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Queen Latifah

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Rewatchables episodes featuring Queen Latifah’s films

Juice

1992 film

Bill Simmons · Van Lathan · Wosny Lambre

Aired January 11, 2022

Displaying 1 episode

Mentioned in discussions

The Edge The Rewatchables
In the discussion (3)
Approx. transcript time · 01:25:17Read transcript
  • An all-Black remake initially proposes Denzel as a billionaire modeled on Bob Johnson or Byron Allen, then questions whether he would accept a cuckold role. — Van Lathan
  • The preferred reworking casts Queen Latifah as an Oprah-like billionaire, Tessa Thompson as her wife and Idris Elba as the photographer; Zoë Kravitz is an alternative wife. — Bill Simmons
  • The doomed third survivor becomes a white man, with French Stewart or John Stamos proposed to reverse the original trope. — Bill Simmons
Juice The Rewatchables
Juice

Half-Assed Internet Research

Tupac’s bruising shoot, Jermaine Hopkins’s wound, the censored poster, method acting, Dickerson’s source interviews, an accidental blank injury, Omar Epps’s music and DJ work, two memorial dedications, and the added ending announcement

In the discussion (11)
Approx. transcript time · 01:20:59Read transcript
  • An Entertainment Weekly report describes Tupac complaining that padding failed while gang actors repeatedly kicked him for a scene. — Bill Simmons
  • Jermaine Hopkins concealed that he was recovering from a gunshot wound by calling it a football injury. — Bill Simmons
  • Paramount airbrushed Tupac’s gun from the poster because it feared accusations that Black films incited violence. — Bill Simmons
  • Tupac sometimes asked people to call him Bishop while preparing intense scenes. — Bill Simmons
  • Omar Epps learned to spin records well enough that the DJ scenes could be filmed authentically. — Bill Simmons
  • Dickerson developed the story by interviewing his cousin’s friends and recording their best stories. — Bill Simmons
  • The gang performer was accidentally struck in the neck by a blank, leaving a visible powder burn. — Bill Simmons
  • Omar Epps had a group called Vision whose music led to touring with Queen Latifah after the film. — Wosny Lambre
  • The actors revised dated script slang into their own vernacular, increasing the film’s authenticity. — Wosny Lambre
  • The ending dedication remembers Dickerson’s fiancée Janet and production assistant Tamu, who were both killed. — Bill Simmons
  • A DJ announcement was added during test screenings to show that Q’s mixtape was being played and his career was advancing. — Bill Simmons
Juice The Rewatchables
Juice

The Dion Waiters Award for Best Heat Check Performance

Queen Latifah and Samuel L. Jackson receive competing choices, with the final argument favoring Jackson’s memorable work across several scenes.

In the discussion (3)
Approx. transcript time · 01:18:25Read transcript
  • Queen Latifah is one participant’s automatic choice because she appears only at the club, the competition, and the audition. — Wosny Lambre
  • Samuel L. Jackson receives the competing choice because his final scene and club dialogue remain memorable.
  • The broader case says Jackson crushed every little bit and part he received throughout his early career. — Van Lathan
Juice The Rewatchables
Juice

What’s Aged the Best?

The opening credits, the meaning of juice, Q’s room, scratching, Queen Latifah, the soundtrack, golden-era hip-hop, apartment parties, and Samuel L. Jackson’s early supporting run

In the discussion (11)
Approx. transcript time · 01:01:33Read transcript
  • The Eric B. and Rakim opening song and spinning-album credits remain an ideal start for an early-1990s film. — Bill Simmons
  • The panel’s deep dive suggests the film popularized juice as a term for status or power, although the usage may already have been regional.
  • Juice World is reported to have taken his name from the film because it was a favorite he watched repeatedly. — Bill Simmons
  • Q’s low bed, Malcolm X poster, customized stop sign, and carefully placed turntables make his room feel lived in. — Bill Simmons
  • Scratching inspires nostalgia as a foundational hip-hop skill even though the public meaning of DJ has broadened. — Van Lathan
  • Queen Latifah’s small appearance is enjoyable evidence of her gradual move from music into screen work. — Bill Simmons
  • The soundtrack is praised as an early major hip-hop compilation with EPND, Too Short, Big Daddy Kane, and others. — Bill Simmons
  • Golden-era New York hip-hop and bucket hats still connect directly with the participants’ identities. — Wosny Lambre
  • The apartment party accurately evokes how New Yorkers created social space without renting a hall. — Wosny Lambre
  • Samuel L. Jackson’s pre-Pulp Fiction period is celebrated for memorable work in only a few scenes at a time. — Van Lathan
  • His later ability to appear naturally in commercials and comic-book roles shows the scale of the career that followed. — Bill Simmons
In the discussion (4)
Approx. transcript time · 00:56:08Read transcript
  • James Ransone is floated for the Recasting Couch, imagining a young 25-year-old actor instead.
  • Recasting Ransone is vetoed because he is great in it.
  • Recasting Defoe instead allows role swapping; a female choice such as Queen Latifah, from The Equalizer, is proposed to run ESU.
  • Tom Barringer, William Hurt, Jeremy Irons, Daniel Day Lewis and John C. Riley are also floated before settling on Queen Latifah.
In the discussion (8)
Approx. transcript time · 00:30:17Read transcript
  • Nominees: Ledger's performance, the action sequences, the Breaking Bad fall and turn of Harvey Dent, unusual in a superhero movie, and the death of Rachel Dawes, whose he-went-to-the-wrong-building reveal is emotionally affecting and is placed second.
  • Rachel Dawes was Katie Holmes's part in the first film; the story is that she was busy making a Queen Latifah movie, which is read as a publicist's version of being replaced; Maggie Gyllenhaal reportedly did not understand Batman and just wanted to work with Nolan, and though she is a little divisive she gives the movie a gravitas it would not otherwise have.
  • Gyllenhaal seems like a real person in a movie without many, and credibly reads as someone who has known Bruce for a very long time, which he needs since nobody else in his life says 'my friend Bruce'; the love triangle is an underrated nuance, with both men making major life decisions on whether she will be with them.
  • On the rescue: the Joker lies about the locations, so Batman heads for Rachel, in part because he wants to keep being the Batman rather than hand over to the golden boy, and ends up with Dent; just before, she had answered his if-I-stop-being-Batman question, then chose Harvey.
  • Asked directly, the answer is Ledger: a YouTube mashup of his scenes is the most interesting stuff; where Sean Penn in Mystic River went from wow to the 'is that my daughter in there' meme, Ledger in clown makeup doing mannered work does not age a day, helped by how controlled his Brokeback Mountain performance had been, everything twenty miles beneath the surface.
  • Because he arrived already trusted as a great actor, the over-the-top choices are accepted, the tonguing of his scars, the crooked, bent-over posture, the head turned left, as an interpretation differentiated from the comics, the cartoons and Jack Nicholson, a Joker very on the ground and messed up.
  • Ledger died in January 2008 and the film came out that July, so first viewings carried the knowledge that this was the last time the character would be seen; rewatching ten years later you are simply in the moment with him, and he is the reason to rewatch; compared with the Joker of Suicide Squad, Ledger's has a complete lack of vanity that is crucial.
  • The interrogation room is the first time he is seen in bright light: makeup cracking away from his eyes, slouched on the floor, poking at the cop, Gordon and Batman, looking weak and deranged, genuinely frightening where Nicholson in Tim Burton's movie, also liked, is cartoonish.
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