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Film credit

Robert Redford

Also referred to as Redford, Young Redford

Stats

Episodes featuring their films
9
Movies in this archive
12

Rewatchables episodes featuring Robert Redford’s films

Quiz Show

1994 film

Bill Simmons · Brian Koppelman

Aired October 21, 2025

Sneakers

1992 film

Bill Simmons · Kyle Brandt · Joanna Robinson

Aired October 14, 2025

Jeremiah Johnson

1972 film

Bill Simmons · Chris Ryan · Bill’s Dad

Aired October 7, 2025

The Sting

1973 film

Bill Simmons · Chris Ryan · Sean Fennessey

Aired September 30, 2025

Ordinary People

1980 film

Bill Simmons · Sean Fennessey · Mallory Rubin

Aired February 1, 2022

The Natural

1984 film

Bill Simmons · Mallory Rubin

Aired March 19, 2019

Displaying all 9 episodes

Mentioned in discussions

The Sting The Rewatchables
In the discussion (3)
Approx. transcript time · 01:47:38Read transcript
  • Paul Newman receives the first winner vote.
  • Robert Redford receives two winner votes because he walks out of the movie “smelling like gold.”
  • George Roy Hill is proposed as an alternative for directing both this film and Butch Cassidy and the Sundance Kid. — Bill Simmons
Podcast choices
Speaker not identified
Paul Newman
Speaker not identified
Robert Redford
Speaker not identified
Robert Redford
The Sting The Rewatchables
In the discussion (6)
Approx. transcript time · 01:30:25Read transcript
  • Paul Newman is rejected for Apex Mountain, which is placed earlier in his career. — Bill Simmons
  • Redford is selected for reaching first-call status through The Way We Were and The Sting.
  • George Roy Hill is selected after winning Best Director and following Butch Cassidy with The Sting.
  • Scott Joplin’s ragtime revival is proposed.
  • Schlitz is proposed for its 1930s dominance and possible 1970s revival. — Bill Simmons
  • The Sting is debated as Apex Mountain for con movies because of its success and influence.
Witness The Rewatchables
In the discussion (3)
Approx. transcript time · 01:26:53Read transcript
  • Redford reportedly sought the lead but producers feared disruptive rewrites; Cronenberg reportedly declined directing. — Bill Simmons
  • Reynolds reportedly wanted the part then withdrew; a Rossellini offer is treated as uncertain research. — Bill Simmons
  • Ford reportedly doubted McGillis before Weir persuaded him; whether this reflected her personally or inexperience is unresolved. — Bill Simmons
Rollerball The Rewatchables
Rollerball

Recasting Couch

Gene Hackman is proposed as the coach; Burt Reynolds and Warren Beatty are considered for Jonathan.

In the discussion (4)
Approx. transcript time · 01:13:01Read transcript
Indecent Proposal

Producer review

Entertaining; Gage is a loser

In the discussion (4)
Approx. transcript time · 01:34:47Read transcript
  • The invited producer review calls the film sufficiently good, entertaining and absorbing enough to delay going to bed. — Craig Horlbeck
  • The producer sees Gage as a pathetic pickup artist rather than merely a bad man, emphasizing stalking, his empty life and the manipulative two-headed coin. — Craig Horlbeck
  • The coin’s appeal and Gage’s lack of a known life draw further debate; a television adaptation could gradually reveal this unpleasant side, with a Don't Worry Darling comparison.
  • The concluding assessment agrees that Redford’s appeal initially obscures Gage’s strange, unappealing behavior. — Bill Simmons
Indecent Proposal

Probably Unanswerable Questions

Gere; Gage’s morality; TV format; contract boundaries; dogs; Shackleford; business card

In the discussion (10)
Approx. transcript time · 01:26:52Read transcript
  • Richard Gere as Gage is rejected because he has already played adjacent roles; Redford’s unexpected casting provides useful disorientation. — Bill Simmons
  • Gage’s morality remains disputed: one view calls the proposition unequivocally bad despite complexity and consent, while the other sees a flawed man whose willingness to let Diana leave mitigates the judgment. — Mallory Rubin
  • The Million Dollar Club is proposed as an anthology or reality show, potentially an extreme evolution of The Bachelor. — Bill Simmons
  • The contract should specify permitted sexual conduct and boundaries, rather than only payment and death contingencies; freeze-framing reveals little beyond the capitalized term Act. — Mallory Rubin
  • Specific unanswered contractual boundaries include positions, kissing and oral sex, with possible extended activity reinforcing the desire for flashbacks. — Mallory Rubin
  • A counterargument says withholding the sex scene lets viewers imagine something more extreme than the film could show. — Mallory Rubin
  • The fate of the two dogs Gage acquired to create a welcoming home is raised as a question. — Mallory Rubin
  • Whether Gage keeps and cares for the dogs after Diana leaves remains unanswered; their disposal is dark speculation, not a plot fact. — Mallory Rubin
  • Whether Shackleford has actually killed someone is debated, including possible indirect responsibility rather than a deliberate murder. — Mallory Rubin
  • Diana is thought to have kept Gage’s business card willingly after enjoying the night, rather than Shackleford secretly planting it; the alternative remains the question’s premise. — Mallory Rubin
Indecent Proposal

Picking Nits

Billionaire plausibility; casino procedures; Diana’s competence; bathroom hygiene

In the discussion (9)
Approx. transcript time · 01:18:27Read transcript
  • A billionaire as handsome as Redford is questioned; the defense argues that charm and confidence could facilitate his business success, while his lack of public notoriety remains implausible. — Mallory Rubin
  • Gage is defended as a believable billionaire through his assured gambling, effortless requests for money and personal aide. — Bill Simmons
  • A billionaire gambling enormous sums should have a private casino area instead of mingling at public tables; the need to meet Diana does not excuse the staging. — Bill Simmons
  • A pit boss breaking his coffee cup over a million-dollar win is criticized as unlike professional casino behavior. — Bill Simmons
  • The million-dollar craps bet is challenged as exceeding a plausible table limit, even for Gage. — Bill Simmons
  • The two-person poker game and unusual chips are confusing. — Bill Simmons
  • Diana trying to pull back a losing chip pile should result in immediate expulsion. — Bill Simmons
  • Diana’s real-estate competence is questioned because she misses the mortgage deadline, fails to identify their house as an asset and has sold nothing in six months despite her boss’s praise. — Bill Simmons
  • The bathroom conversation is criticized for Diana’s robe draping over the toilet while David leans against her; closeness does not excuse the hygiene. — Mallory Rubin
Indecent Proposal

Apex Mountain

Demi Moore; Woody Harrelson; Thierry Mugler; sex on cash; John F. Kennedy Jr.; Sade near peak

In the discussion (11)
Approx. transcript time · 00:19:06Read transcript
  • This period is proposed as Demi Moore’s peak following Ghost and A Few Good Men; the later Striptease payday is an alternative. — Bill Simmons
  • Demi Moore receives an affirmative Apex choice for the commercial success, preceding hits, celebrity position and subsequent Striptease payday; her appearance receives an additional affirmative peak assessment. — Bill Simmons
  • Harrelson receives an affirmative Apex choice for White Men Can’t Jump, this film and emerging from Cheers as a movie star; True Detective is raised as an absent colleague’s likely alternative. — Bill Simmons
  • Redford is rejected for Apex here. — Mallory Rubin
  • Sade is placed near her peak. — Mallory Rubin
  • Seal is rejected in favor of the later Kiss from a Rose period. — Bill Simmons
  • Thierry Mugler receives an affirmative Apex choice. — Bill Simmons
  • Sex on a large pile of money receives an affirmative Apex choice. — Bill Simmons
  • Lyne is rejected for Apex here. — Bill Simmons
  • Craps is rejected for Apex here. — Bill Simmons
  • John F. Kennedy Jr. receives an affirmative, retrospective Apex discussion for his prominence and the premise’s reported inspiration. — Bill Simmons
Displaying discussions 25 - 36 of 71 in total

Films in the archive