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David Mamet

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My Cousin Vinny

Half-Assed Internet Research

Mamet; Oscar field; ages; budget and gross; bar attempts; chessboard; tuna; ABA ranking; lounge album

In the discussion (9)
Approx. transcript time · 00:09:24Read transcript
  • David Mamet reportedly told the director this was the best American comedy ever written. — Bill Simmons
  • Tomei’s supporting-actress opponents were Vanessa Redgrave for Howards End, Miranda Richardson for Damage, Judy Davis for Husbands and Wives and Joan Plowright for Enchanted April. — Wesley Morris
  • Makeup and lighting reportedly minimized the stars’ age gap, provisionally estimated as Tomei in her twenties and Pesci in his late forties. — Bill Simmons
  • The budget is reported as $11 million and the gross as $64 million. — Bill Simmons
  • Launer reportedly built the idea from a lawyer who passed the bar on the thirteenth attempt and imagined what would happen if that lawyer represented someone. — Bill Simmons
  • Pesci accidentally knocking over the chessboard while explaining his name was reportedly retained in the film. — Bill Simmons
  • Macchio reportedly is asked to autograph tuna cans because the opening hinges on an inexpensive can.
  • The ABA Journal reportedly ranked the film third among 25 legal films; Jonathan Lynn’s law degree is connected with his attention to legal detail. — Bill Simmons
  • Pesci made a later lounge album as Vinny, recalled as Vincent LaGuardia Gambini Sings Just for You. — Chris Ryan
In the discussion (2)
Approx. transcript time · 02:02:02Read transcript
  • Mamet receives one final winner choice; Pacino receives a separate choice with acceptance of the Mamet argument. — Chris Ryan
  • The explicitly invited producer chooses Lemmon, creating a three-way split. — Chris Ryan
Podcast choices
Glengarry Glen Ross

Apex Mountain

David Mamet on screen; real estate sales on screen

In the discussion (7)
Approx. transcript time · 01:46:54Read transcript
  • Pacino’s 1992 Oscar and enduring Roma performance make a peak case, but the Godfather–Serpico–Dog Day Afternoon run supports multiple possible peaks rather than a settled choice. — Chris Ryan
  • Mamet on screen receives an affirmative choice. — Sean Fennessey
  • Mamet’s own directing peak is separately located around The Spanish Prisoner, State and Main and Heist, with Spartan viewed as a troubling turn; Foley is considered the better visual match here. — Sean Fennessey
  • Real-estate sales on screen receives an affirmative choice. — Chris Ryan
  • The broader salesman question raises Mad Men but distinguishes advertising from real estate. — Chris Ryan
  • Tommy Boy is another salesman contender, with its business corrected from sporting goods to brake pads. — Chris Ryan
  • Moneyball is another sales-film comparison because unhappy men sell the idea of advanced analytics; no all-sales winner is settled. — Sean Fennessey
Displaying all 3 discussions