Editorial Director, The Ringer
Chris Ryan
Chris Ryan is listed by The Ringer as editorial director.
Also referred to as Chris, CR, Christopher Ryan, Sierra
Stats
- Episodes credited in this archive
- 286
- Movies in this archive
- 271
- Attributed podcast choices
- 46
Recently watched on Letterboxd
Across the table
Appearing on these Rewatchables episodes
Mission: Impossible – Fallout
2018 film
Bill Simmons · Chris Ryan · Craig Horlbeck
Aired December 27, 2022
Mentioned in discussions
Franchise Tag: Should This Movie Have Sequels?
Protect Sicario from sequels; continuation disputed
The panel proposes a new category here.
Flex pick · Craig Horlbeck
In the discussion (3)
- Craig introduces a Movie Franchise Tag flex proposing that a small annual group of films, including Sicario and The Devil Wears Prada, be protected from sequels.
- Chris counters that once Sicario’s sequel exists the series should continue, while a prestige television version is discussed and Del Toro’s participation doubted.
- The franchise-tag proposal expands to Sinners, Barbie and Oppenheimer with disagreement; Limitless is explicitly exempted and its television series recalled.
What’s Aged the Worst?
Kate’s smoking; sequel differences; supposed unattractiveness; Alejandro’s cartel connections; Reggie Wayne name; period-specific Juárez
In the discussion (5)
- Three adult films competing in 2015 is an early aged-worst comparison with current releases; a genre movie exceeding expectations makes Chris return to theaters immediately.
- Kate’s smoking is criticized under aged-worst and a Tom Cruise bad-smoking award, with disagreement that she smokes convincingly. — Bill Simmons
- The sequel is judged acceptable but different and unusually evil; an initial claim that it changed screenwriter is explicitly corrected to Sheridan. — Bill Simmons
- Aged-worst objections include treating Blunt as unattractive, insufficient detail on Alejandro’s cartel connections and the script naming Reggie Wayne. The geopolitical premise is defended as plausible. — Chris Ryan
- Juárez’s portrayal is discussed as tied to the writing period rather than the later city, with contemporary crime claims presented as the hosts’ reported research. — Sean Fennessey
“OK, Motherfucker” Award for When the Movie Goes Up a Notch
The border-operation escalation
Flex pick · Chris Ryan
In the discussion (1)
- Chris explicitly selects the Okay Motherfucker flex and describes seven escalation beats around the border operation: Cartagena, folding the jacket, trucks over bumps, spotter warning, drawing weapons, gun warning and shooting. — Chris Ryan
Is This Movie Better With…?
Zane Lowe interviewing Bond
In the discussion (1)
- Chris introduces Zane Lowe for Better With, imagining a reverent interview with Bond; the hosts enthusiastically endorse the impression and recall Lowe renting the Heat house. — Chris Ryan
Most Memorable Death by a Security Guard or Other Bystander
The train driver
Flex pick · Chris Ryan
In the discussion (1)
- Chris explicitly selects the Rick Trichet guard-death flex for the train driver forced toward the tank, imagining the forgotten bystander’s life. — Chris Ryan
In the discussion (1)
- Whole Lotta Love wins needle drop; the Chris Stapleton practice-race song is also liked.
Recasting Couch
Chris Ryan as the commercial director; Al Pacino as backup
In the discussion (1)
- Chris Ryan is proposed as the commercial director, with Al Pacino as the backup. — Bill Simmons
Is This Movie Better With…?
A faux Bob Costas-style narration
In the discussion (2)
- The candidate list includes Wayne Jenkins, Danny Trejo, Mad Dog Russo, Doris Burke, Samuel L. Jackson, Nora Byer, Tony Romo, Chris Collinsworth, Daniel Plainview, Longlegs, Bangkok Craig, and Wilford Brimley — Bill Simmons
- A mock historical-sports narration about Frank and Blue Magic is performed as the choice — Chris Ryan
Mallory Rubin Award: Did This Movie Need a Better Sex Scene?
Grodin and Cannon sex scene
Flex pick · Chris Ryan
In the discussion (2)
- An explicit CR flex invitation introduces the need for a Grodin/Cannon scene, contrasting her appeal with his full-pajama never-nude presentation. — Chris Ryan
- The film’s PG restraint and chaste central kiss are noted; a PG13 assumption is corrected as anachronistic. The film is said to cry out for a sex scene, with jokes about Beatty’s restraint. — Chris Ryan
Flex pick · Chris Ryan
In the discussion (2)
- An explicitly invited CR flex selects Peter Stormare’s surgeon for the Teddy KGB Award for Actor Doing His Own Thing; earlier memorable roles are recalled.
- Stormare is praised for improving small roles and dominating the anesthetized Cruise’s scene with his own eccentric performance.
Flex pick · Chris Ryan
In the discussion (3)
- An explicitly invited CR flex questions Pete’s recruiting and coaching despite two titles: household-object demonstrations, indignation about expected payments and a simplistic defensive adjustment are criticized. — Bill Simmons
- The rigid offense fails to adapt to Hardaway’s gifts; pick-and-rolls and alley-oops are suggested instead of forcing players into the system. — Van Lathan
- Poor conditioning compounds the lack of tactical sophistication. — Bill Simmons
When I Would Have Died
Hotel explosion or mall collision
Flex pick · Chris Ryan
In the discussion (1)
- The explicitly invited CR flex chooses either the hotel explosion and collapsing room or being hit by an Oldsmobile while shopping in the mall. — Chris Ryan
Flex picks
Flex pick · Chris Ryan
In the discussion (3)
- An explicitly invited CR flex questions Pete’s recruiting and coaching despite two titles: household-object demonstrations, indignation about expected payments and a simplistic defensive adjustment are criticized. — Bill Simmons
- The rigid offense fails to adapt to Hardaway’s gifts; pick-and-rolls and alley-oops are suggested instead of forcing players into the system. — Van Lathan
- Poor conditioning compounds the lack of tactical sophistication. — Bill Simmons
When I Would Have Died
Hotel explosion or mall collision
Flex pick · Chris Ryan
In the discussion (1)
- The explicitly invited CR flex chooses either the hotel explosion and collapsing room or being hit by an Oldsmobile while shopping in the mall. — Chris Ryan
Flex pick · Chris Ryan
In the discussion (2)
- Julie Delpy wins the explicit Chris Ryan flex for smoking at the cafe, though more actual puffs are desired. — Bill Simmons
- Jesse taking a drag, getting his own cigarette and lighting it from hers is admired as authentic smoker behavior. — Bill Simmons
Jesse in Before Sunrise Award for the Character Who Should Have Smoked but Didn’t
Jesse; probably Céline too
The panel proposes a new category here.
Flex pick · Chris Ryan
In the discussion (5)
- Chris explicitly selects the category as his flex after Bill invites him to restore a cut category. — Chris Ryan
- Chris remembers Jesse as a smoker and argues that Hawke's real-life smoking makes the omission puzzling. — Chris Ryan
- The 1995 European setting and the smoking poet make the absence of cigarettes especially conspicuous.
- The lack of smoking now makes the movie feel unexpectedly modern.
- Julie Delpy is also proposed as someone who would plausibly smoke. — Bill Simmons
The Great Shot Gordo Award for Most Cinematic Shot
Mother in doorway; men crossing field; heads over hill; men on steps; helmet death; handheld combat; crossing tank; underwater landing
Flex pick · Chris Ryan
In the discussion (7)
- The mother framed in the doorway as the car approaches, followed by her collapse onto the porch, is a selected cinematic image. — Chris Ryan
- The men walking across the field and heads appearing over the hill are offered as other striking compositions. — Chris Ryan
- The wide shot of the men on the steps listening to the record player, apart from Hanks and Damon, is praised as poster-like. — Chris Ryan
- A soldier surviving a shot that hits his helmet, removing it, and then being shot in the head is singled out as a brutal visual moment. — Sean Fennessey
- The intricate handheld battle shots are praised for coordinating several moving actions within one shot. — Sean Fennessey
- The tank crossing the opening in the final battle visually shows that the planned defense must change without explanatory dialogue. — Sean Fennessey
- The underwater imagery during the landing is praised, including the realization that soldiers can be shot underwater. — Bill Simmons
From other episodes
Sourced picks from episodes not yet fully included in the archive.

The Neil McCauley “A Book about Metals” Award for Best Line from the Movie
Han Solo’s speech rejecting a mystical force controlling his destiny
Flex pick · Chris Ryan
Transcript excerpt · Targeted transcript check; recording not verified