Film credit
Bonnie Bedelia
Stats
- Episodes featuring their films
- 2
- Movies in this archive
- 3
Rewatchables episodes featuring Bonnie Bedelia’s films
Die Hard
1988 film
Bill Simmons · Chris Ryan · Jason Concepcion · Sean Fennessey
Aired August 1, 2018
Mentioned in discussions
Apex Mountain
Die Hard 2 for Renny Harlin; Oliver North-style villains; evil John Amos; Bruce Willis's pre-thinning hair; Bonnie Bedelia; icicle eye stabbings; public airphones
In the discussion (9)
- The segment opens with a death-toll question: the internet says 114, though the crashed flight alone seemed to hold about 200. — Chris Ryan
- Valverde appears in both films, but Commando remains its apex because that movie actually goes there.
- An apex case for Willis rests on this film outgrossing the first, but the earlier Die Hard verdict is unresolved; he spent the capital on risks such as Bonfire of the Vanities, Hudson Hawk, Billy Bathgate, Mortal Thoughts and Last Boy Scout.
- Snowmobile chases are raised, with The Living Daylights and Inception offered as rivals; for Franz, NYPD Blue has to be the apex.
- For Harlin, The Long Kiss Goodnight is the favorite, but this, his most successful film, is his apex; Deep Blue Sea may be what he is best known for, Cliffhanger is loved, and Cutthroat Island pulled him down.
- More apex picks: Oliver North-style villains, evil John Amos, Willis's pre-thinning hair, and Bonnie Bedelia at her 1990 peak with this and Presumed Innocent; airport-set movies come down to this or Airplane. — Bill Simmons
- Icicle eye stabbings get a yes, but Single White Female keeps the top eye stabbing; X is mentioned as a current horror film with a notable one.
- Two late additions: public airphones, and the debate over whether Sadler's fully nude tai chi tops Swayze's half-nude tai chi in Roadhouse, left unsettled. — Chris Ryan
- Die Hard 2 may have invented the recreational taser, but The Hangover, or possibly Jackass, is its apex. — Bill Simmons
Most Rewatchable Scene
Baggage-area fight; first McClane-Lorenzo meeting; painters shootout and ramp standoff; ejection and parachute escape; runway fight and fuel-trail landing
In the discussion (9)
- First listed: McClane fighting two men in a restricted baggage area, with Vondie Curtis Hall; the cluttered, climbable set is praised and the airport raised as a possible Apex Mountain for airport movies, though it was not actually shot at Dulles. — Bill Simmons
- The first McClane-Lorenzo meeting is quoted, with both actors bringing it; it sets up the trope of an official who is unimpressed by a proven hero, riffed on through an imagined Sully Sullenberger being brushed off.
- The metal-detector insult to Carmine is noted as a likely ad-lib whose joke nobody fully understands. — Bill Simmons
- The paintball-style shootout, with sinister painters (including Robert Patrick) ignored by the airport SWAT team, and the suspenseful moving-ramp standoff are nominated. — Bill Simmons
- The plane crash is called the craziest and most horrifying scene in action-movie history; with some 220 deaths quickly moved past, it is judged memorable rather than rewatchable. — Bill Simmons
- After 9/11 such a scene would never be made; the movie is one of the most violent mainstream films, mixing sight gags with a British plane crash that kills about 200 people, after which everyone at Dulles keeps drinking and waiting, and making the passengers unlikable British travelers is called a weird choice.
- McClane pushing the crate, taking on Esperanza on the transport plane and ejecting leads to a shot of him parachuting at the camera, called one of the better action-movie shots, though the villains oddly fail to finish him. — Bill Simmons
- The final fight with John Amos and Stuart ends with the plane blown up on an improbably long runway and controllers using the fire trail to guide landing planes. — Bill Simmons
- Additional favorites: the news helicopter pilot saying he is crazy but not that crazy, repeated blueprint-reading scenes with Art Evans, and the William Atherton-Bonnie Bedelia first-class feud. — Sean Fennessey
Apex Mountain
Bruce Willis, Alan Rickman, 1980s action movies, Argyle, and John McTiernan
In the discussion (6)
- Bruce Willis is accepted despite the later Pulp Fiction revival because Die Hard created the action-star track that enabled the rest of his career. — Sean Fennessey
- John McTiernan is accepted by one participant, while another prefers The Hunt for Red October.
- Alan Rickman is accepted for the career-making Hans Gruber debut.
- The film is accepted as a plausible Apex Mountain for 1980s action movies. — Jason Concepcion
- Argyle is accepted as reaching his apex here. — Jason Concepcion
- Bonnie Bedelia is rejected in favor of Presumed Innocent or Heart Like a Wheel.
Probably Unanswerable Questions
What actress plays Sean's wife in a flashback? How long did Will stay with Skylar, and what became of Will, Chucky, Casey Affleck's and Cole Hauser's characters? Why have Damon and Affleck not made another movie together, and why was Affleck not in Ocean's Eleven? Is this the best Boston movie of all time?
In the discussion (16)
- The block opens with the remake-as-series question, recorded separately.
- If there were a flashback with Robin Williams and his wife, what actress plays her: Deborah Winger (as transcribed) is offered; she has to look like a lifelong Boston lady; Amy Ryan from The Wire, Bonnie Bedelia, not Boston-y enough, and jokes of Conan O'Brien and Mark Wahlberg.
- How long did Will stay with Skylar, presuming he makes it to Stanford and finds her, which as a genius on early internet message boards he would: a semester, or three or four good weeks before it falls apart when they get drunk and she says you told me you didn't love me; Lambeau would have to be Will's reference since nobody else knows about him.
- What happens to these people: Will becomes an asshole hedge fund manager and Chucky becomes Matt Patricia, Sharpie in his hat, crunching tape for Belichick; or Will shows up, she is happy, they go to a Stanford party where a kid makes fun of his accent, Will beats the shit out of him and goes to jail, she bails him out and within three weeks they have broken up; twisted further, it becomes a prison movie, a shot caller situation where he joins a gang and, being a genius, figures out how to break out, Good Will Hunting 2 in jail in Palo Alto.
- Or he obviously becomes a tech billionaire, a Steve Jobs-ian figure in late-90s Northern California with a doctor wife-to-be and a difficult childhood; or he becomes Sean, a therapist, which one host refuses; or they realize it will not last, he goes back to Boston, Sean has died of a heart attack and he works construction, that friend; or 15 years later stories of his crimes and anger come out; or Chucky fulfills his promise to kill him and it becomes Face Off across Boston, Good Will Hunting 2: Hunting Will.
- What if Good Will Hunting 2 had been The Town, with Damon's life having failed; whether Affleck tried to convince Damon to take the Renner part is debated, and whether Damon can play that kind of crazy at all, since Talented Mr. Ripley was reactionary crazy, with the hosts directly challenging his acting.
- Why have these two not made another movie together: they went separate ways professionally, have a Showtime show coming that is basically a Wire for Boston, and the Fritz Peterson Yankees wife-swap movie fell through; Affleck has proven a great director and there is a great writer in Damon who should try again instead of The Great Wall; a theory that Affleck does not want to because Damon does not look cool anymore, or is mad he was cut out of Ocean's Eleven; whether Ben would have improved those movies in Casey's place or as the Andy Garcia role, though he needed to be older.
- Zach Mack (as transcribed) is asked which of the five sequels he liked most, picking Chris's; the prison pitch and Hunting Will are recalled, plus Will Hunting with a shotgun and a beard in 2018; if Skyler tells him to get lost in Palo Alto, does he spin out, become a custodian at Stanford waiting for her, which is creepy, or go Zuckerberg and create Facebook, you'll see, Erica Albright.
- The biggest criticism of the movie has been that it's not your fault is treated like a cure for abuse the film takes pains to establish, a guy putting cigarettes out on him, so that he hops in a car knowing how to love; if he is cured he is wealthy and with Skylar, if it moved too fast they break up after three weeks and he becomes a shot caller, still damaged and violent.
- Chucky now is 42 and leading or assistant foreman of his uncle's construction crew; Southie is much nicer and his crap house is worth five times as much, so he stayed or sold; maybe he took over the bar with Cole; Cole Hauser owns an auto shop and got murdered by an IRA customer, or was the muscle in a different Boston crew; Casey Affleck moved to LA to see Will, stayed, became a comedian and lives in the pool house; Will's friends came out within a year and it went badly.
- Asked how badly the visit went: Cole killed the guy, and they buried the body. — Shea Serrano
- The alternative is that the guys get arrested by TSA getting off the plane at LAX, too tanked, and are put on a jail plane back to Boston without seeing Will.
- Last question, probably answerable: is this the best Boston movie of all time; The Friends of Eddie Coyle is one host's favorite; another does not really care about Boston, having been three times without knowing Cambridge from Boston, and would rather watch The Departed; the qualifications for a city's signature movie are that it is awesome, uses the city, is authentic and could only have taken place there, like Rocky and Creed for Philly; the final three are The Departed, Good Will Hunting and The Verdict, with The Town fourth.
- Friends of Eddie Coyle is liked here too, with a sense one is being forgotten; the first hour of Social Network is a really good Boston movie. — Chris Ryan
- The Departed did not shoot much in Boston and Good Will Hunting shot a lot in Toronto, like Den of Thieves, set across LA but shot in Atlanta; the answer given is The Verdict, which uses the city best and has the authenticity, with Good Will Hunting very close, a 1A and 1B.
- Earlier, the film is called possibly the best Boston movie ever, on the short list, a discussion saved for later.


