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Head of Content, The Ringer

Sean Fennessey

Writer, editor and podcaster. Hosts The Big Picture and cohosts The Rewatchables.

Also referred to as Sean, Sean Fantasy, Sean Fittenden, Sean Phenasy, Sean fantasy

Stats

Episodes credited in this archive
174
Movies in this archive
166
Attributed podcast choices
24

Recently watched on Letterboxd

View diary

Updated

  1. Insidious: Out of the Further

    2026

    Watched October 22, 2026

  2. Fright Night Part 2

    1988

    Watched October 22, 2026

  3. Fall 2: Deadpoint

    2026

    Watched October 21, 2026

  4. Halloween III: Season of the Witch

    1982

    4 ♥ Rewatch

    Watched October 20, 2026

  5. Halloween

    1978

    5 ♥ Rewatch

    Watched October 20, 2026

  6. Being Heumann

    2026

    Watched October 19, 2026

Across the table

Appearing on these Rewatchables episodes

Manhunter

1986 film

Bill Simmons · Sean Fennessey · Chris Ryan

Aired April 13, 2021

Thief

1981 film

Bill Simmons · Sean Fennessey · Chris Ryan

Aired April 1, 2021

Insidious

2010 film

Bill Simmons · Sean Fennessey · Chris Ryan

Aired March 23, 2021

Inside Man

2006 film

Bill Simmons · Sean Fennessey · Chris Ryan

Aired March 15, 2021

Neighbors

2014 film

Bill Simmons · Sean Fennessey · Chris Ryan

Aired February 23, 2021

Taxi Driver

1976 film

Bill Simmons · Bill Hader · Sean Fennessey

Aired February 9, 2021

Mr. Holland's Opus

1995 film

Bill Simmons · Sean Fennessey · Van Lathan

Aired December 29, 2020

Home Alone

1990 film

Chris Ryan · Sean Fennessey · Mina Kimes

Aired November 17, 2020

Toy Story

1995 film

Sean Fennessey · Mallory Rubin · Shea Serrano

Aired November 10, 2020

The Exorcist

1973 film

Bill Simmons · Sean Fennessey · Chris Ryan

Aired October 29, 2020

The Martian

2015 film

Bill Simmons · Sean Fennessey · Chris Ryan · Van Lathan

Aired October 13, 2020

The Game

1997 film

Bill Simmons · Sean Fennessey · Chris Ryan

Aired September 29, 2020

Displaying episodes 97 - 108 of 174 in total

Mentioned in discussions

Speed The Rewatchables
Speed

The Stephen A. Smith Hottest Take Award

Sean calls Speed the last truly great American pure-action movie

In the discussion (5)
Approx. transcript time · 01:26:49Read transcript
  • A participant suggests Jack’s de-escalating language as an alternative to aggressive policing
  • Sean distinguishes pure action from science fiction, superheroes, secret societies and mythology
  • Mission: Impossible, The Rock, Ambulance, Taken and Bad Boys are offered as counterexamples
  • Bill provocatively argues the destruction costs could outweigh saving the bus; the others push back
  • The hot-take framing and objections are retained rather than treating this as advice
Speed The Rewatchables
Speed

Most Rewatchable Scene

Four different favorites: the elevator, bus boarding, passenger transfer and Jack under the bus

In the discussion (18)
Approx. transcript time · 00:43:46Read transcript
  • The opening is separated into passenger rescue, freight elevator and hostage showdown
  • Sean recalls interviewing Patrick Fischler about his first film role
  • The first bus explosion and payphone introduce Howard’s threat
  • Jack’s forgotten muffin becomes a comic everyday-life aside
  • Annie catching the bus establishes her personality
  • The Jaguar chase, door removal and leap onto the bus are praised
  • The passenger with a gun shoots Sam after misunderstanding Jack’s arrival
  • Sam’s rescue and Helen’s fatal attempt to escape are favorites
  • The highway jump remains euphoric despite impossible physics
  • The sharp turn and passengers changing sides are praised
  • Jack on the sled under the bus is a favorite
  • Harry’s discovery of the house trap is discussed
  • Jack and Annie’s escape and the airplane explosion could have supplied an ending
  • Howard’s decapitation and the subway crash conclude the action
  • The elevator is one final choice
  • Sean explicitly chooses the passenger transfer and Helen’s death after recalling the theatrical thrill of the jump
  • Another choice is Jack boarding the bus
  • The fourth choice is Jack under the bus; individual attribution beyond explicit naming stays unknown
Zodiac The Rewatchables
In the discussion (5)
Approx. transcript time · 01:49:40Read transcript
Jaws 2

Casting What-Ifs

Scheider’s Deer Hunter departure; Ricky Schroder replaced as Sean; Dreyfuss return discussion

In the discussion (3)
Approx. transcript time · 01:04:55Read transcript
  • Scheider’s departure from The Deer Hunter reportedly forced him into Jaws 2 under his Universal obligation; his fit for De Niro’s role is debated. Salary, points and a reportedly staged breakdown are discussed.
  • Ricky Schroder was replaced as Sean after the director change. — Bill Simmons
  • Dreyfuss’s proposed return becomes a joke about the novel’s affair; the affair is identified as novel material, not this film’s plot. — Bill Simmons
Jaws 2

Picking Nits

Leaving Sean behind; gasoline self-immolation; Andy kissing Sean

In the discussion (3)
Approx. transcript time · 00:37:47Read transcript
  • Sean should have accompanied unconscious Mike to the hospital instead of remaining with unrelated teenagers in danger; Ellen’s lack of supervision is criticized despite a defense of seventies parenting norms. — Bill Simmons
  • The boat driver should remain still or consider the nearby shore rather than pour gasoline over herself; Tina later survives by staying in the boat.
  • Andy repeatedly kissing unrelated Sean’s cheek during the rescue seems overly familiar.
Jaws 2

Half-Assed Internet Research

Director replacement; budget and gross; practical production; reused barrel; shark effects

In the discussion (8)
Approx. transcript time · 00:23:46Read transcript
  • John D. Hancock’s abandoned darker version, action difficulties and possible reduction of Ellen’s role are discussed as competing explanations for dismissal. A proposed Alves/Fields replacement reportedly met a DGA obstacle, treated skeptically.
  • Reported $20 million budget, $208 million gross and seventh-place 1978 finish. — Bill Simmons
  • Florida locations include Hog’s Breath Saloon and Navarre Beach. — Bill Simmons
  • The Sean performer reportedly recalled actual hammerheads approaching during filming; the Brody porch planter reused an original-film yellow barrel. — Bill Simmons
  • The fiberglass cable-junction set was slippery and nearly floated away. — Bill Simmons
  • Numerous sea-monster imitators and a Jaws 2 Topps trading-card set are discussed. — Bill Simmons
  • The original mechanical sharks had deteriorated; the new burned shark looks better but reportedly still malfunctioned.
  • The making-of producers’ account of Hancock’s departure is criticized as evasive. — Bill Simmons
Close Encounters of the Third Kind

The Andy and Red – Zihuatanejo Award for What Happens the Next Day?

The segment imagines the consequences for Roy's family and Roy aboard the ship.

Flex pick · Sean Fennessey

In the discussion (4)
Approx. transcript time · 01:24:25Read transcript
  • Sean selects the Next Day category as his flex choice. — Sean Fennessey
  • Roy's time aboard the ship is imagined as decades of invasive experimentation.
  • Ronnie is imagined rapidly rebuilding her life with a new partner after leaving Roy. — Chris Ryan
  • Roy's oldest son is predicted to become delinquent after the family's collapse. — Chris Ryan

Flex pick · Sean Fennessey

In the discussion (2)
Approx. transcript time · 00:57:18Read transcript
  • Sean’s explicitly invited flex returns to the Colleen Camp Playboy poster in Elwood’s room as an Apocalypse Now connection. — Sean Fennessey
  • The poster connects Elwood’s apartment to Colleen Camp’s Apocalypse Now appearance and its reported Lynda Carter casting history. — Sean Fennessey
Displaying discussions 1 - 12 of 44 in total

Flex picks

Flex pick · Sean Fennessey

In the discussion (2)
Approx. transcript time · 01:36:22Read transcript
  • The Death Star is challenged as an expensive and energy-intensive way to govern.
  • Grand Admiral Thrawn’s alternative plan for advanced fighters is presented as a better use of imperial resources. — Van Lathan

Flex pick · Sean Fennessey

In the discussion (2)
Approx. transcript time · 00:57:18Read transcript
  • Sean’s explicitly invited flex returns to the Colleen Camp Playboy poster in Elwood’s room as an Apocalypse Now connection. — Sean Fennessey
  • The poster connects Elwood’s apartment to Colleen Camp’s Apocalypse Now appearance and its reported Lynda Carter casting history. — Sean Fennessey
Before Sunset

Dracula the Musical Award for Best Imitation of Real Art

A Waltz for a Night; This Time cover; Jesse’s press answers (three-way tie)

Flex pick · Sean Fennessey

In the discussion (2)
Approx. transcript time · 01:06:05Read transcript
  • An explicit flex declares a three-way tie: Celine’s A Waltz for a Night, the This Time book cover and Jesse’s interview answers. — Sean Fennessey
  • The novel cover looks convincingly 2004, while supposed reluctance gives way to a complete next-book pitch; Hawke makes even its flawed premise enticing. — Sean Fennessey

Flex pick · Sean Fennessey

In the discussion (4)
Approx. transcript time · 01:08:28Read transcript
  • The bartender gives away a bottle because Jesse promises to send money later. — Sean Fennessey
  • Jesse never receives the bartender’s address needed to repay him.
  • The bottle is assumed to be cheap and possibly twist-off because Jesse has no opener. — Bill Simmons
  • The borrowed glasses raise an additional hygiene objection.
Displaying flex picks 13 - 18 of 18 in total