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Editorial Director, The Ringer

Chris Ryan

Chris Ryan is listed by The Ringer as editorial director.

Also referred to as Chris, CR, Christopher Ryan, Sierra

Stats

Episodes credited in this archive
286
Movies in this archive
271
Attributed podcast choices
46

Recently watched on Letterboxd

View diary

Updated

  1. Clayface

    2026

    Watched October 22, 2026

  2. Hope

    2026

    ♥

    Watched October 22, 2026

  3. Fall 2: Deadpoint

    2026

    Watched October 18, 2026

  4. Friday the 13th Part VIII: Jason Takes Manhattan

    1989

    Watched October 18, 2026

  5. Buddy

    2026

    Watched October 16, 2026

  6. The Exorcist III

    1990

    4 Rewatch

    Watched October 13, 2026

Across the table

Appearing on these Rewatchables episodes

It Follows

2014 film

Bill Simmons · Chris Ryan · Joanna Robinson

Aired October 20, 2026

Friday the 13th

1980 film

Bill Simmons · Chris Ryan · Van Lathan

Aired October 13, 2026

Aliens

1986 film

Bill Simmons · Chris Ryan · Sean Fennessey

Aired August 31, 2026

Speed

1994 film

Bill Simmons · Chris Ryan · Sean Fennessey

Aired August 18, 2026

About Last Night

1986 film

Bill Simmons · Chris Ryan · Mallory Rubin

Aired August 13, 2026

The Italian Job

2003 film

Bill Simmons · Chris Ryan · Van Lathan

Aired August 11, 2026

Obsession

2026 film

Bill Simmons · Chris Ryan · Joanna Robinson

Aired July 28, 2026

Ali

2001 film

Bill Simmons · Chris Ryan · Van Lathan

Aired July 7, 2026

Pacific Heights

1990 film

Bill Simmons · Chris Ryan · Kyle Brandt

Aired June 30, 2026

The Good Son

1993 film

Bill Simmons · Chris Ryan · Sean Fennessey

Aired June 26, 2026

Displaying episodes 1 - 12 of 286 in total

Mentioned in discussions

Sicario The Rewatchables
Sicario

Franchise Tag: Should This Movie Have Sequels?

Protect Sicario from sequels; continuation disputed

The panel proposes a new category here.

Flex pick · Craig Horlbeck

In the discussion (3)
Approx. transcript time · 01:27:20Read transcript
  • Craig introduces a Movie Franchise Tag flex proposing that a small annual group of films, including Sicario and The Devil Wears Prada, be protected from sequels.
  • Chris counters that once Sicario’s sequel exists the series should continue, while a prestige television version is discussed and Del Toro’s participation doubted.
  • The franchise-tag proposal expands to Sinners, Barbie and Oppenheimer with disagreement; Limitless is explicitly exempted and its television series recalled.
Sicario The Rewatchables
Sicario

What’s Aged the Worst?

Kate’s smoking; sequel differences; supposed unattractiveness; Alejandro’s cartel connections; Reggie Wayne name; period-specific Juárez

In the discussion (5)
Approx. transcript time · 00:12:11Read transcript
  • Three adult films competing in 2015 is an early aged-worst comparison with current releases; a genre movie exceeding expectations makes Chris return to theaters immediately.
  • Kate’s smoking is criticized under aged-worst and a Tom Cruise bad-smoking award, with disagreement that she smokes convincingly. — Bill Simmons
  • The sequel is judged acceptable but different and unusually evil; an initial claim that it changed screenwriter is explicitly corrected to Sheridan. — Bill Simmons
  • Aged-worst objections include treating Blunt as unattractive, insufficient detail on Alejandro’s cartel connections and the script naming Reggie Wayne. The geopolitical premise is defended as plausible. — Chris Ryan
  • Juárez’s portrayal is discussed as tied to the writing period rather than the later city, with contemporary crime claims presented as the hosts’ reported research. — Sean Fennessey
Sicario The Rewatchables

Flex pick · Chris Ryan

In the discussion (1)
Approx. transcript time · 01:05:12Read transcript
  • Chris explicitly selects the Okay Motherfucker flex and describes seven escalation beats around the border operation: Cartagena, folding the jacket, trucks over bumps, spotter warning, drawing weapons, gun warning and shooting. — Chris Ryan
In the discussion (2)
Approx. transcript time · 01:50:38Read transcript

Flex pick · Chris Ryan

In the discussion (2)
Approx. transcript time · 01:06:34Read transcript
  • An explicit CR flex invitation introduces the need for a Grodin/Cannon scene, contrasting her appeal with his full-pajama never-nude presentation. — Chris Ryan
  • The film’s PG restraint and chaste central kiss are noted; a PG13 assumption is corrected as anachronistic. The film is said to cry out for a sex scene, with jokes about Beatty’s restraint. — Chris Ryan

Flex pick · Chris Ryan

In the discussion (2)
Approx. transcript time · 01:05:46Read transcript
  • An explicitly invited CR flex selects Peter Stormare’s surgeon for the Teddy KGB Award for Actor Doing His Own Thing; earlier memorable roles are recalled.
  • Stormare is praised for improving small roles and dominating the anesthetized Cruise’s scene with his own eccentric performance.

Flex pick · Chris Ryan

In the discussion (3)
Approx. transcript time · 01:10:31Read transcript
  • An explicitly invited CR flex questions Pete’s recruiting and coaching despite two titles: household-object demonstrations, indignation about expected payments and a simplistic defensive adjustment are criticized. — Bill Simmons
  • The rigid offense fails to adapt to Hardaway’s gifts; pick-and-rolls and alley-oops are suggested instead of forcing players into the system. — Van Lathan
  • Poor conditioning compounds the lack of tactical sophistication. — Bill Simmons
Displaying discussions 13 - 24 of 119 in total

Flex picks

Flex pick · Chris Ryan

In the discussion (3)
Approx. transcript time · 01:10:31Read transcript
  • An explicitly invited CR flex questions Pete’s recruiting and coaching despite two titles: household-object demonstrations, indignation about expected payments and a simplistic defensive adjustment are criticized. — Bill Simmons
  • The rigid offense fails to adapt to Hardaway’s gifts; pick-and-rolls and alley-oops are suggested instead of forcing players into the system. — Van Lathan
  • Poor conditioning compounds the lack of tactical sophistication. — Bill Simmons

Flex pick · Chris Ryan

In the discussion (2)
Approx. transcript time · 01:03:40Read transcript
  • Julie Delpy wins the explicit Chris Ryan flex for smoking at the cafe, though more actual puffs are desired. — Bill Simmons
  • Jesse taking a drag, getting his own cigarette and lighting it from hers is admired as authentic smoker behavior. — Bill Simmons
Before Sunrise

Jesse in Before Sunrise Award for the Character Who Should Have Smoked but Didn’t

Jesse; probably Céline too

The panel proposes a new category here.

Flex pick · Chris Ryan

In the discussion (5)
Approx. transcript time · 01:01:37Read transcript
  • Chris explicitly selects the category as his flex after Bill invites him to restore a cut category. — Chris Ryan
  • Chris remembers Jesse as a smoker and argues that Hawke's real-life smoking makes the omission puzzling. — Chris Ryan
  • The 1995 European setting and the smoking poet make the absence of cigarettes especially conspicuous.
  • The lack of smoking now makes the movie feel unexpectedly modern.
  • Julie Delpy is also proposed as someone who would plausibly smoke. — Bill Simmons
Saving Private Ryan

The Great Shot Gordo Award for Most Cinematic Shot

Mother in doorway; men crossing field; heads over hill; men on steps; helmet death; handheld combat; crossing tank; underwater landing

Flex pick · Chris Ryan

In the discussion (7)
Approx. transcript time · 01:04:48Read transcript
  • The mother framed in the doorway as the car approaches, followed by her collapse onto the porch, is a selected cinematic image. — Chris Ryan
  • The men walking across the field and heads appearing over the hill are offered as other striking compositions. — Chris Ryan
  • The wide shot of the men on the steps listening to the record player, apart from Hanks and Damon, is praised as poster-like. — Chris Ryan
  • A soldier surviving a shot that hits his helmet, removing it, and then being shot in the head is singled out as a brutal visual moment. — Sean Fennessey
  • The intricate handheld battle shots are praised for coordinating several moving actions within one shot. — Sean Fennessey
  • The tank crossing the opening in the final battle visually shows that the planned defense must change without explanatory dialogue. — Sean Fennessey
  • The underwater imagery during the landing is praised, including the realization that soldiers can be shot underwater. — Bill Simmons
Displaying flex picks 37 - 41 of 41 in total

From other episodes

Sourced picks from episodes not yet fully included in the archive.