Chris chooses the apparently cocaine-fueled men at the opening bar and their 'moose lips' dialogue. — Chris Ryan
Kyle loves the pre-internet fame of bouncers, imagining trading cards, Cooler Illustrated and a fantasy league despite the premise's implausibility. — Kyle Brandt
Bands protected by cages and the action-film premise of recruiting 'the best' share a top preference.
The gratuitous monster-truck destruction of the dealership exemplifies beloved expensive action excess, even though Wesley's villainy is already clear.
Elliott's timeless appearance and ability to call someone 'mijo' remain appealing; Swayze himself is missed, and Kevin Tighe's shift from Emergency! lead to character actor is appreciated.
The closing song When the Night Comes Falling and swimming-hole ending are praised; the singer is clarified as Jeff Healey rather than Swayze.
Shirtless tai chi, Jimmy Reno, uncertainty about whether Dalton is a first or last name, 'Nobody wins a fight' and the nipple-to-nipple invitation all retain appeal.
The hero's hidden Memphis past is an appealing trope, though his shame needs explanation; the hosts imagine a missing confession scene. The throat-rip move still shocks.
Julie Michaels's stunt background and later Point Break fight, the Family Guy tribute and Jeff Healey's performance are additional pleasures.
Swayze's effortless cigarette flick and drifting smoke are praised as hall-of-fame movie smoking, despite the real-life tragedy discussed.
