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Film credit

Paul Gleason

Stats

Episodes featuring their films
3
Movies in this archive
4

Rewatchables episodes featuring Paul Gleason’s films

Trading Places

1983 film

Bill Simmons · Chris Ryan · Van Lathan

Aired May 16, 2023

The Breakfast Club

1985 film

Bill Simmons · Chris Ryan · Wesley Morris

Aired February 13, 2020

Die Hard

1988 film

Bill Simmons · Chris Ryan · Jason Concepcion · Sean Fennessey

Aired August 1, 2018

Displaying all 3 episodes

Mentioned in discussions

Hard to Kill

Recasting Couch

Tom Brady as Storm; John Ashton as O’Malley; Sharon Stone as nurse; Paul Gleason as Trent

In the discussion (4)
Approx. transcript time · 01:04:27Read transcript
  • A modern remake needs unintentional comedy: Tatum and Wahlberg are conventional options, but an athlete version with Brady, his wife and son is the dream. — Bill Simmons
  • Ashton is proposed for 1990 O’Malley after Beverly Hills Cop II and Midnight Run, bringing credibility and humor. — Bill Simmons
  • Stone is favored for LeBrock’s role, with Sciorra, Moore, Thiessen, Locklear, Thomas and Graham considered amid age, fame and budget objections. — Kyle Brandt
  • Gleason is the alternative Trent for his beloved antagonistic persona in The Breakfast Club and Die Hard. — Kyle Brandt
Coming to America

Casting What-Ifs

Vanessa Williams as Lisa McDowell; Sidney Poitier as King Jaffe Joffer; Paul Gleason as Clarence Beeks

In the discussion (5)
Approx. transcript time · 01:13:54Read transcript
  • Vanessa Williams was originally considered for Lisa McDowell; her first album came out that year and she was staggeringly beautiful.
  • The most desired woman is the lightest-skinned woman in the movie, an eternal problem; casting Williams would make that scream louder. — Wesley Morris
  • Shari Headley sounds like she is from New York, and her sweetness makes her falling for a janitor believable. — Bill Simmons
  • Sidney Poitier was originally sought for King Jaffe Joffer and turned it down, doing Shoot to Kill instead; he would have pushed the movie up a level, though James Earl Jones is regal.
  • Paul Gleason was asked to reprise Clarence Beeks from Trading Places in the Duke brothers scene but was filming Die Hard. — Bill Simmons
Ferris Bueller's Day Off

Casting What-Ifs

Emilio Estevez as Cameron; Molly Ringwald as Sloan; John Cusack as Ferris; Bill Paxton as the garage attendant; Paul Gleason as Ed Rooney

In the discussion (9)
Approx. transcript time · 00:57:10Read transcript
  • Estevez turned down Cameron; he could have done it, since his Breakfast Club jock has dad problems, but the result with Ruck is preferred.
  • Estevez, fresh off Repo Man, would have played a punk-rock version rather than Ruck's Cameron. — Chris Ryan
  • Ruck had auditioned for Bender, which would not have worked. — Bill Simmons
  • Molly Ringwald wanted to play Sloan; per the hosts, Hughes wanted Mia Sara for her elegance and maturity, and telling Ringwald the part was too small is what you say when you do not want to cast someone. — Bill Simmons
  • Hughes had only Broderick in mind; the backup is said to be John Cusack, who got his iconic high schooler as Lloyd Dobler in Say Anything. — Bill Simmons
  • Anthony Michael Hall told Vanity Fair his relationship with Hughes ended after Weird Science and believes roles including Ferris were written for him; one host doubts this, another believes it and calls Hughes vindictive. — Bill Simmons
  • Bill Paxton was offered the garage attendant, turned it down as too small, regretted it, and was never offered another Hughes role. — Bill Simmons
  • Paul Gleason was considered for Ed Rooney; as Dick Vernon he would presumably be on administrative leave after the Breakfast Club detention. — Bill Simmons
  • Gleason would have been distracting; Jeffrey Jones's sitcom, Laurel-and-Hardy energy was the right choice over Gleason's A1-asshole energy. — Sean Fennessey
Die Hard The Rewatchables
In the discussion (4)
Approx. transcript time · 00:55:07Read transcript
  • Hart Bochner’s eleven minutes are compared to a high-scoring, high-turnover basketball performance and he is treated as the winner.
  • Argyle is presented as the closest rival.
  • William Atherton’s Richard Thornburg extends his specialty in bureaucratic antagonists and carries into the sequel.
  • Paul Gleason’s deputy police chief continues his run of authoritative jerks and receives extended praise.
Displaying all 6 discussions

Films in the archive