Film credit
Steven Seagal
Also referred to as Seagal
Stats
- Episodes featuring their films
- 3
- Movies in this archive
- 3
Rewatchables episodes featuring Steven Seagal’s films
Mentioned in discussions
Apex Mountain
Seagal, Erika Eleniak, and the June 1989 Playboy issue: yes
In the discussion (8)
- Seagal’s commercial and industry standing clearly declined after this film. — Bill Simmons
- Busey’s apex was placed around Point Break, Under Siege, and The Firm, with The Buddy Holly Story as an earlier prestige high. — Kyle Brandt
- Erika Eleniak was treated as an apex case. — Bill Simmons
- The June 1989 Playboy issue was treated as an apex case because Under Siege and Home Alone preserved its fame. — Bill Simmons
- “Voodoo Child” in Under Siege lost its apex case to its later NWO use. — Kyle Brandt
- Casey Ryback was nominated as the apex movie cook who could also fight. — Kyle Brandt
- Goodfellas’ prison cooking and Clemenza’s meatballs were competing movie-cook cases. — Kyle Brandt
- Chef and Burnt were rejected because their cooks could not fight. — Bill Simmons
Half-Assed Internet Research
Erika Eleniak’s E.T. appearance, Alabama shooting locations, budget-saving rewrites, Seagal’s Pearl Harbor idea, and the film persuading Harrison Ford to make The Fugitive
In the discussion (7)
- Eleniak’s first feature role was the girl Elliott kissed in E.T. — Bill Simmons
- USS Alabama stood in for USS Missouri. — Bill Simmons
- Mobile-area locations and framing made the limited water appear to be open ocean. — Bill Simmons
- The script was reduced from an estimated $100 million version to a roughly $30 million production. — Bill Simmons
- Seagal proposed incorporating the Pearl Harbor memorial and gathered ships. — Bill Simmons
- Harrison Ford reportedly joined The Fugitive after seeing an Under Siege rough cut. — Bill Simmons
- The production used a blackout barge and visual blocking to conceal the Alabama’s surroundings. — Bill Simmons
Casting What-Ifs
No casting what-ifs; Seagal almost did not star
In the discussion (1)
- No substantive casting alternative was located.
The Stephen A. Smith Hottest Take Award
Two takes were preserved: Seagal would improve The Fugitive as Richard Kimble, and Tommy Lee Jones gives essentially the same performance in both movies.
In the discussion (2)
- Seagal was proposed as a better Dr. Richard Kimble, with the action rewritten around him. — Kyle Brandt
- Tommy Lee Jones was argued to play essentially the same character in Under Siege and The Fugitive. — Bill Simmons
In the discussion (2)
- The marketing department wanted a three-word Seagal title and proposed The Last to Surrender. — Bill Simmons
- The title could work in a trailer but was not preferred over Under Siege. — Bill Simmons
In the discussion (7)
- Seagal’s real-world conduct and the forced-feeling final kiss have aged poorly. — Bill Simmons
- The era’s gratuitous action-movie nudity has aged poorly. — Bill Simmons
- Casey Ryback sounds more like a sideline reporter than a Navy SEAL chef. — Bill Simmons
- The captain visibly breathing and blinking as a corpse was criticized. — Bill Simmons
- High-ranking officials smoking indoors during crisis meetings looked dated. — Bill Simmons
- The obvious Tommy Lee Jones body double in the final fight was cited. — Kyle Brandt
- Busey’s later public image was contrasted with his charismatic Lethal Weapon and Point Break era. — Kyle Brandt
The Butch’s Girlfriend Award for the Weakest Link in the Film
Split: Jordan’s rapid competence; Seagal disappearing into the refrigerator
In the discussion (2)
- Jordan’s transition from sedated cake performer to effective counter-coup participant strains plausibility. — Kyle Brandt
- Seagal’s long absence from the action was argued as the larger rewatchability weakness. — Kyle Brandt
In the discussion (2)
- The ocean was the location choice. — Kyle Brandt
- The hosts wished the movie showed more of Seagal’s swimming and running. — Bill Simmons
What’s Aged the Best?
Entrances, Seagal’s accidental comedy and hand technique, the supporting character design, war-room celebrations, ruthless villains, and the Navy look
In the discussion (15)
- Ryback received a strong character entrance. — Bill Simmons
- Strannix received a strong helicopter entrance. — Kyle Brandt
- Jordan’s arrival established her failed-actress backstory efficiently. — Bill Simmons
- Seagal’s non-jokes remain funny. — Bill Simmons
- Seagal’s waving-hand fight technique remains visually distinctive. — Bill Simmons
- The cheering war-room convention still works. — Bill Simmons
- The villains’ decision to drown the trapped crew made them genuinely cruel. — Bill Simmons
- The USS Missouri, Pearl Harbor, and Desert Storm details gave the action plot military-history texture. — Bill Simmons
- “Wake up the president” was praised as enduring action-movie dialogue. — Bill Simmons
- Busey’s “psychological evaluation” exchange was praised. — Bill Simmons
- Bernie Casey’s presence and verbal exchanges with Strannix were praised. — Bill Simmons
- Ryback’s improvised blowtorch outfit and DIY problem-solving were praised. — Bill Simmons
- The hijackers’ food, booze, music, and visible enjoyment distinguished them from dour action villains. — Kyle Brandt
- The Navy dress whites were praised as unusually flattering costuming. — Kyle Brandt
- Wikipedia’s dry description of Under Siege II as “not as well received” amused the panel. — Bill Simmons
Most Rewatchable Scene
The missile-launch hug; final kiss; Ryback and Tommy Lee Jones action passages
In the discussion (16)
- Ryback moving through the ship while the crew hangs on his every word was an opening candidate. — Bill Simmons
- The galley confrontation and Seagal’s improvised Cajun affect were nominated. — Bill Simmons
- Busey spitting into the bouillabaisse was nominated as a ruthlessly effective villain beat. — Bill Simmons
- The hijackers’ first shootout, with Busey in drag and Strannix killing the ranking officer, was nominated. — Bill Simmons
- Ryback escaping through the ceiling and immediately dispatching guards was nominated. — Bill Simmons
- Ryback covering the captain’s body and attempting a quiet acting beat was nominated. — Bill Simmons
- Strannix’s “welcome to the revolution” speech and the war-room reaction were nominated. — Bill Simmons
- The microwave bomb and its invented five-second countdown were nominated. — Kyle Brandt
- The reveal of Ryback’s elite SEAL history was nominated. — Bill Simmons
- Ryback organizing an instant counterattack with the makeshift crew was nominated. — Bill Simmons
- Ryback building a bomb from a grenade, condom, wire, oil, recorder, and knapsack was nominated. — Bill Simmons
- The missile strike and awkward full-body celebratory hug were nominated. — Bill Simmons
- The final Ryback–Strannix knife fight and their mutual-recognition exchange were nominated. — Bill Simmons
- The joking deck finale, especially the infirmary and breakfast lines, was nominated. — Bill Simmons
- The final forced-looking kiss was dissected as bizarrely rewatchable. — Kyle Brandt
- One final choice was the missile-launch hug; another was the last-five-seconds kiss. — Bill Simmons
Just One Oscar
Creator of the Seagal-running compilation
In the discussion (1)
- No actual film contribution receives the choice; the maker of the entertaining online running montage is jokingly preferred. — Bill Simmons
Sequel, Prequel, Limited Series, or All-Black Remake
Untouchable; adjacent Seagal films supply prequel and sequel equivalents
In the discussion (1)
- Leaving the movie alone is preferred, while Above the Law and Marked for Death already function as informal prequel and sequel equivalents. — Kyle Brandt


