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Film credit

Shelley Long

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Episodes featuring their films
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1

Rewatchables episodes featuring Shelley Long’s films

Night Shift

1982 film

Bill Simmons · Chris Ryan

Aired September 3, 2024

Displaying 1 episode

Mentioned in discussions

Airplane! The Rewatchables
Airplane!

Casting What-Ifs

Keep Robert Hays as Ted, Julie Hagerty as Elaine, and Leslie Nielsen as Rumack

In the discussion (12)
Approx. transcript time · 01:01:22Read transcript
Working Girl

Casting What-Ifs

Demi Moore, plus many alternate Tess candidates.

In the discussion (5)
Approx. transcript time · 01:29:21Read transcript
Night Shift The Rewatchables
In the discussion (7)
Approx. transcript time · 01:09:56Read transcript
  • The producer calls the film charming, funny, heartfelt, and consistently watchable. — Chris Ryan
  • Michael Keaton's performance balances awkwardness, irritation, lovability, and pathos without exhausting the audience. — Chris Ryan
  • Keaton is proposed as a plausible Michael Scott because of that balance. — Bill Simmons
  • Shelley Long is praised, with a wish that the movie gave her more comedy. — Chris Ryan
  • Belinda's morgue dialogue is singled out as funny before Keaton takes over the movie. — Chris Ryan
  • Charlotte's rigid parents are praised as comic supporting characters. — Chris Ryan
  • The discussion closes by considering Keaton in several Tom Hanks and Robin Williams roles. — Chris Ryan
Night Shift The Rewatchables
Night Shift

Apex Mountain

No clear individual apex

In the discussion (5)
Approx. transcript time · 00:58:13Read transcript
Night Shift The Rewatchables
Night Shift

Half-Assed Internet Research

Keaton preparation, cast friction, and the Stutz

In the discussion (3)
Approx. transcript time · 00:57:08Read transcript
Night Shift The Rewatchables
Night Shift

What’s Aged the Worst?

Sex-worker stereotype, smoking, Billy’s ideas, and Charlotte

In the discussion (6)
Approx. transcript time · 00:45:17Read transcript
  • The sex-worker-with-a-heart-of-gold convention is judged dated. — Bill Simmons
  • Shelley Long's onscreen smoking is judged unconvincing. — Bill Simmons
  • Billy's failure to notice Chuck and Belinda's relationship for months is questioned. — Bill Simmons
  • Billy's supposedly original ideas are criticized as weak, already invented, or limited to Love Brokers. — Bill Simmons
  • Charlotte's obsessive dieting is described as a dated portrayal. — Bill Simmons
  • Chuck and Charlotte maintaining separate New York apartments while engaged is questioned on cost grounds. — Chris Ryan
Night Shift The Rewatchables
Night Shift

The most 1982 thing

Chuck's Rubik's Cube and solution guide

In the discussion (4)
Approx. transcript time · 00:37:16Read transcript
In the discussion (3)
Approx. transcript time · 01:11:59Read transcript
  • Ralph Macchio reportedly nearly played another child, Tyler; Thomas rescued his audition by thinking about his dead dog and moving Spielberg to tears. — Bill Simmons
  • Feldman’s part reportedly disappeared in rewrites. Shelley Long being offered Mary is an unconfirmed internet report, with Night Shift and Cheers making the alternative outcome seem fine. — Bill Simmons
  • Ford’s cut principal appearance reportedly concealed his face, but a recognizable Star Wars actor could still distract in this world.
Fast Five

What’s Aged the Best?

The Rock as a free-agent acquisition

In the discussion (5)
Approx. transcript time · 00:41:13Read transcript
  • The Rock as a free agent acquisition for Fast Five is like Durant to the Warriors ('the rant to the Warriors' as transcribed) but the happy, fun version: a superstar added with no fallout, apart from him and Vin Diesel getting a little snippy on social media.
  • Vince's dramatic return, his feelings hurt over the chip in the car and his slamming of Dom's concept of family with 'how's your family now, Dom? Where's Liddy?' (as transcribed), cuts deep; insulting Vin's concept of family is the worst thing you can do to him, other than maybe insulting his car.
  • Gal Gadot, now one of the most famous actors around, looks unbelievable, and the slow-motion bikini walk at the beach club with Han puts a new group of 13-year-olds through puberty every year; whoever thought of the bank vault dragging through the streets behind two cars should brag about it to strangers forever, imagined as interrupting every introduction of a Fast Five producer.
  • Dom's explanation of the team he needs is recited, a chameleon, a fast talker, surveillance, guys to punch through walls, weapons and two precision drivers who never lose; on the GM scale with Bob Myers and Daryl Morey it is a performance graded A plus, since he knew days ahead he would need someone to open a wall, 'the Daryl Morey of Vice' (as transcribed).
  • Asked whether a winner was picked, one host names The Rock as free agent acquisition, the best version of Durant to the Warriors, likening it to Cheers extending its run by replacing Shelley Long with Kirstie Alley and enlarging Frasier; without new A list blood after Paul Walker's death the franchise could not have continued; the other calls that fair, since The Rock becoming the most famous person in Hollywood made it okay for Helen Mirren to fight a submarine with cars by part eight.
Displaying all 9 discussions

Films in the archive