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Film credit

Jack Warden

Stats

Episodes featuring their films
8
Movies in this archive
9

Rewatchables episodes featuring Jack Warden’s films

Shampoo

1975 film

Bill Simmons · Cameron Crowe · Sean Fennessey

Aired December 9, 2025

Heaven Can Wait

1978 film

Bill Simmons · Chris Ryan · Van Lathan

Aired May 27, 2025

The Verdict

1982 film

Bill Simmons · Chris Ryan · Sean Fennessey

Aired December 13, 2022

Dirty Work

1998 film

Bill Simmons · Sean Fennessey

Aired September 21, 2021

Displaying all 8 episodes

Mentioned in discussions

Shampoo The Rewatchables
Shampoo

What’s Aged the Best?

Hollywood self-reference, the hairdresser dynamic, cinematography, performances, real estate, and soundtrack licensing

In the discussion (7)
Approx. transcript time · 01:13:24Read transcript
  • Hollywood self-reference is praised, including Carrie Fisher’s casting as a younger generation of sexual frankness. — Sean Fennessey
  • The intimacy between hairdressers and clients is praised as a way the film links physical presentation, secrets, and access to power. — Sean Fennessey
  • The cinematography is praised for texture and for holding on the desire immediately before kisses. — Cameron Crowe
  • Warren Beatty and Jack Warden’s scenes together are praised. — Bill Simmons
  • Lester’s house is praised separately as real estate. — Bill Simmons
  • Carrie Fisher’s bold first-film performance is praised. — Bill Simmons
  • The ability to license two Beatles songs and the rest of the soundtrack is praised.
Shampoo The Rewatchables
Shampoo

Most Rewatchable Scene

The bistro stare-down; Lester and George’s late conversation; the opening sex scene

In the discussion (15)
Approx. transcript time · 00:58:47Read transcript
  • George arriving at Jill’s after sleeping with Felicia is nominated for Jill’s dawning realization that something happened. — Bill Simmons
  • George’s brief tantrum and immediate reconsideration after throwing away his jacket are nominated. — Bill Simmons
  • The chaotic salon entrances and exits are nominated. — Bill Simmons
  • George and Jackie’s parking-lot confrontation is nominated for her blunt rejection of the idea that she has sex for money. — Bill Simmons
  • George styling Jackie’s hair in the bathroom is nominated. — Bill Simmons
  • Carrie Fisher’s bedroom scene is nominated. — Bill Simmons
  • The prolonged stare-down between Felicia and Jackie at the party is nominated. — Bill Simmons
  • Lester moving awkwardly through the party is nominated. — Bill Simmons
  • George’s attempted declaration of love during “Lucy in the Sky with Diamonds” is nominated. — Bill Simmons
  • George admitting that he slept with all of the women is nominated. — Bill Simmons
  • George making peace with Lester is nominated. — Bill Simmons
  • Jackie ending the relationship with George on the overlook is nominated.
  • The dark opening sex scene set to “Wouldn’t It Be Nice” is nominated.
  • The bistro stare-down is selected for its interlocking relationships, Nixon backdrop, and Jackie’s drunken behavior. — Cameron Crowe
  • Lester and George’s late-night conversation is selected for the men’s camaraderie, cruelty, and Jack Warden’s comic concern with housekeeping.
In the discussion (2)
Approx. transcript time · 01:14:52Read transcript
  • Jack Warden dials up the shouting during the murder-confession scene; his prolonged screaming is the overacting choice. — Bill Simmons
  • Less murder-mystery time and five more Super Bowl plays are preferred; a Stevie Nicks/Eagles halftime scene is an imagined alternative.
The Replacements

Apex Mountain

Underwater trophy football; movies celebrating strikebreakers

In the discussion (4)
Approx. transcript time · 01:24:26Read transcript
  • Reeves, Brooke Langton, Madden and Summerall, and Jack Warden are rejected for Apex; Melrose Place is preferred for Langton. — Bill Simmons
  • Throwing a trophy football underwater is an affirmative Apex choice. — Bill Simmons
  • Movies celebrating strikebreakers are an affirmative Apex choice. — Van Lathan
  • Twenty-first-century football films lose to Friday Night Lights or Remember the Titans. — Bill Simmons
Dirty Work The Rewatchables
Dirty Work

Casting What-Ifs

Howard Stern declined Satan, while Rodney Dangerfield was considered before Don Rickles.

This discussion recalls a choice from an earlier episode.

In the discussion (3)
Approx. transcript time · 00:53:46Read transcript
Dirty Work The Rewatchables
Dirty Work

What’s Aged the Best?

The note-to-self device, period soundtrack, bloopers, Jack Warden, Jim Downey, Artie Lange, and Chris Farley

In the discussion (10)
Approx. transcript time · 00:42:08Read transcript
  • The note-to-self recorder remains a funny extension of the lead comic persona. — Bill Simmons
  • A rapid sequence of three period pop hits fixes the comedy firmly in the late 1990s. — Bill Simmons
  • Closing-credit bloopers are praised as a comic tradition associated with the Cannonball Run films. — Bill Simmons
  • Jack Warden holding the invented old-men magazine remains a strong visual gag. — Bill Simmons
  • Jim Downey's homeless-man routine repeatedly sets up sentimental music and wisdom only to be cut off. — Bill Simmons
  • Jack Warden's long supporting career is celebrated through The Replacements, 12 Angry Men, Shampoo, The Verdict, and Heaven Can Wait. — Bill Simmons
  • The compact jokes about stopping people and the brothers’ parentage are praised for efficiency. — Bill Simmons
  • Artie Lange's casting looks smart because the film helped lead to his later radio career. — Sean Fennessey
  • Chris Farley's final film role preserves one of his strongest short comic appearances. — Sean Fennessey
  • The catalog of note-to-self lines is praised, with the beer reminder called the most memorable. — Bill Simmons
While You Were Sleeping

Picking Nits

Lucy's lie to the family; lax hospital; Jack pursuing his brother's fiancee; murky timeline; rushed printed invitations; hospital wedding

In the discussion (11)
Approx. transcript time · 01:11:39Read transcript
  • Baskin-Robbins is not an ice cream flavor, and no one should carry a passport around at all times. — Amanda Dobbins
  • Elsie's heart attack gets attention and is then dropped, and the hospital's visiting rules are very loose. — Juliet Litman
  • The family does not know their son is engaged, and Lucy lies to them at length, which a host thinks is attempted fraud. — Amanda Dobbins
  • Nurse Wanda never intervenes, which a host believes violates medical-information rules, while unsure whether they existed in 1995. — Amanda Dobbins
  • Saul as the lone Jewish neighbor hanging around is called weird (a host assumes they wanted Jack Warden); he never tells the family, which is understandable but not sound. — Juliet Litman
  • Feeding the cat is technically trespassing, repeated bedside visits border on stalking, and the hospital verifies nothing beyond the testicle test. — Amanda Dobbins
  • Jack immediately hits on his brother's fiancee, making him a bad sibling; neither lead makes sound decisions. — Amanda Dobbins
  • The timeline between Christmas and New Year's is murky, and the little sister prompting a mistletoe kiss has the whole family encouraging it. — Amanda Dobbins
  • Printed wedding invitations arrive in the week after New Year's; the timeline is called the number one problem. — Amanda Dobbins
  • Why hold the wedding in the hospital, and why can Peter not put his arms through his jacket? — Amanda Dobbins
  • The hosts are willing to overlook it all, a testament to the movie; don't do this at home. — Amanda Dobbins
In the discussion (6)
Approx. transcript time · 00:52:59Read transcript
  • Monica Kina (as transcribed), who plays Peter and Jack's much younger sister, is one pick because she later turns up as a menacing character on Dawson's Creek. — Amanda Dobbins
  • Peter Boyle is a top option for their age group, known more for TV work. — Amanda Dobbins
  • Jack Warden is nominated after being seen in about four movies in one week of rewatching; his credits are listed as All the President's Men, Shampoo as his signature role, Being There and The Verdict. — Amanda Dobbins
  • The hosts say Warden suffered a Korean War injury that left him in pain when walking, which they believe Peter Gallagher recounted in Vulture. — Amanda Dobbins
  • The mother from Mary Poppins has the most defining look; the hosts debate whether the award is for someone known as someone else or someone in many movies, leaning to the latter. — Juliet Litman
  • The award goes to Jack Warden, who is more than a that-guy but still prompts an oh-my-God reaction here. — Amanda Dobbins
While You Were Sleeping

Most Rewatchable Scene

Wedding-day confession to the family

In the discussion (11)
Approx. transcript time · 00:24:51Read transcript
  • Lucy's early bedside speech to the comatose Peter, about loneliness, is called extremely moving and the center of a movie about loneliness, grief and family; Saul looking over her adds to it.
  • Jack and Lucy slipping on the ice as he walks her home after delivering the love seat is a favorite, recalling Cameron Diaz's physical comedy in The Holiday and showing their palpable chemistry. — Juliet Litman
  • While You Were Sleeping, The Holiday and Sleepless in Seattle are noted as available on Showtime. — Juliet Litman
  • The ice scene is the moment the romance becomes clear, though visible non-iced sidewalks sit on either side; the hosts say Chicago had an unseasonably warm fall during the shoot, so the cold was faked. — Amanda Dobbins
  • The one-testicle scene, where Lucy volunteers that Peter lost a testicle in a freak basketball accident with a pencil and the family jokes about who will check, is praised as good writing. — Amanda Dobbins
  • The hosts say the writers wrote 20 scripts together and this was the only one ever made. — Juliet Litman
  • The wedding that isn't, where Lucy objects at her own wedding, is a favorite rom-com wedding scene; one host calls the ill-fitting sailor-collar dress one of the worst movie wedding dresses, while the other likes it. — Juliet Litman
  • The confession to the whole family pairs with the coma speech and is compared to Tom Hanks's final scene in You've Got Mail: a character confessing unforgivable things done for love, which only great actors can sell. — Amanda Dobbins
  • The family ensemble is underrated; having everyone in the room makes it the best-scripted scene, and the real fiancee storming in makes it the most rewatchable too. — Juliet Litman
  • Saul, played by Jack Warden, telling Peter in the hospital not to be an asshole is another sweet option. — Juliet Litman
  • The wedding scene ultimately takes the cake; a host adds that Peter Gallagher is just lying there in a coma through it. — Juliet Litman
Displaying discussions 1 - 12 of 13 in total

Films in the archive