The Stephen A. Smith Hottest Take Award · 2:01:50
Zodiac as the greatest American crime film
A modern Zodiac case would be flattened into partisan internet discourse.
Sean Fennessey: Zodiac is proposed as the greatest American crime film.
Selected cast credits · Film reference
In the order the hosts got to it. Open a row for the discussion.
The Arthur Leigh Allen interrogation
Folgers coffee; difficulty coordinating investigations across cities
True-crime culture, period San Francisco, Downey, the protagonist shift, Graysmith’s internet-like obsession, Fincher’s catalog, and several craft details
Lake Berryessa, the opening fireworks, a phone booth, the Golden Gate Bridge, and rebuilt San Francisco compete for the most cinematic shot.
Avery’s Riverside detour, the missing first murder, and reliance on Donald Cheney’s claims are the main weak-link concerns.
The abrupt four-year title card, too little Downey–Gyllenhaal time, their fictionalized friendship, Anthony Edwards’s wig, and the film’s persuasive Arthur Leigh Allen framing
Zodiac as the greatest American crime film; Zodiac as the greatest serial-killer brand
No single winner: John Terry, Charles Fleischer, and other veteran supporting actors
David Fincher (creative apex disputed); Mark Ruffalo as a movie detective; John Carroll Lynch; Zodiac within Fincher’s filmography
Split choice: Tom Hanks and Tom Cruise
Mindhunter as the prestige-TV version
The I Am Not Paul Avery button
“It’s not finished until you type it up”; keep investigating even at the cost of family and sanity if Fincher may adapt it (sarcastic)
Double Feature
The Rewatchables · aired October 15, 2024
Manhunter (two preferences); Zodiac (another pick)