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Film credit

Laurence Fishburne

Also referred to as Lawrence Fishburne, Fishburne, the Bowery King

Stats

Episodes featuring their films
6
Movies in this archive
8

Rewatchables episodes featuring Laurence Fishburne’s films

Boyz n the Hood

1991 film

Bill Simmons · Sean Fennessey · Van Lathan · Logan Murdock

Aired June 29, 2021

Contagion

2011 film

Bill Simmons · Sean Fennessey · Chris Ryan

Aired March 8, 2020

Higher Learning

1995 film

Bill Simmons · Van Lathan · Wesley Morris

Aired February 19, 2020

King of New York

1990 film

Quentin Tarantino · Bill Simmons · Sean Fennessey

Aired January 16, 2020

Displaying all 6 episodes

Mentioned in discussions

Die Hard with a Vengeance

Casting What-Ifs

Laurence Fishburne; Brandon Lee; uncertain Sean Connery story; McTiernan’s Batman offer

In the discussion (5)
Approx. transcript time · 00:21:29Read transcript
  • Fishburne reportedly had a verbal agreement for the role, but compensation negotiations stalled and Andrew Vajna chose Jackson after seeing Pulp Fiction at Cannes. — Bill Simmons
  • Fishburne reportedly received $750,000 after suing, and the producers also had to option a script he wrote. — Bill Simmons
  • Simon Says was reportedly intended for Brandon Lee before his death. — Bill Simmons
  • Connery was reportedly first choice for Simon, though the research is not treated as certain; his villain credibility, German accent and physical fit are doubted.
  • McTiernan reportedly declined Batman Forever to make this film. — Bill Simmons
Searching for Bobby Fischer

Apex Mountain

Chess movies; Max Pomeranc; ambitious 1993 children’s films; Washington Square Park, personally

In the discussion (5)
Approx. transcript time · 01:35:04Read transcript
  • Chess movies and Pomeranc are affirmed; Mantegna is rejected in favor of Godfather III’s greater contemporaneous impact despite the film’s possible belated stature.
  • A case is endorsed for ambitious 1993 children’s live-action films, citing The Sandlot, Cool Runnings, Hocus Pocus and Homeward Bound, plus animated Batman: Mask of the Phantasm and The Nightmare Before Christmas. — Charles Holmes
  • Bringing the queen out early is floated and turns into suggestive wordplay and a discussion of which chess piece suits Van; no clear settled award follows. — Bill Simmons
  • Kingsley and Allen are rejected, with The Contender proposed for Allen. Fishburne’s 1993 Oscar run is argued for but challenged by Morpheus and The Matrix’s lasting cultural identification.
  • Evil kids is rejected. Washington Square Park is personally affirmed for this movie, while I Am Legend and When Harry Met Sally are raised as comparisons without resolving the broader claim.
Bad Boys The Rewatchables
In the discussion (5)
Approx. transcript time · 01:05:30Read transcript
  • This is a Don Simpson-Jerry Bruckheimer movie, and the hosts say Simpson was unraveling with substance issues at the time. — Bill Simmons
  • The hosts say Dana Carvey and Lovitz were first wanted in a film written for them called Bulletproof Hearts; Carvey backed out after a Vegas trip with Simpson, and the project moved from Disney to Columbia. — Bill Simmons
  • Bay wanted Will Smith, and Arsenio Hall reportedly turned down Mike Lowry and calls it his worst mistake; nobody can picture Arsenio in the opening or the open-shirt run.
  • Martin Lawrence reportedly told a magazine that Fishburne also turned down Lowry; Fishburne is said to have turned down Jules in Pulp Fiction and Die Hard 3, about seven iconic roles in five years.
  • Fishburne would have made this a different movie; he was born to play Jules, a cold pill to swallow until Morpheus. — Van Lathan
Higher Learning

What’s Aged the Best?

The national-anthem scene, Remy's radicalization, Malik's Columbus speech, Fudge's look, and Fishburne's immigrant-professor perspective

In the discussion (7)
Approx. transcript time · 00:55:07Read transcript
  • The national-anthem exchange is judged startlingly prescient in light of Colin Kaepernick's later protest. — Van Lathan
  • Remy's progression from isolation into white nationalism is called the film's strongest structural achievement. — Bill Simmons
  • Malik's Columbus speech is singled out as one of Omar Epps's better acting moments despite some theatricality. — Bill Simmons
  • Fudge's Afro is praised as a deliberate identity marker that was unusual in 1995. — Bill Simmons
  • Malik's statement that racism has become more mental than physical is treated as a point the film articulated unusually early. — Bill Simmons
  • Professor Phipps is read as an immigrant voice emphasizing opportunity and effort rather than the inherited racism confronting Black Americans.
  • Michael Rapaport's physical choices are praised as convincing isolation by some participants and criticized as inert by another. — Wesley Morris
In the discussion (7)
Approx. transcript time · 00:07:34Read transcript
In the discussion (2)
Approx. transcript time · 02:08:17Read transcript
  • One voice says it is always going to be Fish. — Sean Fennessey
  • Another goes Walken 'as well', saying the incredible Fishburne case changes how he sees him as an actor, but it has to be Walken's movie.
Podcast choices
Speaker not identified
Christopher Walken
King of New York

The Neil McCauley “A Book about Metals” Award for Best Line from the Movie

"I'm going downtown, find me a girl, and get my knob polished"; "Who wanted to see you in a cage, man?"; "You don't sell drugs, my brother. You shoot people."; "The test came back negative"; "I thought about you every time I jerked off"

In the discussion (6)
Approx. transcript time · 01:51:30Read transcript
  • The opener is Jimmy at the Plaza: 'I'm going downtown, find me a girl, and get my knob polished.'
  • Every Fishburne line gets said back to the screen, like Smokey in Friday; 'get my knob polished' feels like a Fishburne ad lib, though Nick St. John could have written it.
  • 'Hey Jimmy, why didn't you visit me?' / 'Who wanted to see you in a cage, man?' is a great line and a genuine explanation that defuses the reunion's tension.
  • Jimmy before the raid: 'I want to know who I'm selling drugs to' / 'You don't sell drugs, my brother. You shoot people.' / 'Yo, I'm unemployed. Ain't nobody left.'
  • Caruso's 'The test came back negative' aside in the toast and his bar speech; Caruso communicates arrogance better than any actor. — Sean Fennessey
  • Frank's line during his first arrest, 'I thought about you every time I jerked off', is a favorite; 'slap the black off you' is also thrown out.
King of New York

Half-Assed Internet Research

Walken's message to Biggie; New York Film Festival booing; cut to avoid an X; free Plaza Hotel shoot; Snipes living in his car; Sing Sing opening

In the discussion (8)
Approx. transcript time · 01:44:10Read transcript
  • The research says the real Walken called Biggie's hotel room in the mid-90s and left a message as the real King of New York; possibly apocryphal. — Bill Simmons
  • The research says Lawrence Fishburne and Nicholas St. John were booed off the stage at the second New York Film Festival showing. — Bill Simmons
  • The research says the first cut ran almost two hours and was edited to 106 minutes to avoid an X rating. — Bill Simmons
  • The director is quoted as saying Donald Trump let them film at the Plaza free on condition that Walken pose for a photograph with Ivana Trump. — Bill Simmons
  • The director claims Snipes was living in his car during production, which seems conceivable from his credits. — Bill Simmons
  • The research says the opening was shot partly at Sing Sing, the first time the prison was used in a movie. — Bill Simmons
  • A guess of 90 is offered for how many times 'fuck' is said. — Sean Fennessey
  • It is noted that Abel directed a porn film under a pseudonym. — Bill Simmons
Displaying discussions 1 - 12 of 22 in total

Films in the archive