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Ted Nugent

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Dazed and Confused

Half-Assed Internet Research

Mitch's pitching scenes apparently needed a double; the cast lived and partied together at a Radisson; Linklater wanted Led Zeppelin's Rock and Roll for the end credits but Robert Plant refused; the beer was real except for the minors; 'man' is said 203 times; Mitch touches his nose 42 times; Linklater made character mixtapes; classmates sued over the film and lost; Wooderson's Ted Nugent t-shirt; Sean Andrews's part was phased out as McConaughey's grew

In the discussion (10)
Approx. transcript time · 00:52:22Read transcript
  • The first, garbled item seems to concern Mitch's pitching scenes and a double, with the view that when you need a double for a sports scene you should hang it up; the cast all lived together at a Radisson in a free-for-all party hookup, like Survivor with showmances and alliances.
  • Linklater originally wanted Led Zeppelin's Rock and Roll over the end credits; Jimmy Page agreed but Robert Plant denied him, which draws abuse for Plant as the kind of guy who likes money.
  • The beer in the movie was real, though the minors did not drink; Cole Hauser's ten-second bit of trying to stand up hammered, burping and sitting back down is one of the best in the film, and he may really have been drunk.
  • 'Man' is said 203 times and Mitch touches his nose 42 times, yet another arrow against Mitch Kramer; the Jovovich and Sean Andrews annulled marriage is recalled from earlier.
  • Linklater made individual mixtapes for the actors' characters, Adam Goldberg's being Elo (as transcribed) and the like; he was later sued by classmates who said the film disparaged them, as someone named O'Banion might feel, and the suit was thrown out.
  • Wooderson's t-shirt is a Ted Nugent album cover, and the shirt can be bought online; a host recounts two absurd days in their early twenties hunting with Nugent outside Auburn Hills, Michigan, while he hosted a hunting reality show, stocking his acres with wildlife, killing it and butchering it in real time, simultaneously the worst person the host had ever met and a really nice guy; Nugent is now a controversial hard-right figure, but his records in the film are great.
  • Nugent has two songs in the film, Stranglehold and Hey Baby.
  • Sean Andrews, who played Pickford and married Mila Jovovich, is key in the first 20 to 25 minutes but had his part phased out during filming because nobody in the cast liked him, he feuded with Jason London and he isolated himself with Jovovich; the film opens on the two of them in that incredible car.
  • As the cast turned on him, Linklater, a who's-vibing-with-whom director willing to add scenes and ad libs, kept giving scenes to McConaughey, who was supposed to be in only two since Wooderson is not in the class but was clearly a movie star; the driving at the end and the final football-field scene were supposed to be Sean Andrews's, and McConaughey is in the last 15 minutes instead.
  • Nicky Cat (as transcribed), already a pretty cool actor, stands next to McConaughey in the car-hood scene when he was basically an extra, and may have wondered about it, though they were both in A Time to Kill in 1996; the most memorable Wooderson scenes were improvised or written on set, including the spelled-out L.I.V.I.N. and the Top Notch invitation to the nerds, making Wooderson the glue and the second most important character despite not being there from the beginning.
In the discussion (5)
Approx. transcript time · 00:25:55Read transcript
  • Three candidates cover it: the tone, George Clooney's suits, and the heist.
  • A sartorial question asks whether Clooney here invented the open shirt collar with a suit; invent is a strong word, he popularized or cemented a Vegas rich-guy cool look; his reserved navy, gray and white contrasts with Pitt's loudness and the Ted Nugent's shirt line, showing the alpha and omega of the pair; perfect frame, height, hair and tailoring for 2001, turning a look that can go Vegas lounge rat into Cary Grant; it may have started in Out of Sight after the Jennifer Lopez encounter.
  • Swingers, seen coming out of high school, is try-hard and stressful about Vegas: get the suits, drive six hours; this is effortless, as if everyone is at a spa though it was probably 101 degrees and everyone needed moisturizing cream; iridescent, shimmery clothes on Brad Pitt and Julia Roberts; one host loves Soderbergh and calls The Knicks (as transcribed) a favorite show.
  • The getting-a-gang-together sequence was reinvented here and has been ripped off for fifteen years, patently absurd like the Greaseman setup observed at Barnum's and the travels to Florida to get Saul; the tone is named as what aged best, encapsulating it all.
  • The heist, almost twenty years later, could have been technologically dependent and silly, but the mechanics still seem entirely plausible, a vault working that way and cutting a phone line, with no cheesy CGI or made-up words; smart or lucky, maybe both.
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