‹ All movies

The opening tracking shot

Bill Simmons: The 7:47 opening tracking shot is nominated and ultimately selected.

Bill Simmons: The opening includes Buck Henry pitching The Graduate Part II.

The film

The Player (1992)

Directed by Robert Altman · Comedy

124 minutes

Cast

Selected cast credits · Film reference

Tim Robbins Griffin Mill
Greta Scacchi June Gudmundsdottir
Fred Ward Walter Stuckel
Whoopi Goldberg Detective Susan Avery
Peter Gallagher Larry Levy
Brion James Joel Levison
Cynthia Stevenson Bonnie Sherow
Vincent D'Onofrio David Kahane
Dean Stockwell Andy Sivella
Richard E. Grant Tom Oakley

Everything from the episode

In the order the hosts got to it. Open a row for the discussion.

31:41

Roger Ebert's review

In the discussion (4)
Approx. transcript time · 00:31:41Read transcript
  • Ebert awarded the film four stars. — Bill Simmons
  • The quoted review calls the movie smart and funny. — Bill Simmons
  • The quoted review says Hollywood functions as a metaphor for 1980s avarice. — Bill Simmons
  • The quoted review calls it the movie The Bonfire of the Vanities wanted to be. — Bill Simmons
32:47

Most Rewatchable Scene

The opening tracking shot

The opening tracking shot

In the discussion (14)
Approx. transcript time · 00:32:47Read transcript
49:37

What’s Aged the Best?

Early-1990s Los Angeles, the no-stars pitch, cameos, Randall Batinkoff, anonymous threats, and Hollywood-insider jokes

Early-1990s Los Angeles, the no-stars pitch, cameos, Randall Batinkoff, anonymous threats, and Hollywood-insider jokes

In the discussion (14)
Approx. transcript time · 00:49:37Read transcript
1:00:28

What’s Aged the Worst?

Spelling Entertainment, car phones and fax machines, the rattlesnake, Griffin’s police-station laugh, June’s characte...

Spelling Entertainment, car phones and fax machines, the rattlesnake, Griffin’s police-station laugh, June’s characterization, clothes, and the Range Rover

In the discussion (10)
Approx. transcript time · 01:00:28Read transcript
  • Spelling Entertainment’s credit alongside its television slate is treated as incongruous.
  • Car fax machines and giant mobile phones are dated. — Bill Simmons
  • June Gudmundsdottir’s unusually long name is questioned, then explained as common in Iceland. — Wesley Morris
  • The rattlesnake-in-the-car torment is questioned. — Sean Fennessey
  • Griffin’s police-station laughing scene is considered overly broad. — Bill Simmons
  • June’s motivations and lack of suspicion toward Griffin are questioned. — Bill Simmons
  • The panel disputes whether the problem is Greta Scacchi’s performance or the character writing.
  • June is read as an intentionally distant noir-artist archetype.
  • The double-breasted clothes are criticized. — Bill Simmons
  • The Range Rover as a power vehicle is treated as dated.
1:11:17

Casting What-Ifs

Chevy Chase and John Travolta were considered for Griffin, and several cut cameos and cast relationships are discussed.

Chevy Chase and John Travolta were considered for Griffin, and several cut cameos and cast relationships are discussed.

In the discussion (5)
Approx. transcript time · 01:11:17Read transcript
1:12:46

The Joey Pants “That Guy” Award

Leah Ayres

Leah Ayres

In the discussion (2)
Approx. transcript time · 01:12:46Read transcript
1:14:26

Best Former That Guy / Former Joey Pants Award

Fred Ward; possibly Brion James

Fred Ward; possibly Brion James

The panel proposes a new category here.

In the discussion (3)
Approx. transcript time · 01:14:26Read transcript
  • The panel explicitly proposes Best Former That Guy, also called the Former Joey Pants Award, for movies at least 30 years old. — Bill Simmons
  • Fred Ward is discussed as a performer who changed from an unnamed familiar face into a recognized actor by Tremors. — Bill Simmons
  • Brion James is offered as someone who may still qualify as a That Guy. — Bill Simmons
1:15:28

The Ruffalo / Hanna / Rubinek / Partridge Overacting Award

Cynthia Stevenson as Bonnie, in the climactic confrontation

Cynthia Stevenson as Bonnie, in the climactic confrontation

In the discussion (1)
Approx. transcript time · 01:15:28Read transcript
1:15:39

The Dion Waiters Award for Best Heat Check Performance

Whoopi Goldberg

Whoopi Goldberg

In the discussion (3)
Approx. transcript time · 01:15:39Read transcript
1:16:35

Recasting Couch

Robert De Niro for Fred Ward’s role is the strongest recasting proposal, alongside multiple ideas for Bonnie.

Robert De Niro for Fred Ward’s role is the strongest recasting proposal, alongside multiple ideas for Bonnie.

In the discussion (8)
Approx. transcript time · 01:16:35Read transcript
1:19:43

Half-Assed Internet Research

Production accounts cover the actors’ boundaries, improvisation, and Altman’s rationale for the film’s nudity.

Production accounts cover the actors’ boundaries, improvisation, and Altman’s rationale for the film’s nudity.

In the discussion (4)
Approx. transcript time · 01:19:43Read transcript
1:22:51

Apex Mountain

Cynthia Stevenson, double-breasted suits, Leeza Gibbons in 1992, and Randall Batinkoff’s early-1990s run: yes

Cynthia Stevenson, double-breasted suits, Leeza Gibbons in 1992, and Randall Batinkoff’s early-1990s run: yes

In the discussion (15)
Approx. transcript time · 01:22:51Read transcript
1:30:23

Picking Nits

Visibility, investigation, postcard, drug-use, and motive problems

Visibility, investigation, postcard, drug-use, and motive problems

In the discussion (7)
Approx. transcript time · 01:30:23Read transcript
  • June seemingly fails to recognize Griffin through a window despite having seen him.
  • David Kahane appears unusually informed about studio operations. — Bill Simmons
  • The objection is partly withdrawn because trade coverage could explain his knowledge. — Bill Simmons
  • Details of the murder appear to circulate implausibly quickly. — Bill Simmons
  • The threatening postcards stop for roughly a year without a satisfying practical explanation. — Bill Simmons
  • The movie is said to contain too little cocaine for its Hollywood setting. — Bill Simmons
  • The blackmailing writer’s motive is unclear: credit, acknowledgment, a screenplay sale, or cosmic justice. — Bill Simmons
1:34:28

Sequel, Prequel, Limited Series, or All-Black Remake

A ten-episode contemporary adaptation; doubtful it would improve on Altman

A ten-episode contemporary adaptation; doubtful it would improve on Altman

In the discussion (4)
Approx. transcript time · 01:34:28Read transcript
  • A ten-episode version could spend more time with the different characters. — Bill Simmons
  • A contemporary version could update the story with the internet. — Bill Simmons
  • The mystery element is offered as a reason an episodic version could sustain binge viewing. — Bill Simmons
  • The hosts would adapt the book rather than remake Altman’s movie.
1:36:32

Probably Unanswerable Questions

Did Altman see the future of movies? Yes—recurring industry crises and artistic risk moving to television

Did Altman see the future of movies? Yes—recurring industry crises and artistic risk moving to television

In the discussion (6)
Approx. transcript time · 01:36:32Read transcript
  • Did Altman see the future of movies? — Sean Fennessey
  • The panel answers yes and cites Griffin’s transparently hollow gala speech. — Sean Fennessey
  • The panel notes that declarations of cinema’s death recur across decades. — Sean Fennessey
  • Recent movies are defended as good even as viewing shifts toward home platforms. — Wesley Morris
  • The Underground Railroad is cited as ambitious work that struggled to break through.
  • Television is described as a place where established creators can take larger swings. — Bill Simmons
1:41:22

What Piece of Memorabilia Would You Want From This Movie?

The M poster, Griffin’s suit and Rolls-Royce, the Rialto cinema, and the studio jeans

The M poster, Griffin’s suit and Rolls-Royce, the Rialto cinema, and the studio jeans

In the discussion (5)
Approx. transcript time · 01:41:22Read transcript
1:42:17

Who Won the Movie?

Robert Altman

Robert Altman

In the discussion (2)
Approx. transcript time · 01:42:17Read transcript
  • The panel immediately agrees that Altman wins. — Bill Simmons
  • The win is framed as another major Altman comeback. — Bill Simmons

Mentions across The Rewatchables