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The Rewatchables ·

Crazy, Stupid, Love

year 2011decade 10sdirector Glenn Ficarra and John Requagenre Comedygenre Romance
host Bill Simmonshost Van Lathanguest Mina Kimes
All 34 categories

The Stephen A. Smith Hottest Take Award · 17:49

Better chemistry than La La Land

Mina Kimes: Mina’s early hottest take is that Gosling and Stone have better chemistry here, and a better romantic scene, than in La La Land.

Bill Simmons: An early hottest-take discussion treats Stone’s rise as visibly inevitable, comparing early Streep, Roberts and Cruise breakthroughs; Superbad is defended as an immediate star signal.

The Coach Finstock Award for Best Life Lesson · 1:46:19

Avoid straws

Bill Simmons: Life lessons include avoiding straws and Jacob’s harsh warning about neglecting oneself and one’s marriage.

The film

Crazy, Stupid, Love (2011)

Directed by Glenn Ficarra and John Requa · Comedy

IMDb Letterboxd Find on JustWatch Rotten Tomatoes
Cast

Selected cast credits · Film reference

Ryan Gosling Jacob
Emma Stone Hannah
Lio Tipton Jessica
Marisa Tomei Kate Tafferty
Kevin Bacon David Lindhagen
Jonah Bobo Robbie Weaver
John Carroll Lynch Bernie Riley
Josh Groban Richard
Joey King Molly Weaver
Beth Littleford Claire Riley
Julianna Guill Madison
Crystal Reed Amy Johnson
Dan Butler Cal’s boss
Mekia Cox Tiffany
Reggie Lee Officer Huang

Everything from the episode

In the order the hosts got to it. Open a row for the discussion.

17:49

The Stephen A. Smith Hottest Take Award

Better chemistry than La La Land; Stone’s inevitable rise; marriage halftime disputed

Better chemistry than La La Land; Stone’s inevitable rise; marriage halftime disputed

In the discussion (4)
Approx. transcript time · 00:17:49Read transcript
  • Mina’s early hottest take is that Gosling and Stone have better chemistry here, and a better romantic scene, than in La La Land. — Mina Kimes
  • An early hottest-take discussion treats Stone’s rise as visibly inevitable, comparing early Streep, Roberts and Cruise breakthroughs; Superbad is defended as an immediate star signal. — Bill Simmons
  • Van’s hottest take asks whether marriage needs a halftime. The others challenge the analogy because cheating was not mutual consent and one partner might prefer separation; nine partners makes reconciliation harder. — Bill Simmons
  • The marriage-halftime debate also considers Cal’s complacency and contrasts the film’s reunion with real-life returns after disappointing dating experiences.
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29:47

The Craig Century Club

About eight to ten minutes shorter

About eight to ten minutes shorter

In the discussion (1)
Approx. transcript time · 00:29:47Read transcript
  • Craig judges 118 minutes about eight to ten minutes too long, suggesting trims to Robbie/babysitter material and the school-speech setup; two simultaneous romances justify some extra length. — Bill Simmons
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31:00

The most 2011 thing

Pickup artistry; cast career moment; metrosexual style; babysitter transport; Twilight; phones; photo plot

Pickup artistry; cast career moment; metrosexual style; babysitter transport; Twilight; phones; photo plot

In the discussion (4)
Approx. transcript time · 00:31:00Read transcript
  • The pickup-artist character is treated as a period marker. Mina argues his approach is less harsh than The Game, while others point to explicit negging; the disagreement remains. — Bill Simmons
  • Most-2011 choices include the cast’s career moment and Jacob’s metrosexual styling; the reversal of fashion makes Cal’s original loose clothing more current.
  • Driving the teenage babysitter home is proposed as a 2011 marker, with rideshare as the current alternative; a personal callback follows. — Bill Simmons
  • Further 2011 markers are Twilight alone, the Moore/Kutcher text, an older phone, answering machines and the babysitter-photo plot. — Bill Simmons
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33:11

What’s Aged the Best?

Divorce loyalties; Century City Mall; Los Angeles; performances; Scarlet Letter and pole-dancing jokes; slang

Divorce loyalties; Century City Mall; Los Angeles; performances; Scarlet Letter and pole-dancing jokes; slang

In the discussion (5)
Approx. transcript time · 00:33:11Read transcript
  • Jacob’s account of his parents explains his behavior and why Cal reminds him of someone, praised as an effective interlocking script rather than forced exposition. — Bill Simmons
  • Choosing sides after a couple’s divorce ages well and prompts a proposed game-show idea. — Bill Simmons
  • Westfield Century City Mall is strongly praised as aged best, alongside the film’s Valley/Los Angeles setting; the attraction ranking is not a complete top-ten list. — Bill Simmons
  • Jonah Bobo’s performance, Bacon’s romantic-antagonist skill, the Scarlet Letter complaint and the pole-dancing line are aged-best choices. — Bill Simmons
  • The use of cuckold and bang and the small jokes age well, while saying nobody uses cuckold anymore ages poorly.
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34:48

Roger Ebert's review
In the discussion (1)
Approx. transcript time · 00:34:48Read transcript
  • Ebert’s three-star review is explicitly stated; budget and box office are reported before a mixed-segment ad break. — Bill Simmons
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34:51

Most Rewatchable Scene

The Dirty Dancing romantic sequence

The Dirty Dancing romantic sequence

In the discussion (9)
Approx. transcript time · 00:34:51Read transcript
  • Scene candidates include the divorce/car exit and Jacob meeting Hannah. Lady Bird is compared to the car exit; Jacob’s confidence under rejection divides interpretation. — Bill Simmons
  • The friends choosing sides in divorce and John Carroll Lynch’s breakup scene are praised as an underexplored social dynamic. — Bill Simmons
  • The male makeover montage is praised for humor, effective styling and Cal’s renewed self-respect; other makeover films are compared and the already-attractive-woman trope criticized. Carell changing weight is explicitly speculation. — Bill Simmons
  • Scene candidates include pickup training, Robbie raising Bacon’s chair, Tomei’s bar encounter and the teacher reveal. Tomei receives a playful long-term-crush honor. — Bill Simmons
  • Hannah returning to Jacob’s house is praised for the Dirty Dancing lift, humor, surprising vulnerability and a believable connection built in minutes; whether they have sex remains inferred rather than shown. — Bill Simmons
  • The actors’ chemistry prompts discussion of on-set relationships and spouses, including Mr. & Mrs. Smith as a comparison; speculation is not film fact. — Bill Simmons
  • The converging backyard fight and Bacon’s arrival are praised. The graduation speech is rejected by one host as too sweet, with other school-ending films discussed. — Bill Simmons
  • The romantic Dirty Dancing sequence wins the scene majority, with a dissenting preference for the backyard fight. — Mina Kimes
  • A late scene candidate is Cal’s nighttime phone call while looking through the window; Talking Heads during lawn watering is an additional needle-drop choice, with no song title stated here.
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59:44

The Great Shot Gordo Award for Most Cinematic Shot

The distant chairs outside the teacher conference

The distant chairs outside the teacher conference

In the discussion (1)
Approx. transcript time · 00:59:44Read transcript
  • The distant chairs outside the teacher conference win great shot; vodka cranberries win food and drink. — Mina Kimes
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59:44

The Big Kahuna Burger Award for Best Use of Food and Drink

Vodka cranberries

Vodka cranberries

In the discussion (1)
Approx. transcript time · 00:59:44Read transcript
  • The distant chairs outside the teacher conference win great shot; vodka cranberries win food and drink. — Mina Kimes
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1:00:53

Chest Rockwell / Brock Landers Award for Best Character Name

David Lindhagen

David Lindhagen

In the discussion (1)
Approx. transcript time · 01:00:53Read transcript
  • David Lindhagen wins character name, with pronunciation jokes and Mina’s accidental Tyler Lindhagen on television. — Bill Simmons
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1:01:32

The Slow Ride / Kid Cudi – Pursuit of Happiness Award for Best Needle Drop

The Time of My Life; Talking Heads during lawn watering

The Time of My Life; Talking Heads during lawn watering

In the discussion (2)
Approx. transcript time · 01:01:32Read transcript
  • The Dirty Dancing song The Time of My Life wins needle drop before an ad break. — Mina Kimes
  • A late scene candidate is Cal’s nighttime phone call while looking through the window; Talking Heads during lawn watering is an additional needle-drop choice, with no song title stated here.
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1:02:42

Van Lathan Award for Did This Movie Need More Black People?

A Black David Lindhagen

A Black David Lindhagen

In the discussion (2)
Approx. transcript time · 01:02:42Read transcript
  • Van says the film needs a Black David Lindhagen. Idris Elba and Taye Diggs are deemed too handsome, Ice-T rejected, and Keenen Ivory Wayans and Giancarlo Esposito proposed.
  • Esposito is disputed as too sinister; Underwood, Haysbert and Chris Rock are considered, with age and scene-dominance objections. Bacon’s ordinary likability is defended. — Bill Simmons
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1:05:27

Is There a Better Title for This Movie?

The Wingman; The Makeover; How to Pick Up Women; original title defended

The Wingman; The Makeover; How to Pick Up Women; original title defended

Flex pick · Mina Kimes

In the discussion (2)
Approx. transcript time · 01:05:27Read transcript
  • Mina explicitly selects the better-title flex, criticizing the title and misleading poster. Carell’s reported objection and working title The Wingman are discussed. — Mina Kimes
  • Van defends the title’s narrative progression. Alternative titles are The Makeover and How to Pick Up Women, the latter a double meaning for the lift. — Bill Simmons
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1:07:47

The Butch’s Girlfriend Award for the Weakest Link in the Film

Babysitter plot; the shared pickup bar

Babysitter plot; the shared pickup bar

In the discussion (4)
Approx. transcript time · 01:07:47Read transcript
  • Weak-link choices include the babysitter plot and the shared bar where Hannah never encounters Cal; the mixed-age pickup setting is doubted. — Bill Simmons
  • Van and Bill describe discomfort being older than colleagues at bars, reinforcing objections to Jacob repeatedly using the same venue. — Bill Simmons
  • Phoenix is proposed as a more plausible recasting city. The babysitter’s photos and crush on unkempt Cal are criticized, with the historical framing and online consequences discussed. — Bill Simmons
  • The hosts discuss changes in dating, fear of public rejection and social-media exposure, while Mina gives a qualified nostalgic defense of Jacob’s approach. — Bill Simmons
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1:11:07

Recasting Couch

Phoenix; Scottsdale; Irvine

Phoenix; Scottsdale; Irvine

In the discussion (2)
Approx. transcript time · 01:11:07Read transcript
  • Phoenix is proposed as a more plausible recasting city. The babysitter’s photos and crush on unkempt Cal are criticized, with the historical framing and online consequences discussed. — Bill Simmons
  • No Casting What-Ifs were found. Tomei clearly wins Dion Waiters. Phoenix, Scottsdale or Irvine are proposed recasting locations, with warm-weather shopping as a constraint. — Bill Simmons
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1:15:11

Top Five List

1. Billy Dee Williams in Lady Sings the Blues; 2. Pitt in Legends of the Fall; 3. Smith in Hitch; 4. Gosling in Drive...
  1. 1 Billy Dee Williams in Lady Sings the Blues
  2. 2 Pitt in Legends of the Fall
  3. 3 Smith in Hitch
  4. 4 Gosling in Drive
  5. 5 Tate in Love Jones

Flex pick · Mina Kimes

In the discussion (3)
Approx. transcript time · 01:15:11Read transcript
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1:23:13

The Joey Pants “That Guy” Award

Liza Lapira

Liza Lapira

In the discussion (1)
Approx. transcript time · 01:23:13Read transcript
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1:23:47

Casting What-Ifs

No alternatives found

No alternatives found

In the discussion (1)
Approx. transcript time · 01:23:47Read transcript
  • No Casting What-Ifs were found. Tomei clearly wins Dion Waiters. Phoenix, Scottsdale or Irvine are proposed recasting locations, with warm-weather shopping as a constraint. — Bill Simmons
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1:23:47

The Dion Waiters Award for Best Heat Check Performance

Marisa Tomei

Marisa Tomei

In the discussion (1)
Approx. transcript time · 01:23:47Read transcript
  • No Casting What-Ifs were found. Tomei clearly wins Dion Waiters. Phoenix, Scottsdale or Irvine are proposed recasting locations, with warm-weather shopping as a constraint. — Bill Simmons
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1:24:25

The Neil McCauley “A Book about Metals” Award for Best Line from the Movie

“Mom, relax. It’s your husband, not Al Qaeda.”

“Mom, relax. It’s your husband, not Al Qaeda.”

Flex pick · Craig Horlbeck

In the discussion (1)
Approx. transcript time · 01:24:25Read transcript
  • Craig’s flex selects Robbie’s husband-not-Al-Qaeda line as best quote and a 2011 marker. — Bill Simmons
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1:30:21

Half-Assed Internet Research

Lift double; Stone’s injury; similar actor ages; Valley locations

Lift double; Stone’s injury; similar actor ages; Valley locations

In the discussion (1)
Approx. transcript time · 01:30:21Read transcript
  • Research reports Stone’s childhood injury causing panic during the lift, requiring a double, her near-identical age to the babysitter actor and multiple Valley filming locations. — Bill Simmons
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1:31:34

Apex Mountain

Singles bars; car exits; vodka cranberries; Dirty Dancing homages; Gosling qualified

Singles bars; car exits; vodka cranberries; Dirty Dancing homages; Gosling qualified

In the discussion (3)
Approx. transcript time · 01:31:34Read transcript
  • Gosling’s apex is disputed among the 2011 double, La La Land and Barbie; Stone is assigned a later peak, with La La Land suggested. An annual multi-film acting MVP is proposed. — Bill Simmons
  • Moore and Carell are assigned earlier peaks. Singles bars in recent films, car exits and vodka cranberries as a plot device receive affirmative apex answers; a claimed Carell Sunshine nomination remains a podcast claim pending correction. — Bill Simmons
  • Drink preferences interrupt apex. Dirty Dancing homages get a yes, while Century City Mall is assigned its current peak rather than 2011. — Bill Simmons
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1:34:56

Cruise or Hanks?

Cruise as Jacob; Hanks as Cal

Cruise as Jacob; Hanks as Cal

In the discussion (1)
Approx. transcript time · 01:34:56Read transcript
  • Hanks is the initial choice, but young Cruise as Jacob wins support; a combined Cruise/Jacob and Hanks/Cal casting is accepted. — Bill Simmons
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1:35:41

Scorsese or Spielberg?

Spielberg

Spielberg

In the discussion (1)
Approx. transcript time · 01:35:41Read transcript
  • Spielberg is preferred; Hannah is best hang and the babysitter worst hang. — Bill Simmons
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1:35:41

Best Hang / Worst Hang

Best: Hannah; worst: babysitter

Best: Hannah; worst: babysitter

In the discussion (1)
Approx. transcript time · 01:35:41Read transcript
  • Spielberg is preferred; Hannah is best hang and the babysitter worst hang. — Bill Simmons
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1:36:09

Picking Nits

Shared bar; babysitter necessity and crush; Emily’s hypocrisy; lift double

Shared bar; babysitter necessity and crush; Emily’s hypocrisy; lift double

In the discussion (2)
Approx. transcript time · 01:36:09Read transcript
  • Nitpicks revisit the shared bar, question why an eighth-grader needs a babysitter and doubt her crush on Cal; childcare norms and Mina’s babysitting experience offer context. — Bill Simmons
  • Further nitpicks are Emily’s hypocrisy and the visible lift double. Prestige television is considered viable, with a concern it would work better as a film and The Burbs series as a comparison. — Mina Kimes
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1:37:57

Sequel, Prequel, Limited Series, or All-Black Remake

Prestige television, with reservations

Prestige television, with reservations

In the discussion (1)
Approx. transcript time · 01:37:57Read transcript
  • Further nitpicks are Emily’s hypocrisy and the visible lift double. Prestige television is considered viable, with a concern it would work better as a film and The Burbs series as a comparison. — Mina Kimes
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1:39:09

Is This Movie Better With…?

Skipped

Skipped

In the discussion (1)
Approx. transcript time · 01:39:09Read transcript
  • Better With is explicitly skipped because no usable idea was prepared; Stephen A. entering the set was considered but abandoned, not a completed selection or permanent category retirement. — Bill Simmons
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1:40:00

Just One Oscar

Screenplay; Carell; Gosling

Screenplay; Carell; Gosling

In the discussion (1)
Approx. transcript time · 01:40:00Read transcript
  • One-Oscar choices split between the script/Carell and Gosling. Gosling is argued stronger than some contemporary supporting nominees, with comedy bias criticized. — Bill Simmons
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1:41:50

Probably Unanswerable Questions

Babysitter photos; character ages; Jacob’s job, wealth, routine and physique

Babysitter photos; character ages; Jacob’s job, wealth, routine and physique

In the discussion (2)
Approx. transcript time · 01:41:50Read transcript
  • Unanswerable questions revisit the babysitter photos and confusing character ages. The hosts distinguish Robbie’s plausible crush from the implausible photo gift and debate what the script needed for the fight. — Bill Simmons
  • Jacob’s job, inherited wealth, daily routine and heavy drinking versus physique are questioned; workout and trust-fund explanations remain speculative. — Bill Simmons
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1:45:49

What Piece of Memorabilia Would You Want From This Movie?

No positive choice

No positive choice

In the discussion (1)
Approx. transcript time · 01:45:49Read transcript
  • Memorabilia discussion explicitly rejects the photos and produces no positive choice. — Bill Simmons
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1:46:19

The Coach Finstock Award for Best Life Lesson

Avoid straws; do not neglect yourself or your marriage

Avoid straws; do not neglect yourself or your marriage

In the discussion (1)
Approx. transcript time · 01:46:19Read transcript
  • Life lessons include avoiding straws and Jacob’s harsh warning about neglecting oneself and one’s marriage. — Bill Simmons
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1:46:45

Best Double Feature

La La Land; Pretty Woman; Focus
Crazy, Stupid, Love
La La Land

Picked by Mina Kimes

Pretty Woman
Focus
In the discussion (3)
Approx. transcript time · 01:46:45Read transcript
  • Mina chooses La La Land for double feature to compare the leads’ chemistry. — Bill Simmons
  • Pretty Woman is another double-feature choice, with its shopping scene and a Wonder Man callback discussed. — Bill Simmons
  • Focus is a double-feature choice based on the directors and chemistry; a debate considers Will Smith’s career and the film’s modest reception. — Bill Simmons
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1:49:32

Who Won the Movie?

Ryan Gosling

Ryan Gosling

In the discussion (4)
Approx. transcript time · 01:49:32Read transcript
  • Gosling receives the first selection. — Bill Simmons
  • A second answer also chooses Gosling. — Bill Simmons
  • A third answer agrees and calls it his movie. — Bill Simmons
  • His tendency to dominate his films leads to The Big Short as a possible exception, qualified by its ensemble cast and his scene-stealing work. — Bill Simmons
Podcast choices
Speaker not identified
Ryan Gosling
Speaker not identified
Ryan Gosling
Speaker not identified
Ryan Gosling
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1:49:58

Producer review

A defining generational rom-com

A defining generational rom-com

In the discussion (5)
Approx. transcript time · 01:49:58Read transcript
  • The movie is called the defining romantic comedy of a generation. — Craig Horlbeck
  • The release year is corrected to 2011, which coincided with the reviewer turning seventeen. — Bill Simmons
  • Gosling’s sunglasses, haircut, clothes, physique and approach to women strongly influenced the teenage viewer; the expensive sunglasses were found but not purchased. — Craig Horlbeck
  • Old fashioneds join the list of influences, followed by enthusiasm for Gosling and Stone as a couple and for La La Land. — Bill Simmons
  • The enthusiastic response is contrasted with disliking Death Wish. — Bill Simmons
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More from the conversation

Bill introduces Van Lathan and guest Mina Kimes; Van and Mina’s shared meal led to choosing this film.
Approx. transcript time · 00:01:01Read transcript
Mina places Crazy, Stupid, Love among three favorite airplane rewatches with Mean Girls and Edge of Tomorrow, praising scenes that reward attention while allowing breaks.
Approx. transcript time · 00:02:53Read transcript
The date-movie and airplane appeal, Gosling/Stone pairing and converging plots are praised; Playing by Heart is a comparison, and Nana dialogue disguises Hannah’s identity.
Approx. transcript time · 00:04:01Read transcript
Fogelman’s writing and Ficarra/Requa’s work prompt recommendations for Paradise and Patriot plus discussion of their recognizable style.
Approx. transcript time · 00:06:37Read transcript
Carell’s career and acting strengths are debated: emotional disorientation, secret handsomeness and innate goodness make Cal credible, while The Morning Show’s villainous role divides opinion.
Approx. transcript time · 00:07:44Read transcript
Craig describes Carell as a defining generational performer; the discussion distinguishes Michael Scott’s incompetence from malice and considers escaping television typecasting.
Approx. transcript time · 00:11:49Read transcript
Van describes discovering Gosling through The Notebook and Half Nelson and praises the range culminating in Drive and this film in 2011.
Approx. transcript time · 00:13:19Read transcript
Gosling’s chemistry with scene partners and Stone’s early run are praised. Her later Streep-like career and Yorgos collaborations divide preferences; her vulnerability in the romantic scene is singled out.
Approx. transcript time · 00:18:22Read transcript
Bill’s Oscar-points system frames Stone’s early achievements and prompts sports analogies, Brady digressions and debate over a future third Oscar; La La Land’s director distinction corrects the Yorgos analogy.
Approx. transcript time · 00:20:38Read transcript
Craig calls Stone and Gosling his generation’s Meg Ryan and Tom Hanks and praises Stone’s move from Superbad to Easy A.
Approx. transcript time · 00:25:55Read transcript
Tyson’s early volume becomes an analogy for Stone’s many varied roles before Easy A; broad appeal and willingness to look foolish are praised.
Approx. transcript time · 00:26:29Read transcript
Stone’s adventurous television and film work prompts a playful Mina/ESPN analogy, then a transition to Cruella.
Approx. transcript time · 00:28:13Read transcript
Cruella is praised despite its commercial premise, followed by discussion of Moore’s varied mother roles and The Kids Are All Right.
Approx. transcript time · 00:29:11Read transcript
Tomei’s A Different World role, lasting appeal and career return prompt a Noah Wyle comparison and Untamed Heart recollections.
Approx. transcript time · 00:42:05Read transcript
The idealized bar atmosphere and the movie’s influence on men avoiding straws prompt discussion.
Approx. transcript time · 01:00:02Read transcript
Josh Groban and Karolina Wydra’s smaller parts are recalled, leading to mixed opinions on Pluribus.
Approx. transcript time · 01:51:49Read transcript
A television digression discusses the JFK Jr. show, its styling, portrayal of Daryl Hannah and memories of Kennedy’s celebrity.
Approx. transcript time · 01:52:33Read transcript
Mina’s combine travel and years-long request close the episode. CR Month and Sicario are future announcements, not a theme tag for this episode; producer thanks remain subject to identity evidence.
Approx. transcript time · 01:54:35Read transcript