Murphy’s much larger sequel fee, pseudonymous story credit and recruitment of Nolte are reported.
Reported late editing reduced a longer cut to95 minutes, removed the deadline and greatly reduced supporting arcs. — Bill Simmons
Willie Biggs is reported as Reggie’s discarded original name, reused for a friend in the sequel. — Bill Simmons
A screenplay book reportedly includes a female-cop relationship and an offer to plant a gun. — Bill Simmons

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34:53

Picking Nits

Iceman continuity; survivable gunshot; unpunished assault; clerk during gunfight; ammunition; elapsed time; immediate...

Iceman continuity; survivable gunshot; unpunished assault; clerk during gunfight; ammunition; elapsed time; immediate proceeding; changed racism; Cherry nickname

In the discussion (10)

Approx. transcript time · 00:34:53Read transcript

The Iceman reveal is disputed as a twist and criticized for contradicting his help in the original; the suggestion he became Iceman later is countered.
The missing footage might explain the plot but might also make the movie slower. — Van Lathan
Reggie’s limited injury after a close-range shot is implausible, and the repeated vest references seem to promise a payoff that never arrives. — Chris Ryan
Reggie shoots a man in the knee immediately after release without apparent consequences. — Bill Simmons
The hotel clerk runs into an active gunfight to complain about noise. — Van Lathan
Gunfire ignores realistic ammunition limits; modern action’s visible reloading is the contrast.
The morgue identification appears to skip hours without a transition; a removed house scene is recalled. — Bill Simmons
The misconduct proceeding happens implausibly quickly. — Van Lathan
Jack’s reduced racism is debated in relation to sobriety and the original apology; abandoning Reggie complicates his improvement. — Bill Simmons
Cherry is mocked as an unlikely villain nickname, before Richard is supplied as his actual name.

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43:43

The Craig Century Club

95 minutes; up to five more acceptable

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Approx. transcript time · 00:43:43Read transcript

Craig calls95 minutes the perfect length and would accept five more. — Chris Ryan

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44:07

Roger Ebert's review

In the discussion (2)

Approx. transcript time · 00:44:07Read transcript

Two stars; the review criticizes narrative confusion while recognizing Murphy’s genuine talent. — Bill Simmons
Boomerang is defended as a good subsequent Murphy film. — Chris Ryan

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44:45

Watch Party: Best Viewing Scenario

Five-o’clock screening

In the discussion (1)

Approx. transcript time · 00:44:45Read transcript

The ideal viewing scenario is a five-o’clock screening, jokingly followed by a continuity argument.

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45:24

Most Rewatchable Scene

Murphy’s comic stretch; the payphone

In the discussion (11)

Approx. transcript time · 00:45:24Read transcript

The opening is admired despite questions about the remote bar’s location, clientele and doomed bartender.
The simultaneous attacks on Jack and the prison bus are praised; comparisons distinguish deliberate attacks from transport crashes. — Bill Simmons
The hospital and exploding-car stretch, loan calls and teasing of a traffic cop let Murphy sustain a run of jokes.
The Iceman insults, pickpocket recognition and bar shooting are enjoyed, though the band is disliked. — Bill Simmons
The hotel shootout feels unusually desperate; the window fall is admired and dumpster landings are questioned.
The fire stunt and motorcycles landing in theater aisles are admired as practical action. — Van Lathan
The prison threat and glass punch are especially frightening. — Bill Simmons
The final club shootout is enjoyed despite the Iceman reveal and the confusing unused vest setup. — Chris Ryan
The motocross fire stunt receives a special mention, but Murphy’s comic stretch is the preferred scene. — Chris Ryan
The payphone scene is the personal favorite. — Van Lathan
The ear-shooting scene is an additional favorite for its unsettling photography, laughter and menace. — Van Lathan

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56:12

The Teddy KGB Award for the Actor in a Completely Different Movie

Bernie Casey

In the discussion (2)

Approx. transcript time · 00:56:12Read transcript

Bernie Casey’s menacing prison performance prompts the Judd Nelson different-movie comparison. — Bill Simmons
His usual good-guy roles are contrasted with this threat; his overall acting is warmly praised. — Bill Simmons

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1:00:51

The most 1990 thing

Miller Genuine Draft; Uzi; Murphy’s career stage; convertibles; stripper-cage elevator

In the discussion (2)

Approx. transcript time · 01:00:51Read transcript

Most1990 choices: brewskis/Miller Genuine Draft, an Uzi and Murphy’s career stage; claims he looks heavier are countered by criticism of the suit.
Convertibles and the stripper-cage elevator are period details; personal sun-exposure stories are a digression.

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1:04:18

What’s Aged the Best?

Precinct insults; rural–city tension; Internal Affairs; bikers; dead villain’s brother; crime dialogue

In the discussion (2)

Approx. transcript time · 01:04:18Read transcript

Aged best: insulting precinct banter; the missing McRae captain leads to a hypothetical Ringer captain riff.
Aged best: rural-versus-city insults, apparently villainous Internal Affairs, biker gangs, revenge by a dead villain’s brother and familiar crime-movie dialogue.

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1:07:01

The Den of Thieves Benihana Award for Scene-Stealing Location

Bird Cage / North Beach; desert bar; King Mai Hotel

In the discussion (1)

Approx. transcript time · 01:07:01Read transcript

Location choices: Bird Cage/North Beach club, opening desert bar and King Mai Hotel; needle-drop cue is spoken but no distinct song answer is supplied here. — Bill Simmons

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1:07:24

The Great Shot Gordo Award for Most Cinematic Shot

Cadillac cresting the hill; low-angle prison release; slow-motion finale

In the discussion (3)

Approx. transcript time · 01:07:24Read transcript

The car cresting a San Francisco hill, with spotlights below, is a favorite shot. — Chris Ryan
The low angle at the prison release makes the conversation appear to remain inside prison. — Van Lathan
The slow-motion final shooting captures Kehoe realizing Jack’s plan. — Bill Simmons

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1:08:23

Dorfler’s Door Award for How Much Did That Hurt?

The close-range basketball hit

In the discussion (1)

Approx. transcript time · 01:08:23Read transcript

The newly introduced Dorfler’s Door pain award goes to the close-range basketball hit; Nolte’s injuries are contrasted with the first film. — Bill Simmons

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1:10:03

Sean Fennessey Award for Stealth Homage That Gives Every Movie Nerd a Criterion Orgasm

Once Upon a Time in the West

Flex pick · Chris Ryan

In the discussion (1)

Approx. transcript time · 01:10:03Read transcript

The bikers arriving at the opening bar echo Once Upon a Time in the West. — Chris Ryan

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1:10:03

Most Memorable Death by a Security Guard or Other Bystander

The female cop; hotel bystander alternative

Flex pick · Chris Ryan

In the discussion (2)

Approx. transcript time · 01:10:03Read transcript

The female cop shot through the car window is the selected inconsequential death. — Chris Ryan
The hotel guest who steps outside and is shot is another candidate; the award’s namesake pronunciation remains uncertain. — Van Lathan

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1:11:19

Hans Gruber Scale Villain Ranking

Cherry: 5.5–6 versus 8

In the discussion (2)

Approx. transcript time · 01:11:19Read transcript

Cherry starts at five-and-a-half or six, with his one-note quality questioned. — Bill Simmons
His unqualified psychopathy and revenge motive are strongly defended, prompting a proposed rating of eight. — Chris Ryan

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1:11:19

The Stephen A. Smith Hottest Take Award

Release the Walter Hill cut; uncomplicated psychopathic villains

In the discussion (4)

Approx. transcript time · 01:11:19Read transcript

Cherry’s villain rating starts at5.5–6; a defense of uncomplicated psychopathic villains prompts a suggested8 and continues. — Chris Ryan
Cherry’s villain ranking remains split between5.5–6 and an enthusiastic suggested8; his uncomplicated violence is defended. — Chris Ryan
Hottest take: release the Walter Hill cut, with Eyes Wide Shut second. Snyder-cut satisfaction and Bill’s supposed renewed influence are separate banter.
Director-cut digression:54 disappoints, Kingdom of Heaven transforms the film, and Proof of Life’s missing romance is discussed with uncertain production recollections. — Bill Simmons

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1:12:14

Is There a Better Title for This Movie?

Cherry’s Revenge; 48 Hrs. 2; 48 More Hours; Jack and Reggie; Reggie Gets Out

In the discussion (2)

Approx. transcript time · 01:12:14Read transcript

Alternatives are Cherry’s Revenge, 48 Hours Two and 48 More Hours. — Bill Simmons
Removing the deadline suggests Jack and Reggie or Reggie Gets Out.

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1:12:42

The Butch’s Girlfriend Award for the Weakest Link in the Film

Incoherent plot; Jack’s judgment; Casey–Campbell subplot; rejected money

In the discussion (5)

Approx. transcript time · 01:12:42Read transcript

The incoherent plot and Jack’s failure to suspect another cop are the principal weak links. — Bill Simmons
The villains could simply kill Jack rather than eliminate everyone around him. — Bill Simmons
The Casey–Campbell subplot feels attached at the end; the objection concerns arbitrary endangerment, not Campbell’s talent. — Van Lathan
Campbell’s consistent presence in major Black film and television work is strongly defended. — Van Lathan
Cherry makes the connection too easily, and Angel rejecting the money is considered implausible. — Van Lathan

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1:15:23

What’s Aged the Worst?

Reunion basketball scene; long sequel gap; repeated Roxanne

In the discussion (3)

Approx. transcript time · 01:15:23Read transcript

The prison basketball reunion should have been a great scene but disappoints. — Bill Simmons
The long sequel gap and repeated Roxanne performance are criticized. — Bill Simmons
Making the film accessible without the original is offered as an explanation, but the repetition is still judged lazy.

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1:16:22

The Ruffalo / Hanna / Rubinek / Partridge Overacting Award

Chinatown hotel clerk; Cherry

In the discussion (1)

Approx. transcript time · 01:16:22Read transcript

Overacting choices: Chinatown hotel clerk and Cherry discovering Jack survived. — Bill Simmons

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1:16:41

Top Five List

1. Riggs/Murtaugh; 2. Sidney/Billy; 3. Vincent/Jules; 4. Reggie/Jack; 5. Running Scared duo

Flex pick · Van Lathan

In the discussion (5)

Approx. transcript time · 01:16:41Read transcript

The top five begins with Running Scared fifth and Reggie/Jack fourth; the latter placement is disputed. — Van Lathan
Vincent/Jules rank third and Sidney/Billy second, with the action-comedy boundaries explicitly stretched. — Van Lathan
Riggs/Murtaugh rank first; 48 Hours is defended as the influential prototype, and the ranking remains disputed. — Van Lathan
Honorable mentions are Django, Men in Black, The Last Boy Scout and Money Talks; Men in Black could replace Running Scared. — Van Lathan
Wilder/Pryor are qualified, while Crockett/Tubbs raises the distinction between movie and television duos.

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1:24:58

Casting What-Ifs

Cut Frank McRae footage; no alternate casting

In the discussion (1)

Approx. transcript time · 01:24:58Read transcript

No alternate casting is offered; only the removal of Frank McRae’s footage is recalled. — Bill Simmons

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1:25:11

The Joey Pants “That Guy” Award

Brent Jennings

In the discussion (2)

Approx. transcript time · 01:25:11Read transcript

Brent Jennings is chosen; Brion James is considered beyond the category, and the actor playing the other police associate is also considered. — Bill Simmons
A street interview with Jennings about a youth-football scoring restriction is recalled as an early career success. — Van Lathan

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1:26:05

The Dion Waiters Award for Best Heat Check Performance

Bernie Casey

In the discussion (3)

Approx. transcript time · 01:26:05Read transcript

Bernie Casey is the initial choice. — Van Lathan
The bartender is offered as an alternative for the nervous exchange. — Chris Ryan
A second Casey endorsement praises his commanding, almost Shakespearean delivery.

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1:26:39

Recasting Couch

Walter Hill and San Francisco retained

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Approx. transcript time · 01:26:39Read transcript

Walter Hill and San Francisco are treated as nonnegotiable. — Bill Simmons

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1:26:51

The Neil McCauley “A Book about Metals” Award for Best Line from the Movie

“If shit was worth something, poor people would be born with no assholes”

Flex pick · Craig Horlbeck

In the discussion (2)

Approx. transcript time · 01:26:51Read transcript

The poverty-and-excrement line is the selected quote. — Craig Horlbeck
The old-football-bet explanation and request to talk black people stuff are additional favorite lines. — Chris Ryan

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1:28:17

Apex Mountain

Brion James qualified; handgun window flights

In the discussion (5)

Approx. transcript time · 01:28:17Read transcript

Murphy is not at his peak; Nolte is approaching a later run. — Bill Simmons
Brion James receives a tentative yes; a Shocker recollection follows without establishing that credit.
Predator2 challenges this film for the most frustrating but lovable action sequel.
Hill’s peak is placed at The Warriors or the original48 Hours. — Bill Simmons
People flying through windows after handgun shots receive an affirmative. — Chris Ryan

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1:29:59

Cruise or Hanks?

Hanks

In the discussion (2)

Approx. transcript time · 01:29:59Read transcript

Neither actor initially fits; the rules require the Nolte lead rather than the Iceman role.
Hanks is the final forced choice. — Bill Simmons

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1:31:05

Scorsese or Spielberg?

Scorsese

In the discussion (1)

Approx. transcript time · 01:31:05Read transcript

Scorsese is the clear choice. — Bill Simmons

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1:31:09

Best Hang / Worst Hang

Best: Angel; worst: Cherry

In the discussion (3)

Approx. transcript time · 01:31:09Read transcript

Cherry is worst; the Jennings character is initially suggested as decent company. — Bill Simmons
Angel becomes best hang despite the risk of encountering Cherry, whose intensity makes him worst.
Cherry’s oversized teardrop tattoo prompts further mockery. — Chris Ryan

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1:36:19

Sequel, Prequel, Limited Series, or All-Black Remake

A third film with Jack imprisoned and Reggie helping

In the discussion (4)

Approx. transcript time · 01:36:19Read transcript

A third film is proposed. — Chris Ryan
A third48 Hours is preferred to Beverly Hills Cop3, reversing the setup so Jack needs Reggie’s help. — Bill Simmons
The alternate sequel gives Reggie a bar to mortgage while freeing a framed Jack; the others approve the premise. — Bill Simmons
The biker gang would remain part of the revised story.

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1:37:07

Is This Movie Better With…?

Tom Brady analyzing Angel

In the discussion (2)

Approx. transcript time · 01:37:07Read transcript

Tom Brady analyzing Angel is the proposed addition. — Chris Ryan
The impression evaluates her stamina using football-broadcast language. — Chris Ryan

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1:38:00

Just One Oscar

Stunt work

In the discussion (2)

Approx. transcript time · 01:38:00Read transcript

Stunt work is the shared choice. — Bill Simmons
A1990 stunt award is recalled, and motorcycle driving receives special praise. — Bill Simmons

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1:38:19

Probably Unanswerable Questions

Angel’s reputation; porn-theater titles

In the discussion (3)

Approx. transcript time · 01:38:19Read transcript

How Angel earned and spread an exceptional professional reputation is questioned. — Bill Simmons
The discussion distinguishes types of adult-entertainment work rather than settling a single measure. — Van Lathan
The porn-theater titles are compared jokingly according to the viewer’s interest in plot. — Van Lathan

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1:41:05

What Piece of Memorabilia Would You Want From This Movie?

Motorcycle; Reggie’s car; novelty pen; Walkman; lighter; James Brown cassette

In the discussion (3)

Approx. transcript time · 01:41:05Read transcript

The motorcycle and Reggie’s car are wanted, with the car acknowledged as against the rule. — Bill Simmons
The novelty pen is another choice. — Chris Ryan
The Walkman, lighter and James Brown cassette are added. — Chris Ryan

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1:41:31

The Coach Finstock Award for Best Life Lesson

“If shit was worth something, poor people would be born with no assholes”

In the discussion (1)

Approx. transcript time · 01:41:31Read transcript

The poverty-and-excrement quote is repeated as the life lesson. — Bill Simmons

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1:41:31

Best Double Feature

48 Hrs.; Tango & Cash

48 Hrs.

Tango & Cash

In the discussion (2)

Approx. transcript time · 01:41:31Read transcript

The original48 Hours is the first pairing. — Bill Simmons
Tango & Cash is another choice, described as spiritually closer. — Bill Simmons

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1:41:46

Who Won the Movie?

Eddie Murphy

In the discussion (2)

Approx. transcript time · 01:41:46Read transcript

Eddie Murphy is named the winner. — Chris Ryan
A second explicit choice endorses Murphy. — Chris Ryan

Podcast choices

Speaker not identified: Eddie Murphy
Speaker not identified: Eddie Murphy

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1:41:48

Producer review

Funnier and more enjoyable than the original

In the discussion (2)

Approx. transcript time · 01:41:48Read transcript

The sequel is preferred to the original, whose slower pace, racism and limited humor were disappointing. — Craig Horlbeck
The sequel is considered funnier and more enjoyable because the compact mismatched-partner format works. — Craig Horlbeck

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More from the conversation

Opening ads followed by introductions for Van Lathan and Chris Ryan and their shows; television banter.

Approx. transcript time · 00:00:00Read transcript

The next episode is announced as the Netflix debut and a Zodiac revisit; this episode is the last YouTube release, not itself a Netflix premiere.

Approx. transcript time · 00:02:22Read transcript

One for us week introduces a frequently rewatched but frustrating karaoke sequel; Roxanne is corrected from Roseanne.

Approx. transcript time · 00:03:19Read transcript

Seeing the sequel first changes its reception; Murphy’s star power and a lost longer cut frame the discussion.

Approx. transcript time · 00:05:03Read transcript

Murphy’s decline is contrasted with Nolte’s prestige run; later failures and other actors’ career transitions are discussed, and Murphy’s seventh Rewatchables is counted.

Approx. transcript time · 00:06:55Read transcript

Contemporary Spin and Rolling Stone interviews prompt discussion of Murphy’s fame, burdens, racial expectations, anger and retreat into safer films; these are host interpretations of reported interviews.

Approx. transcript time · 00:10:52Read transcript

The hosts contrast Murphy’s ambitions and later sequels with his unpredictable early comedy, quoting his reflections on Tyson and pressure; sustainability is debated.

Approx. transcript time · 00:17:55Read transcript

Robin Williams and Pryor comparisons explore Murphy’s simultaneous television, stand-up and film success and the opportunities he did not take.

Approx. transcript time · 00:21:50Read transcript

Later Murphy films and hypothetical dramatic roles are discussed; Truman Show, Cast Away and Philadelphia are imagined, not casting facts.

Approx. transcript time · 00:26:16Read transcript

Craig’s generational perspective begins with Dolittle; the hosts praise Murphy’s storytelling and compare his range with Smith and Tucker.

Approx. transcript time · 00:28:42Read transcript

Direction, photography, score, dangerous villains and the opening are praised despite the plot.

Approx. transcript time · 00:36:54Read transcript

Hill’s later films are defended despite box-office failures; the hosts recall meeting him and praise his filmography.

Approx. transcript time · 00:37:35Read transcript

A future Warriors revisit is proposed; its first podcast, compact world-building and remake resistance are discussed, not current-episode tags.

Approx. transcript time · 00:39:09Read transcript

Kevin Tighe’s prior roles lead to a listener’s reported director clarification that Road House’s skinny-dipping shot was always intended as the ending.

Approx. transcript time · 00:40:34Read transcript

Andrew Divoff’s other villain roles are recalled, including Toy Soldiers and A Low Down Dirty Shame.

Approx. transcript time · 00:42:36Read transcript

Shot Caller is praised and its lead casting disputed; The Rip is enjoyed but criticized for a simple twist and expectations raised by its stars.

Approx. transcript time · 00:48:14Read transcript

An invented vampire prison-bus movie becomes a basketball-team riff; this is a hypothetical pitch, not film research.

Approx. transcript time · 00:50:12Read transcript

Advertising break after an announced Chris flex.

Approx. transcript time · 01:09:00Read transcript

A fantasy-football argument digresses from the casting rules.

Approx. transcript time · 01:30:35Read transcript

A modern buddy-comedy casting digression proposes Kam Patterson, Gillis, Chalamet, Michael B. Jordan, Plemons and Downey in different pairings; these are hypothetical.

Approx. transcript time · 01:42:45Read transcript

Miami Vice casting remains unconfirmed in the discussion; Butler’s fit is disputed and Craig jokes about his commercial acting.

Approx. transcript time · 01:44:31Read transcript

The hosts defend mismatched-partner comedy and cite The Heat and The Other Guys.

Approx. transcript time · 01:45:29Read transcript

Closing praise, a recording-time football prediction and thanks conclude; Zodiac is next and first-name production thanks remain ambiguous.

Approx. transcript time · 01:46:06Read transcript