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Chris Farley

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Rewatchables episodes featuring their films

Wayne's World poster

Wayne's World

1992 film

Bill Simmons · Kyle Brandt

Aired February 18, 2025

Displaying 1 episode

Mentioned in discussions

Tropic Thunder poster
Tropic Thunder

The Stephen A. Smith Hottest Take Award

Platoon parody effect; two qualified reactions to the portrayal; two proposed role swaps and Craig's response

In the discussion (7)
Approx. transcript time · 01:37:49Read transcript
  • Tropic Thunder is said to affect later viewing of Platoon in the way Walk Hard affects music biographies because many shots closely parody Platoon. Chris Ryan
  • One answer says the blackface performance has never personally offended him, while emphasizing that blackface outside this satirical context is objectionable.
  • A separate qualification agrees that it had to be as good as it was to meet that bar.
  • A second answer says he is not offended by the blackface at all, understands the joke, and can laugh at material like it.
  • Matthew McConaughey is proposed for Tug because Ben Stiller's version feels too similar to his Zoolander mode, with Stiller moving to Rick Peck.
  • Bill Hader is proposed for Jeff Portnoy because he would have brought fresher improvisation than the already-established Jack Black.
  • McConaughey as Tug is explicitly endorsed when Craig is asked, but the Jack Black replacement is challenged because Black's physicality and Chris Farley-like energy enliven the jungle passages. Craig Horlbeck
Dirty Work The Rewatchables
In the discussion (3)
Approx. transcript time · 00:57:46Read transcript
  • The field includes Jim Downey, Chris Farley, Don Rickles, Chevy Chase, and the delighted opera critic.
  • Farley is initially selected for one of the strongest comedy heat checks in the category.
  • Chase earns the co-win for his low-frequency doctor performance and bookie logic.
Dirty Work The Rewatchables
Dirty Work poster
Dirty Work

What’s Aged the Best?

The note-to-self device, period soundtrack, bloopers, Jack Warden, Jim Downey, Artie Lange, and Chris Farley

In the discussion (10)
Approx. transcript time · 00:42:08Read transcript
  • The note-to-self recorder remains a funny extension of the lead comic persona.
  • A rapid sequence of three period pop hits fixes the comedy firmly in the late 1990s.
  • Closing-credit bloopers are praised as a comic tradition associated with the Cannonball Run films.
  • Jack Warden holding the invented old-men magazine remains a strong visual gag.
  • Jim Downey's homeless-man routine repeatedly sets up sentimental music and wisdom only to be cut off.
  • Jack Warden's long supporting career is celebrated through The Replacements, 12 Angry Men, Shampoo, The Verdict, and Heaven Can Wait.
  • The compact jokes about stopping people and the brothers’ parentage are praised for efficiency.
  • Artie Lange's casting looks smart because the film helped lead to his later radio career.
  • Chris Farley's final film role preserves one of his strongest short comic appearances.
  • The catalog of note-to-self lines is praised, with the beer reminder called the most memorable.
Dirty Work The Rewatchables
In the discussion (10)
Approx. transcript time · 00:34:07Read transcript
  • The childhood opening credits are praised for casting children who resemble neither lead and for the superglue revenge against a predatory crossing guard.
  • The frat-house prank works through fake police calls, robbery, and a blunt final insult.
  • Chevy Chase's first doctor scene is praised for coldly rejecting the heart-transplant patient before trying to sell a hospital bed.
  • Don Rickles' hospital-room insults are praised as a concentrated comic performance.
  • The Men in Black pornography scene wins laughs by pushing a thin premise into blunt absurdity.
  • The dead-hooker trunk reveal is praised for escalating through the remote-controlled trunk openings and a remembered Saigon story.
  • The dead-fish revenge sustains a silent pose while violence occurs offscreen, recalling an older broad-comedy serial.
  • The jail scene remains funny across repeated viewings because the lecture about respect collides with the more painful assault.
  • Chris Farley's skunk release is described as an unnerving, fully committed burst of comic chaos.
  • The abrupt ending and final line about the doctor's death are praised for refusing a normal resolution.
Displaying all 7 discussions

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