Cobra
Opening crime-statistics monologue; the poster; the Night Slasher; match toothpick; Awesome 50 license plate; the name Marion Cobretti; Zombie Squad; the New Order; product placement; shooting range scene
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Opening crime-statistics monologue; the poster; the Night Slasher; match toothpick; Awesome 50 license plate; the name Marion Cobretti; Zombie Squad; the New Order; product placement; shooting range scene
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Leo versus Damon; Damon's villain performance; Damon's Boston accent; Damon's contempt for firemen; Baldwin and Wahlberg running SIU; Baldwin's 'go fuck yourself'; Nicholson's death scene; Scorsese's highball-glass record; the 'black guy...
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Choose Life, the marketing, surreal flourishes, Scottish humor and specificity, the soundtrack, quotable dialogue, and gender-fluidity prediction
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The note-to-self device, period soundtrack, bloopers, Jack Warden, Jim Downey, Artie Lange, and Chris Farley
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Hardy’s range, the Sparta concept, fight photography, the casino confrontation, Nolte, and Jennifer Morrison
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The music and Hans Zimmer score; Charlie's Ferrari; the Rain Man would save me line; asshole Cruise; the Bonnie Hunt cameo; the old Vegas view from Caesars; the traffic, bathtub and smoke-alarm sequences; the autistic-savant premise;...
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Alan Arkin and John Goodman; Affleck's hair; movie-business in-jokes; the Intelligence Star; the 1979 Iran feel; the heightened escape day; opening credits; soundtrack; Scoot McNairy; 70s thriller vibe and ensembles
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Title sequence and 1976 funk song; 70s funk soundtrack; the title; DTF; drunk-women theme; Slater and Michaels; Seth's lines; Cera's performance; McLovin's store terror; slow-motion catch trope; homeless guy
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Bill Conti's score; the crowd singing the French anthem; the crooked referee; widescreen and HD; Prisoner FC; Pelé's practice scissor kick; POW camps and domesticated British officers; the closing credits; the good Nazi; the announcer;...
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Whitney and Costner at their peaks; bodyguard-romance premise; soundtrack; Dolly Parton connection; resentful-sister concept; 'permanent position' quote; widescreen; Costner's haircut; a cappella opening; song-swap story; Costner's...
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The twist; the DVD; the shirtless Pitt image; 'His name is Robert Paulson'; the narration; Fincher's timing and nameless city; Marla's glass-slipper line; the rules of Fight Club; the Pixies ending
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