The that-guy threshold is challenged: Begley, Higgins, Willard and Balaban may be unnamed familiar faces to ordinary viewers; including O’Hara is disputed after Schitt’s Creek, though the cast’s 2000 status is acknowledged.
Nominated lines: 'I didn't know they gave out rings at the Holocaust'; 'it's at the corner of get a map and fuck off'; the reminder that their best friend Doug is probably face down in a ditch with a meth head butt-fucking his corpse; and Bradley Cooper on Alan, 'he's like a gremlin, comes with instructions and shit'.
'Phil was always our designated drunk driver' was a very 2009 line you could not joke about now; 'yeah, I do believe that because she's grossed out by semen' is really funny; and the exchange between Alan and Rachel Harris' character after Ed Helms walks away, with the bartender's license and 'suck my dick' answered 'no thank you'.
Not a line but a moment: the way Bradley Cooper behaves during Alan's blackjack run, yelling 'fuck you, he's a dealer' and flipping off the security cameras; the hosts have seen guys get too familiar with dealers, and one does the overhead camera joke, shouting 'turn it on' when a table is running; after moving on they realize they never picked and settle on the Holocaust line as the funniest joke.
Earlier, during the research segment, the Holocaust ring line was flagged as one host's intended best line and the funniest thing in the movie.
Seven names are on the list; Jeffrey Tambor as the father-in-law is not a heater, a subdued performance but always knowing Vegas will go badly, which sets off a bit about a host insisting he would be at his daughter's fiance's bachelor party; Rachel Harris; the doctor who has only one C, with 'get lost and buy a fucking map'; Brian Cowan (as transcribed), Heather Graham, Rob Riggle and Mike Tyson.
One personal vote goes to Rob Riggle; the award is defined as the biggest heat check, doing the most with the least playing time, like hitting five threes in ten minutes, and whether to take Riggle here or in Step Brothers is floated.
Ken Jeong should win even though the speaker does not like the performance, because he is doing a lot and really going over the top. — Sean Fennessey
The pushback that the award acknowledges something they like and that the integrity of the Dion Waiters Award is being undermined on the 103rd pod, answered with 'it's just good to examine what we're really doing here', gives way to agreement: Ken Jeong goes out like a Tasmanian devil taking shots and grabbing rebounds, almost Brandon Jennings-esque, and Dion Waiters would agree; Riggle is more Montrezl Harrell, the energy off the bench you really need, not Austin Rivers, and the movie vaulted him to another level.
The soundtrack: generic, predictable songs that are perfectly executed and make sense with the plot, not a Dazed and Confused soundtrack but what guys going to Vegas then would be listening to; the music under the blackjack scene with the numbers is smart, and the T.I. song Live Your Life was huge and still is.
A tangent on which songs from this century have joined the wedding mix: Heya (as transcribed) by Outkast, probably the T.I. song, Bruno Mars, Adele, and 1901 by Phoenix heard at 18 weddings, pitched as a Ringer piece.
Todd Phillips' taste for hard rock, the Danzig song at the start and the Metallica in Old School; the Dan Band has also aged well, with future generations asking why they never played the Super Bowl halftime show, and the 'just the tip' setup turning inappropriate fast.
Rachel Harris as the girlfriend from hell is an incredible character, every stereotype put on steroids to make her the worst character of all time; the 'you fucked a waiter on a cruise' bit and Galifianakis's 'what did she say' after Helms walks away are singled out.
The elevator scene with Todd Phillips' cameo; his habit of going down on a woman in his own movies is his version of Hitchcock walking across the frame.
Alan reading the letter on the roof with 'that's why they call it Sin City'; the subtle cut where he is finishing a description of the Ted Danson and Magnum PI movie as they head to Heather Graham's hotel; and the 'it's not illegal, it's frowned upon, like masturbating on an airplane' exchange ending in 'thanks a lot, Bin Laden', the hardest one host laughed.
'Alan, you're the man' answered with 'you are too, Phil' shows he has no idea how to be one of the guys; his aping of Phil throughout is well done; the two made-up songs are enjoyed, and Ed Helms' piano song while they wait for the tiger to fall asleep was apparently ad-libbed.
Old-school, last-decade Vegas; every Alan line, especially 'this isn't the real Caesar's Palace, is it? Did Caesar live here?', and the pitch-perfect reaction of the woman at the desk.
How high Alan ranks in the pantheon of comedy characters: the criterion is someone who was not the star but stole the movie, so Frank the Tank, John Candy in Stripes, Bill Murray and Ted Knight in Caddyshack, Rick Moranis in Ghostbusters, Matt Dillon and Chris Elliott in There's Something About Mary, Michael Keaton in Night Shift, Steve Carell and Paul Rudd in Anchorman, McLovin, the Wedding Crashers character as the backfire case and Melissa McCarthy in Bridesmaids as the perfect example.
Galifianakis belongs in that conversation as the breakout; John Candy in Stripes was like that for a host who knew him only as Ox and never watched SCTV; Galifianakis is named the big winner.
The movie stood up in total for a host without as much of a rewatchable relationship to it; the actual plot of what happened to them is well done, with Jade, Mr. Chow and the roof payoff; the brevity, about an hour thirty-five with no wasted section, makes it the last comedy before the two-hour-ten Apatow era.
The DVD's deleted scenes were anticipated; the end credit sequence has held up as a convention, 'they pretty much invented Marvel right there', though another host had it for what aged worst.
