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Tisha Campbell

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Episodes featuring their films
1
Movies in this archive
1

Mentioned in discussions

Boomerang The Rewatchables
Boomerang poster
Boomerang

What’s Aged the Worst?

The episode criticizes Marcus overlooking Angela, Jacqueline’s forced Knicks fandom, the synchronized gym routine, the abrupt racist clerk, Tisha Campbell’s one-note role, repeated fade-to-black edits, and pervasive workplace and social sexual harassment.

In the discussion (7)
Approx. transcript time · 01:32:02Read transcript
  • Eddie not realizing Halle Berry was hot for ninety minutes is the first answer.
  • Jacqueline’s investment in a random Knicks game is called an artificial way to make her seem like one of the guys.
  • Three friends moving together across identical gym machines feels staged and implausible.
  • The store clerk’s immediate cash warning is criticized as an abrupt, mechanically inserted racism beat, while another host defends its realism.
  • Tisha Campbell’s character is described as one-note and possibly present for one scene too many.
  • Repeated fade-to-black transitions expose a patched-together final act.
  • The hosts identify pervasive sexual harassment across nearly every relationship as the broadest dated element.
Boomerang The Rewatchables
Boomerang poster
Boomerang

What’s Aged the Best?

Halle Berry’s performance receives the final first choice; Jeffrey Holder’s ad pitches, the Martin television origin story, period slang, Eddie Murphy’s reactions and clothes, the role reversal, Strangé ads, Star Trek riff, Angela’s breakup, and the heartbreak-and-recovery arc are also praised.

In the discussion (14)
Approx. transcript time · 01:17:03Read transcript
  • Jeffrey Holder makes the deliberately vulgar Kissable ad pitch funny through the character’s sincere disappointment at being restrained.
  • The episode reports that Murphy’s praise of Martin Lawrence and Tisha Campbell helped inspire their pairing on Martin.
  • “Hammer time” and “the twizzah” remain instantly recognizable bits from the movie.
  • Murphy’s comic orgasm and Grace Jones’s helicopter entrance are singled out as physical and visual comedy.
  • Angela is praised as an unusually complete romantic-comedy character whose humor, warmth and natural presence were underused later.
  • The film’s gender role reversal remains clear in how Jacqueline controls the sexual relationship with Marcus.
  • The first Strangé commercial and Eartha Kitt’s horrified reaction preserve the campaign’s escalating absurdity.
  • Marcus improvising Spock Jenkins is praised as an early example of casual pop-culture conversation inside a movie.
  • Angela’s breakup line and real slap give the emotional turn force.
  • Marcus’s no-tie wardrobe is described as sharp and still wearable.
  • The loss and recovery of Marcus’s confidence is treated as an identifiable relationship arc.
  • Halle Berry’s charisma and complete performance receive the final selection.
  • A longer discussion argues Black actors can receive different, often richer opportunities from Black directors, producers and writers.
  • Berry’s uneven 1990s roles are contrasted with the promise visible in Boomerang.
Displaying all 2 discussions

Films in the archive

Boomerang

1992

Rewatchables episodes featuring their films

Boomerang poster

Boomerang

1992 film

Bill Simmons · Van Lathan · Wesley Morris

Aired May 26, 2020

Displaying 1 episode