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The opening tracking shot

Bill Simmons: The 7:47 opening tracking shot is nominated and ultimately selected.

Bill Simmons: The opening includes Buck Henry pitching The Graduate Part II.

The film

The Player (1992)

Directed by Robert Altman · Comedy

124 minutes

Cast

Selected cast credits · Film reference

Tim Robbins Griffin Mill
Greta Scacchi June Gudmundsdottir
Fred Ward Walter Stuckel
Whoopi Goldberg Detective Susan Avery
Peter Gallagher Larry Levy
Brion James Joel Levison
Cynthia Stevenson Bonnie Sherow
Vincent D'Onofrio David Kahane
Dean Stockwell Andy Sivella
Richard E. Grant Tom Oakley

Everything from the episode

In the order the hosts got to it. Open a row for the discussion.

31:41

Roger Ebert's review

In the discussion (4)
Approx. transcript time · 00:31:41Read transcript
  • Ebert awarded the film four stars. — Bill Simmons
  • The quoted review calls the movie smart and funny. — Bill Simmons
  • The quoted review says Hollywood functions as a metaphor for 1980s avarice. — Bill Simmons
  • The quoted review calls it the movie The Bonfire of the Vanities wanted to be. — Bill Simmons
1:11:17

Casting What-Ifs

Chevy Chase and John Travolta were considered for Griffin, and several cut cameos and cast relationships are discussed.

Chevy Chase and John Travolta were considered for Griffin, and several cut cameos and cast relationships are discussed.

In the discussion (5)
Approx. transcript time · 01:11:17Read transcript
1:16:35

Recasting Couch

Robert De Niro for Fred Ward’s role is the strongest recasting proposal, alongside multiple ideas for Bonnie.

Robert De Niro for Fred Ward’s role is the strongest recasting proposal, alongside multiple ideas for Bonnie.

In the discussion (8)
Approx. transcript time · 01:16:35Read transcript
1:19:43

Half-Assed Internet Research

Production accounts cover the actors’ boundaries, improvisation, and Altman’s rationale for the film’s nudity.

Production accounts cover the actors’ boundaries, improvisation, and Altman’s rationale for the film’s nudity.

In the discussion (4)
Approx. transcript time · 01:19:43Read transcript
1:30:23

Picking Nits

Visibility, investigation, postcard, drug-use, and motive problems

Visibility, investigation, postcard, drug-use, and motive problems

In the discussion (7)
Approx. transcript time · 01:30:23Read transcript
  • June seemingly fails to recognize Griffin through a window despite having seen him.
  • David Kahane appears unusually informed about studio operations. — Bill Simmons
  • The objection is partly withdrawn because trade coverage could explain his knowledge. — Bill Simmons
  • Details of the murder appear to circulate implausibly quickly. — Bill Simmons
  • The threatening postcards stop for roughly a year without a satisfying practical explanation. — Bill Simmons
  • The movie is said to contain too little cocaine for its Hollywood setting. — Bill Simmons
  • The blackmailing writer’s motive is unclear: credit, acknowledgment, a screenplay sale, or cosmic justice. — Bill Simmons
1:36:32

Probably Unanswerable Questions

Did Altman see the future of movies? Yes—recurring industry crises and artistic risk moving to television

Did Altman see the future of movies? Yes—recurring industry crises and artistic risk moving to television

In the discussion (6)
Approx. transcript time · 01:36:32Read transcript
  • Did Altman see the future of movies? — Sean Fennessey
  • The panel answers yes and cites Griffin’s transparently hollow gala speech. — Sean Fennessey
  • The panel notes that declarations of cinema’s death recur across decades. — Sean Fennessey
  • Recent movies are defended as good even as viewing shifts toward home platforms. — Wesley Morris
  • The Underground Railroad is cited as ambitious work that struggled to break through.
  • Television is described as a place where established creators can take larger swings. — Bill Simmons

Mentions across The Rewatchables