Chris chooses the apparently cocaine-fueled men at the opening bar and their 'moose lips' dialogue. — Chris Ryan
Kyle loves the pre-internet fame of bouncers, imagining trading cards, Cooler Illustrated and a fantasy league despite the premise's implausibility. — Kyle Brandt
Bands protected by cages and the action-film premise of recruiting 'the best' share a top preference. — Bill Simmons
The gratuitous monster-truck destruction of the dealership exemplifies beloved expensive action excess, even though Wesley's villainy is already clear. — Kyle Brandt
Elliott's timeless appearance and ability to call someone 'mijo' remain appealing; Swayze himself is missed, and Kevin Tighe's shift from Emergency! lead to character actor is appreciated. — Bill Simmons
The closing song When the Night Comes Falling and swimming-hole ending are praised; the singer is clarified as Jeff Healey rather than Swayze. — Kyle Brandt
Shirtless tai chi, Jimmy Reno, uncertainty about whether Dalton is a first or last name, 'Nobody wins a fight' and the nipple-to-nipple invitation all retain appeal.
The hero's hidden Memphis past is an appealing trope, though his shame needs explanation; the hosts imagine a missing confession scene. The throat-rip move still shocks. — Bill Simmons
Julie Michaels's stunt background and later Point Break fight, the Family Guy tribute and Jeff Healey's performance are additional pleasures. — Bill Simmons
Swayze's effortless cigarette flick and drifting smoke are praised as hall-of-fame movie smoking, despite the real-life tragedy discussed. — Bill Simmons
