so far is selected as a lesson.

The film

Can't Hardly Wait (1998)

Directed by Deborah Kaplan and Harry Elfont · Comedy

101 minutes

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Cast

Selected cast credits · Film reference

Ethan Embry Preston Meyers
Jennifer Love Hewitt Amanda Beckett
Lauren Ambrose Denise Fleming
Peter Facinelli Mike Dexter
Seth Green Kenny Fisher
Charlie Korsmo William Lichter
Robert Jayne Richie Coolboy
Michelle Brookhurst Molly Stinson
Joel Michaely Geoff Piccirilli, X-File #1
Jay Paulson Murphy Pelan, X-File #2

Everything from the episode

In the order the hosts got to it. Open a row for the discussion.

23:41

What’s Aged the Best?

The fluid party editing

The fluid party editing

In the discussion (2)
Approx. transcript time · 00:23:41Read transcript
  • Following one character directly into the next scene and inventive transition cuts are praised for reproducing a party’s restless flow without feeling dated or panicky. — Bill Simmons
  • The positive assessment receives agreement. — Bill Simmons
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25:55

Roger Ebert's review

1.5 stars (scale not stated)
In the discussion (3)
Approx. transcript time · 00:25:55Read transcript
  • The rating is reported as one and a half stars; no scale is stated. — Bill Simmons
  • Ebert’s review is quoted praising Lauren Ambrose as Denise as the interesting, funny exception in the cast. — Joanna Robinson
  • The response to the review is the dismissive phrase “Crap on this.” — Bill Simmons
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27:07

Most Rewatchable Scene

The Kenny–Denise bathroom scenes

The Kenny–Denise bathroom scenes

In the discussion (6)
Approx. transcript time · 00:27:07Read transcript
  • The coordinated girlfriend-dumping plan and Star Wars code names for the nerds’ raid are nominated. — Bill Simmons
  • Amanda’s friends comparing her to Gwyneth and Kenny overhearing the next-guy hookup promise are nominated. — Joanna Robinson
  • The wandering letter and Tripp McNeely’s college warning are praised. — Joanna Robinson
  • Jason Siegel’s one-scene appearance and the girl compared to Velma finding romance are mentioned. — Bill Simmons
  • Mike and Amanda’s public showdown and emphatic line deliveries are favorites. — Joanna Robinson
  • The bathroom scenes, Mike’s crew turning on William, Kenny and Denise’s pairing, and Jenna Elfman’s Scott Baio monologue are nominated; the bathroom scenes receive a personal pick for dropping pretenses and revealing shared history. — Joanna Robinson
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30:41

The most 1998 thing

Soundtrack, pop-culture references, Jennifer Love Hewitt and rave goggles define1998.

Soundtrack, pop-culture references, Jennifer Love Hewitt and rave goggles define1998.

In the discussion (3)
Approx. transcript time · 00:30:41Read transcript
  • Smash Mouth/Blink182, The X Files and the David Duchovny reference are nominated. — Joanna Robinson
  • The fabricated Christy Turlington girlfriend, Gwyneth and Amanda’s Jewel yearbook quotation are nominated. — Bill Simmons
  • The goggles evoke rave and snowboard fashion, even though not remembered as typical house-party wear. — Bill Simmons
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32:19

What’s Aged the Best?

Yearbook jokes, sex positivity and optimistic cross-clique friendship

Yearbook jokes, sex positivity and optimistic cross-clique friendship

In the discussion (6)
Approx. transcript time · 00:32:19Read transcript
  • Denise’s no-activities yearbook listing and Kenny’s one-game JV basketball credit remain funny.
  • The awkward first-time sex and sex-positive tone are praised, along with Tripp McNeely.
  • The hopeful blurring of social groups is preferred to the rigid stereotypes and unresolved Monday question in The Breakfast Club.
  • The interest in attacks from outer space is jokingly praised. — Bill Simmons
  • William’s nerd persona is described as a precursor to McLovin, with the cannot-feel-my-legs line praised. — Bill Simmons
  • Kenny’s time-is-honey wording and Paradise City as an enduring nostalgic rock choice are praised. — Bill Simmons
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35:19

The Big Kahuna Burger Award for Best Use of Food and Drink

Denise’s suspected weed brownie

Denise’s suspected weed brownie

In the discussion (1)
Approx. transcript time · 00:35:19Read transcript
  • The brownie licked by Eric Balfour’s character is selected; PG13 editing is said to leave the drug content implicit. — Joanna Robinson
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35:33

The Slow Ride / Kid Cudi – Pursuit of Happiness Award for Best Needle Drop

Romeo and Juliet and Only You receive personal picks.

Romeo and Juliet and Only You receive personal picks.

In the discussion (2)
Approx. transcript time · 00:35:33Read transcript
  • Dire Straits’ Romeo and Juliet is praised as well placed during the drive. — Bill Simmons
  • Yazoo’s Only You is another personal favorite, especially its introduction beneath dialogue. — Joanna Robinson
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35:59

The Amanda Dobbins Award for Best Piece of Real Estate

The party house

The party house

In the discussion (1)
Approx. transcript time · 00:35:59Read transcript
  • The pool and staircase accessible from both directions make it an excellent party house. — Joanna Robinson
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36:50

Chest Rockwell / Brock Landers Award for Best Character Name

Tripp McNeely and the archetype credits are nominated.

Tripp McNeely and the archetype credits are nominated.

In the discussion (2)
Approx. transcript time · 00:36:50Read transcript
  • Tripp McNeely is the immediate name pick. — Joanna Robinson
  • Ready to Have Sex Girl and her friend’s credit are singled out as funny archetype names. — Bill Simmons
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38:42

The Butch’s Girlfriend Award for the Weakest Link in the Film

Disputed: Ethan Embry’s Preston or Mike Dexter

Disputed: Ethan Embry’s Preston or Mike Dexter

In the discussion (4)
Approx. transcript time · 00:38:42Read transcript
  • One participant dislikes Embry’s Preston and connects his performance to an interview about being heavily stoned; another loves the sensitive romantic character and compares the appeal to Lloyd Dobler. — Bill Simmons
  • Another participant initially says there is no weak link, then identifies Facinelli’s Mike as a possible limitation and wishes him less evil. — Bill Simmons
  • Billy Zabka, James Spader, Judd Nelson and Craig Sheffer serve as comparisons for the missing menace, charisma or rationale for Amanda’s attraction. — Bill Simmons
  • Staying with Mike for three years simply for football status is criticized as weakening Amanda too. — Bill Simmons
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42:25

What’s Aged the Worst?

The gay-sex trap, slur and Scott Baio devotion are criticized; the PG13 cuts are regretted.

The gay-sex trap, slur and Scott Baio devotion are criticized; the PG13 cuts are regretted.

In the discussion (4)
Approx. transcript time · 00:42:25Read transcript
  • The gay-sex trap and homophobic slur are explicit aged-worst choices. — Joanna Robinson
  • The Scott Baio crush monologue is reconsidered in light of his later public persona. — Joanna Robinson
  • A Lestat joke is initially considered obscure, then acknowledged as newly relevant because Interview with the Vampire returned; the Hootie reference is also recalled. — Joanna Robinson
  • The lost R rating version is discussed through reported deleted drunk/stoned characters, sanitized brownies/language and watermelon sex; Embry’s resentment of later raunchy hits is quoted. — Bill Simmons
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45:00

Van Lathan Award for Did This Movie Need More Black People?

Yes: the small number of Black characters and Kenny’s persona call for a more substantial Black presence.

Yes: the small number of Black characters and Kenny’s persona call for a more substantial Black presence.

In the discussion (1)
Approx. transcript time · 00:45:00Read transcript
  • Donald Faison and Sean Patrick Thomas are among the few recalled Black cast members; a substantial Black character responding to Kenny’s appropriation is suggested. The absent Van’s response is guessed, not his own vote. — Joanna Robinson
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45:47

The Ruffalo / Hanna / Rubinek / Partridge Overacting Award

Sara Rue’s Earth Girl or Ethan Embry

Sara Rue’s Earth Girl or Ethan Embry

In the discussion (2)
Approx. transcript time · 00:45:47Read transcript
  • Earth Girl’s sheep denunciation is nominated with affection. — Joanna Robinson
  • Embry is the other pick, continuing the disagreement about his suitability as Preston. — Joanna Robinson
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46:23

The Stephen A. Smith Hottest Take Award

Amanda should choose herself rather than immediately date Preston.

Amanda should choose herself rather than immediately date Preston.

In the discussion (2)
Approx. transcript time · 00:46:23Read transcript
  • A participant argues that Amanda needs time to discover herself after defining her identity through Mike, instead of starting another relationship the same day; Kelly Taylor’s self-choice is invoked. — Bill Simmons
  • Another agrees the new romance felt too soon and had listed it under Picking Nits. — Bill Simmons
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47:26

The Stephen A. Smith Hottest Take Award

Make a teen ensemble party movie every year.

Make a teen ensemble party movie every year.

In the discussion (3)
Approx. transcript time · 00:47:26Read transcript
  • An ensemble cast high school movie centered around one big party is called easy and watchable, deserving many more releases. — Joanna Robinson
  • The invited participant agrees about watchability but disputes ease: many attempts fail, and Sweethearts is cited as a streaming film that disappeared; theatrical release is suggested. — Bill Simmons
  • The annual-film idea becomes a joking legal requirement, with Mikey Madison encouraged to use her Oscar leverage. — Bill Simmons
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49:13

What’s Aged the Worst?

The Kenny–Denise reunion

The Kenny–Denise reunion

In the discussion (1)
Approx. transcript time · 00:49:13Read transcript
  • A participant nearly nominated the epilogue saying they break up five minutes later, preferring to stop there without reconciliation; Denise’s freeze-frame is compared to The Graduate. — Joanna Robinson
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49:31

Casting What-Ifs

Reported alternatives include Meyer as Kenny, Embry as William, Marsden as Mike and Witt/Witherspoon/Ricci as Denise.

Reported alternatives include Meyer as Kenny, Embry as William, Marsden as Mike and Witt/Witherspoon/Ricci as Denise.

In the discussion (5)
Approx. transcript time · 00:49:31Read transcript
  • Kenny was reportedly written for Breckin Meyer, unavailable due to54; he took the band role. Embry was wanted for William but insisted on Preston. — Joanna Robinson
  • James Marsden was reportedly closely considered for Mike; Facinelli’s danger won the role. Marsden is endorsed. — Joanna Robinson
  • Alicia Witt was wanted for Denise, a choice praised as similar to her Sybil persona. — Bill Simmons
  • William was initially cast with the Little Man Tate actor transcribed Adam Handbird; the speakers say he looked too young and was replaced. Exact name remains unresolved. — Bill Simmons
  • Reese Witherspoon and Christina Ricci are also reported Denise alternatives; one participant doubts Witherspoon’s plausibility because of her existing profile. — Bill Simmons
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54:25

The Joey Pants “That Guy” Award

Three role-identified performers and Amber Benson are nominated.

Three role-identified performers and Amber Benson are nominated.

In the discussion (2)
Approx. transcript time · 00:54:25Read transcript
  • The man who paid Dirk at the church, Seinfeld’s Poppy as the cop, and90210’s obsessive Tara are a favored trio; personal names are not supplied. — Bill Simmons
  • Amber Benson from Buffy is added. — Bill Simmons
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55:57

The Dion Waiters Award for Best Heat Check Performance

Melissa Joan Hart, Sara Rue, Jenna Elfman, Jerry O’Connell, Jason Segel, klepto kid and Brian Klugman

Melissa Joan Hart, Sara Rue, Jenna Elfman, Jerry O’Connell, Jason Segel, klepto kid and Brian Klugman

In the discussion (3)
Approx. transcript time · 00:55:57Read transcript
  • Hart, Rue, Elfman, O'Connell and Siegel form the initial eligible field. — Bill Simmons
  • The recurring silent klepto kid is a personal favorite, capped by stealing the gumball machine. — Bill Simmons
  • Brian Klugman’s stoner is praised for the Velma comparison and Preston-wears-T-shirts observation. — Bill Simmons
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56:45

Recasting Couch

Freddie Prinze Jr., James Marsden or Jason Segel as Preston.

Freddie Prinze Jr., James Marsden or Jason Segel as Preston.

In the discussion (3)
Approx. transcript time · 00:56:45Read transcript
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59:24

Recasting Couch

Tom Everett Scott as Preston and an older Mark Wahlberg as Mike.

Tom Everett Scott as Preston and an older Mark Wahlberg as Mike.

In the discussion (2)
Approx. transcript time · 00:59:24Read transcript
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1:00:37

Half-Assed Internet Research

Reported production anecdotes concern Hart’s schedule, set destruction and Meyer/Kaplan.

Reported production anecdotes concern Hart’s schedule, set destruction and Meyer/Kaplan.

In the discussion (3)
Approx. transcript time · 01:00:37Read transcript
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1:01:25

Recasting Couch

Breckin Meyer and Justin Long are additional Preston possibilities.

Breckin Meyer and Justin Long are additional Preston possibilities.

In the discussion (2)
Approx. transcript time · 01:01:25Read transcript
  • Meyer is suggested, with his Clueless stoner persona noted. — Joanna Robinson
  • Justin Long is tested but considered too young-looking despite being Embry’s age; Embry’s apparent age is criticized. — Bill Simmons
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1:01:48

Apex Mountain

Embry and Love Hewitt’s1998 period receive support; several other careers and teen-film forms remain debated.

Embry and Love Hewitt’s1998 period receive support; several other careers and teen-film forms remain debated.

In the discussion (8)
Approx. transcript time · 01:01:48Read transcript
  • Ethan Embry receives an affirmative apex response. — Joanna Robinson
  • Love Hewitt’s overall1998 moment spanning Party of Five, this film and I Know What You Did Last Summer is selected, rather than asserting this film alone. — Bill Simmons
  • Facinelli’s Twilight patriarch role is preferred over this film.
  • Elfman’s Dharma and Greg period and major cameo receive support, with Keeping the Faith raised as a comparison. — Joanna Robinson
  • For1990s teen films, Scream, Clueless and American Pie are debated; no single shared outcome is settled. — Bill Simmons
  • What about Bob and Hook are raised.
  • Superbad is favored for single-night high-school movies, alongside Booksmart and Days and Confused alternatives. — Bill Simmons
  • Blink182 and Smash Mouth are raised, with explicit support for Smash Mouth. — Joanna Robinson
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1:04:47

Cruise or Hanks?

Young Hanks as Preston is the final stated choice.

Young Hanks as Preston is the final stated choice.

In the discussion (2)
Approx. transcript time · 01:04:47Read transcript
  • Young Hanks as Preston and Risky Business-era Cruise as Preston or Mike are considered; Craig supports Hanks leading and Cruise as Mike. — Joanna Robinson
  • Cruise’s size is questioned for football player Mike; the final Hanks choice mistakenly says Mike and is immediately corrected to Preston. — Joanna Robinson
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1:05:46

Scorsese or Spielberg?

Spielberg

Spielberg

In the discussion (2)
Approx. transcript time · 01:05:46Read transcript
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1:06:02

What role would Philip Seymour Hoffman play?

Tripp McNeely or the angel role.

Tripp McNeely or the angel role.

In the discussion (2)
Approx. transcript time · 01:06:02Read transcript
  • Tripp McNeely is the initial Hoffman role. — Joanna Robinson
  • Jenna Elfman’s role reimagined as a male angel is an alternative. — Bill Simmons
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1:06:11

Picking Nits

Amanda’s thin characterization, bathroom logistics and rushed intimacy

Amanda’s thin characterization, bathroom logistics and rushed intimacy

In the discussion (5)
Approx. transcript time · 01:06:11Read transcript
  • One participant initially calls the film perfect with no nits. — Joanna Robinson
  • Police would shut down the party quickly; Amanda’s lack of friends, identity and agency is criticized. — Bill Simmons
  • Nobody trying the upstairs bathroom during a crowded party is implausible. — Bill Simmons
  • Amanda not knowing Preston prompts debate about narrow social circles; Say Anything’s sheltered heroine is considered better motivated. — Bill Simmons
  • Kenny and Denise having sex so quickly after reconnecting is questioned; her prior experience and his love kit are counterpoints. — Bill Simmons
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1:07:27

What’s Aged the Best?

Jaime Pressly’s performance receives a retrospective nomination.

Jaime Pressly’s performance receives a retrospective nomination.

In the discussion (1)
Approx. transcript time · 01:07:27Read transcript
  • Her performance is praised as iconic and explicitly identified as something that should have appeared in Aged Best. — Bill Simmons
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1:08:42

Sequel, Prequel, Limited Series, or All-Black Remake

An eight-episode real-time party series

An eight-episode real-time party series

In the discussion (1)
Approx. transcript time · 01:08:42Read transcript
  • An Amazon series tracking eight actual party hours is pitched through The Pit and American Vandal comparisons; the invited participant says he would watch. — Joanna Robinson
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1:09:34

Is This Movie Better With…?

Danny Trejo as the advice-giving adult and Samuel L. Jackson as the cop.

Danny Trejo as the advice-giving adult and Samuel L. Jackson as the cop.

In the discussion (2)
Approx. transcript time · 01:09:34Read transcript
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1:10:25

Just One Oscar

Editing or costume design

Editing or costume design

In the discussion (2)
Approx. transcript time · 01:10:25Read transcript
  • One participant initially chooses nobody; the challenge produces an editing nomination and agreement. — Joanna Robinson
  • Mark Bridges’ costume design is nominated, especially Kenny and the popular girls’ clothes. — Bill Simmons
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1:11:07

Probably Unanswerable Questions

Why was a five-year reunion sequel not made?

Why was a five-year reunion sequel not made?

In the discussion (2)
Approx. transcript time · 01:11:07Read transcript
  • A raunchier2003 reunion is described as a missed opportunity once the film had gained cult status; a30-year version is considered less certain. — Joanna Robinson
  • Another participant sees appeal in revisiting the cast decades later and jokes Amanda might finally have a personality. — Bill Simmons
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1:11:56

The Andy and Red – Zihuatanejo Award for What Happens the Next Day?

The central romance likely ends after college

The central romance likely ends after college

In the discussion (2)
Approx. transcript time · 01:11:56Read transcript
  • One scenario gives Preston and Amanda two years before she dates a soccer captain. — Bill Simmons
  • Another imagines Preston meeting someone more conversational and interested in his writing at college. — Bill Simmons
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1:12:29

What Piece of Memorabilia Would You Want From This Movie?

Loveburger shirt, love kit, signed yearbook and goggles.

Loveburger shirt, love kit, signed yearbook and goggles.

In the discussion (2)
Approx. transcript time · 01:12:29Read transcript
  • The Loveburger band shirt is a personal favorite. — Bill Simmons
  • The love kit and signed yearbook are also wanted; the goggles are jokingly assigned to Craig rather than claimed as his own spoken choice. — Joanna Robinson
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1:12:53

The Coach Finstock Award for Best Life Lesson

Fate has limits; wear shower shoes.

Fate has limits; wear shower shoes.

In the discussion (2)
Approx. transcript time · 01:12:53Read transcript
  • Fate only takes you so far is selected as a lesson. — Joanna Robinson
  • Always wear shoes in dorm showers is another lesson, reinforced by a personal dorm anecdote. — Bill Simmons
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1:13:20

Best Double Feature

Superbad and Sixteen Candles expand into a generational mini-marathon.

Superbad and Sixteen Candles expand into a generational mini-marathon.

In the discussion (2)
Approx. transcript time · 01:13:20Read transcript
  • Superbad is one pick and Sixteen Candles another. — Bill Simmons
  • The sequence expands to Sixteen Candles, the current film, Superbad, Booksmart and optionally Say Anything. — Bill Simmons
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1:13:44

Who Won the Movie?

Seth Green

Seth Green

In the discussion (4)
Approx. transcript time · 01:13:44Read transcript
Podcast choices
Speaker not identified
Seth Green
Speaker not identified
Seth Green
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1:14:24

Apex Mountain

Seth Green’s late1990s run is belatedly raised.

Seth Green’s late1990s run is belatedly raised.

In the discussion (1)
Approx. transcript time · 01:14:24Read transcript
  • Austin Powers, Buffy and this film are cited as a high-approval period, with Robot Chicken later mentioned. — Bill Simmons
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1:16:21

Producer review

Craig’s first viewing is mostly negative, with William and Tripp McNeely exceptions.

Craig’s first viewing is mostly negative, with William and Tripp McNeely exceptions.

In the discussion (6)
Approx. transcript time · 01:16:21Read transcript
  • Introduced as producer Craig, the first-time viewer finds the earnest romance dated, the archetypes and casting weak, and the film caught between Say Anything and American Pie. — Craig Horlbeck
  • He likes William getting drunk and especially Jerry O'Connell’s warning about peaking in high school, likened to Mike seeing his future. — Craig Horlbeck
  • He wants a college follow-up with Mike and Tripp.
  • He concludes that the apparent archetype satire instead feels sloppy. — Craig Horlbeck
  • The other speakers call this a time capsule and a movie where you had to be there. — Joanna Robinson
  • The others defend the film’s modest ambitions, cheap production, young cast and humorous execution as characteristic of the era.
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More from the conversation

Joanna’s extended Los Angeles visit and shared Prestige TV work lead to selecting Can’t Hardly Wait as a personal favorite.
Approx. transcript time · 00:01:43Read transcript
The film is treated as a long-growing cult favorite whose mainstream teen-film form would now more likely become television; American Vandal and Booksmart are comparisons.
Approx. transcript time · 00:02:53Read transcript
A participant places the film precisely between Gen X and millennials, describing ubiquitous high-school quoting despite its modest actual success.
Approx. transcript time · 00:04:11Read transcript
Say Anything’s party, John Hughes films, Secret Admirer and Can’t Buy Me Love are cited as influences; the film bridges rigid cliques and later stories of teenagers sharing the same uncertainties.
Approx. transcript time · 00:05:11Read transcript
Cutting an R-rated version down to PG13 is judged both limiting and a source of sweetness; the tame content is credited with an enduring cable and DVD life.
Approx. transcript time · 00:07:06Read transcript
Scream, television-trained young actors, PG13 marketing, magazines and soundtrack-friendly pop music are described as ingredients of the teen boom.
Approx. transcript time · 00:08:45Read transcript
Clueless, Can’t Hardly Wait and American Pie are associated with closely spaced microgenerations; one-night adventures and last-chance reinvention are praised as reliable premises.
Approx. transcript time · 00:10:58Read transcript
A roughly twenty-title post-Scream teen-film rundown illustrates the three-year boom, with Dawson’s Creek and Party of Five supplying actors.
Approx. transcript time · 00:12:01Read transcript
Party of Five actors’ different trajectories are discussed; Love Hewitt is said to have signed this film before I Know What You Did Last Summer increased her profile.
Approx. transcript time · 00:13:47Read transcript
Time of Your Life is recalled as Love Hewitt searching for her birth parents in New York; Jamie Walters participation is uncertain. Romeo and Juliet and Brokedown Palace casting losses are reported.
Approx. transcript time · 00:14:32Read transcript
TV schedules are said to constrain film careers, including Melissa Joan Hart’s late-night shooting; a Punk’d fake prestige-role offer is remembered as particularly cruel to Love Hewitt.
Approx. transcript time · 00:15:25Read transcript
The speakers discuss Love Hewitt’s perceived appeal to men versus women, contrasting her with Neve Campbell; these are their generalizations, not audience research.
Approx. transcript time · 00:16:35Read transcript
The ensemble mixes named leads with familiar unnamed school-party types; Charlie Korsmo’s childhood roles, MIT hiatus and brief return are discussed with uncertainty about later acting.
Approx. transcript time · 00:17:19Read transcript
Lauren Ambrose’s performance is praised, the Six Feet Under connection noted, and the many television/cameo actors celebrated. Casting is described as choosing among available young-looking actors and friends.
Approx. transcript time · 00:19:35Read transcript
Seth Green’s persona is considered specific to a short late1990s window but still funny because the film exposes and punctures his affected identity.
Approx. transcript time · 00:21:02Read transcript
The soundtrack is celebrated as a1998 time capsule mixing contemporary acts with nostalgic songs, including Mandy, Paradise City, Only You and Romeo and Juliet.
Approx. transcript time · 00:21:50Read transcript
Entertainment Weekly’s2012 top50 high-school ranking placing the film44th is considered too low; teens or twenties are preferred.
Approx. transcript time · 00:24:47Read transcript
Josie and the Pussycats is recommended as another underrated Kaplan/Elfont film with similar generational humor and joke density, especially Alan Cumming and Parker Posey.
Approx. transcript time · 00:25:04Read transcript
The film is reported to cost13 million and earn25 million, with a crowded teen-film market suggested as a reason it fell short of expectations.
Approx. transcript time · 00:25:50Read transcript
The speakers report that the Altadena filming house burned down; this is an episode claim, not independently verified property reporting.
Approx. transcript time · 00:36:43Read transcript
A new flex category asks whether a cell phone would ruin the film: social profiles would identify Preston, smartphone use would change party interaction, and no payphone would mean no Jenna Elfman encounter.
Approx. transcript time · 00:37:21Read transcript
Embry is quoted recalling heavy marijuana use during filming; an anecdote says Love Hewitt gave him breath mints before their kiss. The participant interprets his performance through this reported account.
Approx. transcript time · 00:39:01Read transcript
The original conception reportedly paired Preston with Denise, consistent with Teen Wolf/Some Kind of Wonderful. A participant favors that pairing and Amanda’s independence; Kenny is judged inadequate for Denise.
Approx. transcript time · 00:48:32Read transcript
The54 director’s cut is strongly recommended as substantially more coherent than the theatrical edit, restoring the central three-person relationship.
Approx. transcript time · 00:49:43Read transcript
Marsden’s belated recognition through Jury Duty and a current Hulu show leads to praise for his romantic/comic work and a reported pleasant Oscars-party encounter; Witt’s unrealized career potential is also discussed.
Approx. transcript time · 00:51:05Read transcript
Witherspoon’s edgy1996–98 phase, including Fear, Freeway and Overnight Delivery, is contrasted with her later good-girl image.
Approx. transcript time · 00:53:15Read transcript
The Buffy/90210 connection and Brandon’s newspaper-editor girlfriend lead back to the WB as a teen-film casting pipeline.
Approx. transcript time · 00:55:13Read transcript
Craig proposes the Matt Flynn contract award for mistaken star expectations and chooses Ethan Embry; a participant explicitly disagrees with the premise while endorsing the category. Tom Everett Scott also prompts an unrealized-star observation.
Approx. transcript time · 00:58:20Read transcript
The film is said to need one leading actor who remained highly famous to extend its reach beyond a microgeneration;10Things I Hate About You supplies the comparison.
Approx. transcript time · 01:00:21Read transcript
Green’s early roles prompt a Can’t Buy Me Love identification and an Airborne recommendation; the other participant says skating and rollerblading films passed him by.
Approx. transcript time · 01:14:43Read transcript
Craig wants a follow-up taking Mike Dexter to college with Jerry O’Connell’s character.
Approx. transcript time · 01:18:50Read transcript
The speakers describe late1990s teen production as fast and derivative, using She’s All That/Can’t Buy Me Love and The Faculty as examples; these are their characterizations, not verified production histories.
Approx. transcript time · 01:19:56Read transcript