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Film credit

William Atherton

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Episodes featuring their films
4
Movies in this archive
4

Rewatchables episodes featuring William Atherton’s films

Ghostbusters

1984 film

Bill Simmons · Chris Ryan · Van Lathan

Aired April 28, 2026

The Pelican Brief

1993 film

Bill Simmons · Chris Ryan · Sean Fennessey · Amanda Dobbins

Aired December 12, 2023

Die Hard 2

1990 film

Bill Simmons · Chris Ryan · Sean Fennessey

Aired April 5, 2022

Die Hard

1988 film

Bill Simmons · Chris Ryan · Jason Concepcion · Sean Fennessey

Aired August 1, 2018

Displaying all 4 episodes

Mentioned in discussions

Ghostbusters

What’s Aged the Worst?

The sequel history, pan-and-scan broadcasts, dated effects, the theme-song dispute, harassment of William Atherton, and Venkman's conduct

In the discussion (6)
Approx. transcript time · 00:35:09Read transcript
  • The franchise's sequels and reboots are criticized as uneven or money-driven, though one participant strongly defends Ghostbusters II.
  • Pan-and-scan television versions are blamed for making the wide compositions cramped and hiding visual gags for years. — Bill Simmons
  • The similarity between the theme song and Huey Lewis's 'I Want a New Drug' remains a blemish despite both songs' popularity. — Bill Simmons
  • William Atherton's report of being harassed in public after playing Peck is treated as an ugly consequence of the film. — Bill Simmons
  • Some finale establishing shots and matte paintings now appear visibly rendered. — Van Lathan
  • Venkman's use of professional authority to pursue students and clients is identified as the clearest behavior that aged badly. — Van Lathan
Die Hard 2

Most Rewatchable Scene

Baggage-area fight; first McClane-Lorenzo meeting; painters shootout and ramp standoff; ejection and parachute escape; runway fight and fuel-trail landing

In the discussion (9)
Approx. transcript time · 00:25:08Read transcript
  • First listed: McClane fighting two men in a restricted baggage area, with Vondie Curtis Hall; the cluttered, climbable set is praised and the airport raised as a possible Apex Mountain for airport movies, though it was not actually shot at Dulles. — Bill Simmons
  • The first McClane-Lorenzo meeting is quoted, with both actors bringing it; it sets up the trope of an official who is unimpressed by a proven hero, riffed on through an imagined Sully Sullenberger being brushed off.
  • The metal-detector insult to Carmine is noted as a likely ad-lib whose joke nobody fully understands. — Bill Simmons
  • The paintball-style shootout, with sinister painters (including Robert Patrick) ignored by the airport SWAT team, and the suspenseful moving-ramp standoff are nominated. — Bill Simmons
  • The plane crash is called the craziest and most horrifying scene in action-movie history; with some 220 deaths quickly moved past, it is judged memorable rather than rewatchable. — Bill Simmons
  • After 9/11 such a scene would never be made; the movie is one of the most violent mainstream films, mixing sight gags with a British plane crash that kills about 200 people, after which everyone at Dulles keeps drinking and waiting, and making the passengers unlikable British travelers is called a weird choice.
  • McClane pushing the crate, taking on Esperanza on the transport plane and ejecting leads to a shot of him parachuting at the camera, called one of the better action-movie shots, though the villains oddly fail to finish him. — Bill Simmons
  • The final fight with John Amos and Stuart ends with the plane blown up on an improbably long runway and controllers using the fire trail to guide landing planes. — Bill Simmons
  • Additional favorites: the news helicopter pilot saying he is crazy but not that crazy, repeated blueprint-reading scenes with Art Evans, and the William Atherton-Bonnie Bedelia first-class feud. — Sean Fennessey
Die Hard The Rewatchables
In the discussion (4)
Approx. transcript time · 00:55:07Read transcript
  • Hart Bochner’s eleven minutes are compared to a high-scoring, high-turnover basketball performance and he is treated as the winner.
  • Argyle is presented as the closest rival.
  • William Atherton’s Richard Thornburg extends his specialty in bureaucratic antagonists and carries into the sequel.
  • Paul Gleason’s deputy police chief continues his run of authoritative jerks and receives extended praise.
In the discussion (8)
Approx. transcript time · 00:47:19Read transcript
  • Nominees: Nestor Carbonell as Mayor Antonio Garcia, Joshua Harto as Coleman Reese, Anthony Michael Hall as TV interviewer Mike Engel and William Fichtner as the bank manager; added is Richie Costner (as transcribed) as the Chechen, whom only the three hosts came to know as the corrupt mayor in True Detective season two, giving a very good performance with a very bad Count Dracula accent.
  • One host gives the award to Anthony Michael Hall for embodying the action-movie trope of the TV crew always present when something important happens, the William Atherton role from Die Hard, with the accountant going on the local Charlie Rose to reveal the Batman after the commercial.
  • A second host also lands on Anthony Michael Hall, because swole late-career Hall never fails to stop them in their tracks, and asks whether he only works in Nolan movies now.
  • One more name: Chin Han as Lau, a Chinese corporate titan laundering money for Gotham's gangsters, called the definition of a heat check; every conversation he goes for it, toe to toe with Morgan Freeman, moving all the mob's money without telling them, and never finding it odd that Lucius Fox turns up to check him out right after.
  • Fox breaks the building's one no-phones rule, does a switcheroo and brings down a multi-billion-dollar corporation with a cell phone, which leads to Batman illegally extraditing Lau from China via skyhook; Lau then becomes a living MacGuffin who must be protected to testify against all of Gotham's criminals.
  • Why is Lau needed when the Chechen could surely be prosecuted; it is read as an early sell-the-movie-in-China move and as the cynical choice to hand the most convoluted part of the plot to an Eastern character because he is mysterious anyway.
  • The Hong Kong shoot is compared to the hosts' own deep-in-the-weeds blog obsessions: Bale insisting on standing on the skyscraper himself, Alan Horn cutting a $35 million check to send 400 people to shoot in IMAX when Gotham or CGI would have been fine.
  • Bruce's cover story compounds the absurdity: landing a plane in the ocean because he cannot use Hong Kong airport, a yacht with ballet dancers, Michael Caine surrounded by companions in the South China Sea, mystery pilots; it all goes back to Lau, and a Lau trilogy would probably get greenlit.
Displaying all 6 discussions

Films in the archive