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Editorial Director, The Ringer

Chris Ryan

Chris Ryan is listed by The Ringer as editorial director.

Also referred to as Chris, CR, Christopher Ryan, Sierra

Stats

Episodes credited in this archive
286
Movies in this archive
271
Attributed podcast choices
46

Recently watched on Letterboxd

View diary

Updated

  1. Clayface

    2026

    Watched October 22, 2026

  2. Hope

    2026

    ♥

    Watched October 22, 2026

  3. Fall 2: Deadpoint

    2026

    Watched October 18, 2026

  4. Friday the 13th Part VIII: Jason Takes Manhattan

    1989

    Watched October 18, 2026

  5. Buddy

    2026

    Watched October 16, 2026

  6. The Exorcist III

    1990

    4 Rewatch

    Watched October 13, 2026

Across the table

Appearing on these Rewatchables episodes

Internal Affairs

1990 film

Bill Simmons · Chris Ryan · Van Lathan

Aired March 19, 2024

Road House

1989 film

Bill Simmons · Chris Ryan · Kyle Brandt

Aired March 5, 2024

Rounders

1998 film

Bill Simmons · Chris Ryan · Sean Fennessey · Van Lathan

Aired February 27, 2024

Creed

2015 film

Bill Simmons · Chris Ryan · Sean Fennessey · Van Lathan

Aired February 19, 2024

Forrest Gump

1994 film

Bill Simmons · Chris Ryan · Sean Fennessey · Mallory Rubin

Aired February 13, 2024

The Fugitive

1993 film

Bill Simmons · Chris Ryan · Mallory Rubin

Aired February 6, 2024

The Insider

1999 film

Bill Simmons · Chris Ryan · Sean Fennessey

Aired January 30, 2024

Philadelphia

1993 film

Bill Simmons · Chris Ryan · Wesley Morris

Aired January 23, 2024

Flight

2012 film

Bill Simmons · Chris Ryan · Van Lathan

Aired January 9, 2024

Displaying episodes 85 - 96 of 286 in total

Mentioned in discussions

Speed The Rewatchables
Speed

Probably Unanswerable Questions

Would Harry as villain improve the movie, and who commands the bomb squad?

In the discussion (5)
Approx. transcript time · 01:58:42Read transcript
  • The panel prefers the finished version over the reported Harry-villain script
  • Who is the most important Jan? De Bont is compared with Jan Hammer and others
  • What is the bomb squad’s hierarchy when Jack and Harry keep improvising?
  • When does Jack’s attraction to Annie become another motivation?
  • The fictional Chris Ryan obituary tangent is not treated as a fact about him
Speed The Rewatchables

Flex pick · Bill Simmons

In the discussion (2)
Approx. transcript time · 01:25:13Read transcript
  • A second flex picker chooses Hopper’s gold-watch line — Sean Fennessey
  • The picker links it to Chris’s earlier quote choice but their own identity is not explicit in this text — Sean Fennessey
Speed The Rewatchables
Speed

The Great Shot Gordo Award for Most Cinematic Shot

The bus explosion behind Jack and the scale of the practical action

In the discussion (6)
Approx. transcript time · 01:15:06Read transcript
  • The Jaguar-door shot is recalled
  • Chris’s pick centers on the camera panning around Jack as the bus explodes behind him
  • Flames reflected in the ringing payphone are admired
  • The low helicopter shot of the police escort is nominated
  • The bus hitting the jet is nominated
  • The rescued passengers watching Jack and Annie from the other bus is an emotional alternative
Ali The Rewatchables
Ali

The Great Shot Gordo Award for Most Cinematic Shot

The speed-bag image, purposeful ramp walk, Foreman-fight entrance, dark Zaire arrival, and overhead-to-behind running shot are nominated.

In the discussion (3)
Approx. transcript time · 01:14:44Read transcript
  • CR chooses the camera behind the speed bag, synchronized with the music.
  • The fast ramp walk and Ali’s Foreman-fight entrance are nominated.
  • The dark Zaire arrival and running shot that closes in behind Ali are praised. — Van Lathan
Fargo The Rewatchables
Fargo

Most Rewatchable Scene

Mike Yanagita; roadside triple homicide; driveway witness

In the discussion (13)
Approx. transcript time · 00:05:43Read transcript
  • The Mike Yanagita scene is defended as the clue that makes Marge revisit Jerry and as a thematic study of false appearances; a further interpretation suggests she briefly wants to feel noticed beyond domestic routine. — Chris Ryan
  • Marge’s discomfort during the Yanagita encounter is praised as precise facial acting.
  • The opening bar meeting is a scene candidate; empty bottles are criticized as a hacky drunkenness cue, countered by the bar’s possible lack of staff.
  • The kidnapping setup’s domestic knitting and local morning show are enjoyed, particularly its incongruous Nile-cruise promotion. — Chris Ryan
  • Young Adult is a regional comparison; Jean’s frozen response and then terror during the kidnapping are praised, with the sequence proposed for the Dan Campbell escalation category.
  • The failed financing request, ice-scraper breakdown and rehearsed ransom call form a favorite run, exposing Jerry’s catastrophic planning; small cold-weather behavior adds authenticity. — Kyle Brandt
  • The roadside murders are a scene candidate for shocking violence mixed with comedy; the physical effect of the headshot is questioned without a settled answer.
  • Marge’s escort interviews and the repeated funny-looking description of Carl are praised; McDormand’s account says even the tiny verbal beats were scripted.
  • Carl’s parking-attendant argument, Shep beating and Wade confrontation are scene candidates, with Buscemi’s mounting fury singled out.
  • The snow-shoveling witness’s monotone account is a favorite scene, including his recollection of Carl threatening the last person who called him a jerk. — Bill Simmons
  • The second Jerry interview, woodchipper approach, drive afterward and three-cent-stamp ending are scene candidates; abrupt death and Marge’s rare anger are praised.
  • Kyle chooses the Mike Yanagita scene, including its alarming greeting and awkwardness. — Kyle Brandt
  • Chris chooses the roadside triple homicide; another participant agrees on its filmmaking but personally prefers the driveway witness monologue, so the final scene preferences remain split. — Chris Ryan
Displaying discussions 1 - 12 of 119 in total

Flex picks

The Good Son

“OK, Motherfucker” Award for When the Movie Goes Up a Notch

Henry holding his hand just out of Connie’s reach beneath the ice is the moment the movie rises another level.

Flex pick · Chris Ryan

In the discussion (2)
Approx. transcript time · 01:25:11Read transcript
  • The segment is introduced by asking for a flex selection. — Chris Ryan
  • The shot first suggests Henry might save Connie, then reveals his deliberate refusal. — Chris Ryan
Sicario The Rewatchables

Flex pick · Chris Ryan

In the discussion (1)
Approx. transcript time · 01:05:12Read transcript
  • Chris explicitly selects the Okay Motherfucker flex and describes seven escalation beats around the border operation: Cartagena, folding the jacket, trucks over bumps, spotter warning, drawing weapons, gun warning and shooting. — Chris Ryan

Flex pick · Chris Ryan

In the discussion (2)
Approx. transcript time · 01:10:03Read transcript
  • The female cop shot through the car window is the selected inconsequential death. — Chris Ryan
  • The hotel guest who steps outside and is shot is another candidate; the award’s namesake pronunciation remains uncertain. — Van Lathan
Displaying flex picks 1 - 12 of 41 in total

From other episodes

Sourced picks from episodes not yet fully included in the archive.