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L.A. Confidential
Primal Fear
Singles
Film credit
Campbell Scott
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- Episodes featuring their films
- 1
- Movies in this archive
- 1
Rewatchables episodes featuring their films
Displaying 1 episode
Mentioned in discussions
Recasting Couch
The Dudley suggestion observed as Apostle/postuate (identity unresolved; may signal villainy too early)
In the discussion (3)
Approx. transcript time · 01:48:47Read transcript
- A Dudley suggestion transcribed as Apostle/postuate is praised for Irish authenticity but may signal villainy too early; the identity needs confirmation.
- Campbell Scott, Josh Charles, Matt Damon and Ed Norton are proposed for Exley; Norton’s availability is questioned.
- Ed Burns as Exley is considered, prompting recollection of a detective show.
Recasting Couch
Reporter: Wheeler-Nicholson, Paymer, Buscemi, Pollak, Cusack or Scott; Britton for Tierney, disputed
In the discussion (7)
Approx. transcript time · 01:00:27Read transcript
- Dana Wheeler-Nicholson is suggested as a more distinctive reporter, with more diverse casting also proposed.
- David Paymer is proposed as a more memorable reporter.
- Buscemi is proposed as a more memorable reporter.
- Kevin Pollak is proposed after an initially mistaken surname.
- John Cusack is proposed for the reporter, then challenged as oversized casting for a small role.
- Campbell Scott is another reporter alternative.
- Connie Britton is considered for Tierney’s small role, though Tierney is also defended.
Apex Mountain
Campbell Scott; anguished phone messages; Xavier McDaniel era; garage openers; video dating; early-nineties Seattle; red Saab
In the discussion (16)
Approx. transcript time · 00:45:20Read transcript
- Newsstands are nominated as a possible Apex, with the fuller discussion deferred.
- Crowe is rejected as an Apex here.
- Sedgwick’s later The Closer is preferred.
- Scott receives an affirmative choice based on this film and the Julia Roberts movie.
- Dillon and Pearl Jam are rejected; Kelley’s television work is offered instead.
- Long, anguished nineties phone messages receive an emphatic affirmative choice.
- McDaniel’s Knicks–Bulls playoff and Singles period is accepted as a career-era peak, with his Celtics signing mentioned.
- Garage-door openers receive immediate agreement.
- Video dating in movies is accepted, reinforced by Burton directing the fictional video.
- Tim Burton cameos are proposed as a separate candidate without a clear response.
- The supertrain concept is compared with the 1979 NBC series; its repeated failure leaves no clear winner.
- Apartment buildings as plot devices lose to Melrose Place or Rosemary’s Baby.
- Sub Pop is rejected in favor of roughly two years earlier.
- Early-nineties Seattle is favored, though the exact year is debated through Sleepless in Seattle, the Sonics and Griffey; later civic and musical changes complicate the nostalgia.
- The old red Saab fastback is an affirmative final candidate.
- Douglas Coupland’s Generation X is noted as another major contemporary touchstone; no explicit final ruling is stated.
Displaying all 3 discussions

