Swap Annabella Sciorra and Nancy Travis: Sciorra's passion and contrast with Peck would strengthen Raymond's marriage story.
Christopher Reeve is an intriguing against-type option; Don Johnson has the right appeal, though his acting range is questioned. Harrison Ford is another preferred alternative.
Denzel Washington could play Peck, but the racial dynamics would make a substantially different movie.
Ryan Gosling is the modern Peck choice, with Murder by Numbers recalled as evidence he can play a villain.
Internal affairs is more worthwhile work than films admit; police-centered storytelling makes accountability officers look like obstructive snitches and encourages sympathy for Peck.
Tova may be the true villain, engineering the deaths of her husband's parents and then her husband.
No: the existing amount is sufficient, and Black characters need no further involvement in this chaos. The panel proposes making this a recurring category.
Nick Nolte reportedly declined Dennis Peck for Another 48 Hrs.; Gere is considered essential despite a long and questionable list of other purported candidates.
Additional names include Allan Havey, Marco Rodriguez, Ron Vawter, the white-haired lieutenant, the gallery assistant and the cousin at the bar; several role identities remain unresolved in the discussion.
A deleted bar scene has Raymond and Peck discussing the desire to be bad while an informant strips; the hosts would like it restored if placed appropriately.
Peck drives a 1963 Chevrolet Sting Ray and Amy a Volkswagen convertible.
LAPD chief Daryl Gates condemned the film.
Faye Grant's marriage to Stephen Collins and their divorce following child-sexual-abuse allegations are discussed as an unhappy later-life association.
Gere is affirmed for the 1990 combination with Pretty Woman, and Garcia for the same year's Godfather Part III combination.
Billy Baldwin is rejected in favor of Backdraft or the film described as Thief of Hearts in the transcript.
The Valley receives a suggested case for looking cool and wild, contrasted with Boogie Nights and Magnolia.
Dirty Los Angeles cops is debated against Colors, The Onion Field and L.A. Confidential. Internal affairs and cops moonlighting as hitmen are floated without a clear final declaration.
Nancy Travis loses to So I Married an Axe Murderer; Metcalf and Sciorra are rejected; Faye Grant gets only a probable yes.
Imagining one's wife with another man loses to Indecent Proposal after comparisons with The Best Man, The Big Picture and Unfaithful.
Cops sleeping with partners' wives and slapping in movies receive affirmative answers.
Gere is tentatively proposed as the apex of an attractive villain, without a firm conclusion.
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