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Sean Patrick Thomas

Also referred to as Sean Patrick Harris

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Movies in this archive
1

Rewatchables episodes featuring Sean Patrick Thomas’s films

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Mentioned in discussions

Can't Hardly Wait The Rewatchables
Can't Hardly Wait

Van Lathan Award for Did This Movie Need More Black People?

Yes: the small number of Black characters and Kenny’s persona call for a more substantial Black presence.

In the discussion (1)
Approx. transcript time · 00:45:00Read transcript
  • Donald Faison and Sean Patrick Thomas are among the few recalled Black cast members; a substantial Black character responding to Kenny’s appropriation is suggested. The absent Van’s response is guessed, not his own vote. — Joanna Robinson
Cruel Intentions The Rewatchables
Cruel Intentions

The Dion Waiters Award for Best Heat Check Performance

Christine Baranski; Selma Blair dissent

In the discussion (2)
Approx. transcript time · 00:49:48Read transcript
  • Baranski is nominated for committing to the heightened characterization; Selma Blair is a competing choice, and Sean Patrick Thomas is also mentioned.
  • Baranski receives the final stated preference; Blair is reserved for a later category by two participants. — Bill Simmons
Cruel Intentions The Rewatchables
Cruel Intentions

The most 1999 thing

Email is for geeks and pedophiles

In the discussion (6)
Approx. transcript time · 00:33:36Read transcript
  • The special 1999 category names the email insult as the winner, with Counting Crows underscoring a loss-of-virginity scene as runner-up.
  • Sebastian’s unusually small, expensive phone and Sean Patrick Thomas’s prominent casting are additional period markers. — Bill Simmons
  • Seventeen magazine’s plot importance and Mrs. Caldwell’s Colin Powell donation defense of her racial attitudes are additional nominees. — Bill Simmons
  • Annette’s clothing and bras are retrospectively suggested as period markers; the styling is considered comparatively frumpy and possibly deliberate.
  • The published teenage virginity essay is singled out more precisely as a period marker; comparable contemporary personal essays would appear online or on social media.
  • The Brady Bunch reference in Kathryn’s speech is suggested as another generational marker. — Bill Simmons
Displaying all 3 discussions

Films in the archive

Picture Perfect

1997