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The Verdict poster

The Verdict

year 1982decade 80sdirector Sidney Lumetgenre Drama

129 minutes

Cast

Selected cast credits · Film reference

Paul Newman Frank Galvin
Charlotte Rampling Laura Fischer
Jack Warden Mickey Morrissey
James Mason Ed Concannon
Milo O'Shea Judge Hoyle
Lindsay Crouse Kaitlin Costello Price
Edward Binns Bishop Brophy
Julie Bovasso Maureen Rooney
Roxanne Hart Sally Doneghy
James Handy Kevin Doneghy
Wesley Addy Dr. Robert S. Towler
Joe Seneca Dr. Lionel Thompson
Lewis Stadlen Dr. David Gruber
Kent Broadhurst Joseph Alito
Burtt Harris Jimmy, the bartender
Scott Rhyne Young priest
Susan Benenson Deborah Ann Kaye
Evelyn Moore Dr. Gruber's nurse
Juanita Fleming Dr. Gruber's maid
Jack Collard Bailiff
Gregor Roy Jury foreman
John Blood Funeral director
Dick McGoldrick Manager, second funeral parlor
Edward Mason Widow's son
Patty O'Brien Irish nurse1
Maggie Task Irish nurse2
Joseph Bergman Friedman
J.P. Foley John, cigar stand
Leib Lensky Wheelchair patient
Clay Dear Courthouse lawyer
J.J. Clark Courthouse guard
Greg Doucette Sheraton bar waiter
Tony LaFortezza Sheraton bartender
Marvin Beck Sheraton bar patron
Herb Peterson Sheraton bar patron

The Verdict | The Rewatchables

host Bill Simmonshost Chris Ryanhost Sean Fennesseyproducer Craig Horlbeck
Explore episodeClose episode

Apex Mountain

Sad alcoholic lawyers; multi-film bar; Disco Fever; drinking eggs (shared with Rocky)

In the discussion (18)
Approx. transcript time · 00:02:58Read transcript
  • The bar is floated as Apex for film-location bars because of The Verdict and GodfatherII,without a settled comparative winner.
  • Newman is rejected for Apex.
  • Lumet's Apex goes to Network over Dog Day Afternoon and Serpico,using awards and industry power as the criterion.
  • Warden's Apex is placed at Shampoo because it launches his 1975–82 run.
  • Mamet’s Apex is placed at Glengarry.
  • Crouse initially gets this film,but the choice moves to House of Games because she stars.
  • Rampling's Apex remains uncertain given her international career; this film is personally striking,but The Night Porter and 45 Years are alternatives.
  • Film-location bars remain an open comparison,with St.Elmo's Fire suggested and audience replies invited.
  • Boston-film Apex goes to Good Will Hunting because it launched Damon and Affleck,unlike this already-established ensemble.
  • Old Sully’s in The Town and unidentified Good Will Hunting/Departed bars enter the discussion.
  • Goodfellas is considered but ruled a single-film location.
  • Once multiple films become the criterion,the Verdict/GodfatherII bar receives affirmative Apex.
  • Trial-film Apex remains unresolved between A Few Good Men and 12 Angry Men,with the latter's jury-room-only setting complicating the comparison.
  • Disco Fever pinball gets affirmative Apex; the same machine appeared in a host's stepfather's home.
  • Drinking an egg is shared between this film and Rocky.
  • Keeping six-packs of Budweiser in office filing cabinets is an Apex proposal without an explicit ruling.
  • Bushmills is an Apex proposal; later advertising and personal Jameson preferences qualify the discussion without a clear affirmative ruling.
  • The alcoholic down-on-his-luck lawyer receives an affirmative early Apex.

Half-Assed Internet Research

New York bar; near-miss light; eyedrops; Twelve Angry Men alumni; rehearsal; revised ending; Willis cameo

In the discussion (9)
Approx. transcript time · 00:14:59Read transcript
  • Barry Reed's novel supplied a framework, but Lumet reportedly disliked it and the film greatly changed it.
  • Lumet's efficiency and at least three weeks of rehearsal reportedly unlocked Newman, reflecting exacting live-television and Eugene O'Neill work with Mason.
  • Mamet's script reportedly ended without revealing the verdict, prioritizing salvation; the hosts prefer the released payoff, Warden's upward gesture and Laura's unanswered calls.
  • Bruce Willis is reportedly visible smiling behind Newman after the verdict; an Amazon cast overlay alerted a host to the cameo.
  • Half-assed research identifies the New York Horseshoe bar on Seventh Street,also used for Pentangeli's strangling in GodfatherII and Crocodile Dundee; its former name remains phonetically uncertain.
  • The host told his surprised father the bar was in New York; Boston's available bars are lamented,while many film exteriors are acknowledged as Boston.
  • Newman reportedly narrowly avoided a falling light weighing hundreds of pounds.
  • Newman proposed eye drops to evoke the redness caused by alcoholism, according to the recalled Lumet account.
  • Edward Binns and Warden are noted as 12 Angry Men alumni.

Casting What-Ifs

Redford; Sinatra; Lancaster; Christie

This discussion recalls a choice from an earlier episode.

In the discussion (12)
Approx. transcript time · 00:20:52Read transcript
  • Mamet first wrote for an Arthur Hiller version; another screenplay by Jay Presson Allen attracted Redford, who brought in his own writer.
  • Redford reportedly sought a more likable,nonalcoholic underdog.
  • Meetings with Pollack reportedly angered producers,who fired Redford and restored Mamet’s script with Lumet.
  • Redford is rejected for the role because his protected heroic image would make a generic film, despite respect for his arts advocacy.
  • David Brown reportedly said Sinatra offered to play Galvin free,but the producers wanted Newman.
  • A studio owner’s warning about starting a car is recounted as a half-joking threat,not a verified criminal act.
  • Lancaster reportedly was intended to play Concannon.
  • Lancaster might work but would be physically imposing rather than Mason’s professorial,slithering intelligence.
  • Christie reportedly declined Laura.
  • The role is defended as mysterious and opposite Newman.
  • A counterargument calls the role underdeveloped and unkind to women.
  • Christie's Power performance is criticized without calling her an overrated actress; possible poor fit with Lumet is suggested.

Roger Ebert's review

In the discussion (1)
Approx. transcript time · 00:49:09Read transcript
  • Ebert gives four stars, praising a character study beyond a courtroom thriller; no rating scale is stated.

Most Rewatchable Scene

Judge confrontation; Kaitlin’s testimony; opening

In the discussion (26)
Approx. transcript time · 00:52:44Read transcript
  • The opening pinball,drinking and smoking credits are admired as an economical introduction.
  • The credit graphics are criticized.
  • The opening beer is guessed as Schlitz,Harp or Bud without resolution.
  • The opening funeral crashing,newspaper obituary circles and shaky shot-glass hand establish Galvin without exposition or invented trauma flashbacks.
  • Mason's first preparation meeting explains the case elegantly and includes canceling a subordinate's Bahamas vacation while sending flowers and a tanning bed.
  • Galvin meeting the cardinal and noting that 210,000 divides neatly into his 70,000 fee is admired; whether the moral decision occurs in the room or with developing Polaroids is debated.
  • Concannon and Galvin in the eating judge's chambers reveal the opposing lawyer's connection without heavy exposition.
  • The son-in-law's furious confrontation and line about living with professionals' mistakes are admired; he knocks the briefcase aside rather than slapping Galvin, and is called the most Boston moment.
  • Concannon prepping the anesthesiologist to replace jargon with plain language is another scene candidate.
  • Mason coaching the doctor to dramatize heroic attempts to save mother and child is like an acting class, and receives particular praise; Wesley Addy is identified as a recurring Lumet actor.
  • Galvin attacking the judge after the expert testimony is a major scene candidate,especially the bagman accusation.
  • Mason’s silent reactions during Galvin’s confrontation are admired.
  • The bar-booth first date and jury speech return as a favorite, with the incongruity of staying in the same bar for dinner noted.
  • Concannon paying Laura reveals her betrayal; the line about being paid to win is praised and her apparently implausible interest in Galvin retrospectively explained.
  • Galvin traveling to New York to seek Kaitlin's help is a scene candidate.
  • Kaitlin’s rebuttal testimony is especially loved.
  • The doctor’s standing double take when he hears Kaitlin’s name is admired.
  • Mason’s intimidation gives way to the revelation that Kaitlin kept a copy showing one hour rather than nine.
  • The judge lets the testimony run long enough that the jury cannot unhear it; the family members' silent reactions deepen the scene.
  • Galvin’s final speech is a scene candidate.
  • Lumet’s commentary reportedly says a camera hair spoiled a take and Newman’s repeat was even better.
  • The jury asking to exceed the requested award and Warden looking upward provide a favorite payoff.
  • The judge being forced to relinquish control makes the verdict especially satisfying.
  • Chris's final scene choice is Galvin dressing down the judge in chambers.
  • Kaitlin's testimony is another final scene choice, with Lindsay Crouse's performance and later House of Games praised.
  • The opening two minutes receive the remaining final scene endorsement.

Probably Unanswerable Questions

Delayed lawsuit; Mickey’s generosity; award amount; sobriety; Laura; disbarment; higher settlement

In the discussion (10)
Approx. transcript time · 00:55:51Read transcript
  • Whether Galvin would accept a 510,000 settlement is explicitly unanswerable.
  • Unanswerable: why the suit took four years; family relocation needs and Galvin's long inaction are possible explanations.
  • Mickey's business and motives for giving Galvin a 70,000 opportunity and extensive unpaid help are questioned; an older-generation friendship/fence-building anecdote offers context.
  • Unpaid substantial favors are contrasted with the hosts' lesser willingness to help each other,defending Mickey as an older-generation friend.
  • The award is guessed at one million,then several million,including four or five million.
  • A further estimate is three to four million,with one million for Frank.
  • Whether Galvin stays sober is disputed: coffee suggests reform,but others expect continued drinking and note he never fully stops; refusing brandy at the archdiocese is admired.
  • Laura is proposed as an ultimate Chris Ryan attraction,contrasting her darkness with Dana Wheeler-Nicholson's upbeat appeal.
  • Whether every lawyer and the judge should be disbarred receives a joking probable yes.
  • The doctor's paid disappearance renews questions about why the defense did not simply raise the settlement or locate the nurse.

What’s Aged the Best?

Afraid-to-try lawyer; camera work; opening; judge; phone bill; Rampling; dialogue; Church villain; Warden

In the discussion (18)
Approx. transcript time · 01:07:28Read transcript
  • Cheap, unsuccessful lawyers afraid to enter court are praised as an effective dramatic type.
  • The wide stationary camera angles are praised.
  • The opening establishes a broken-down drunk while preserving sympathy.
  • O’Shea’s judge is a memorably hateful villain.
  • The extreme unfairness strains credibility for one viewer,while others accept the depiction.
  • Refusing a nighttime extension is a powerful scene.
  • Ebert's observation that Newman's newly tired appearance reveals his acting and foreshadows older roles is placed in aged best.
  • Galvin finding a witness through a stolen phone bill is admired as clever and plausible despite being a stretch.
  • Concannon's uniformly white legal team and excitement at the opposing expert being Black expose their prejudice.
  • Rampling's performance improves on rewatch once her motives are known.
  • Laura's alluring but damaged presence in Galvin's ordinary bar seems implausibly fortunate until her motives are revealed; Chris expresses particular admiration.
  • Rampling surveying the apartment,keeping her eyes open during a kiss and acknowledging the ex-wife photograph rewards rewatching.
  • Laura’s encouragement manipulates Galvin’s masculinity.
  • Mamet's repeated accusations that people do not care whom they hurt and cigarette requests are admired.
  • The Catholic Church as villain is considered prescient.
  • Warden's age-weary dialogue is almost a parody of his persona but remains enjoyable.
  • Lumet and Bartkowiak reportedly studied Caravaggio paintings for visual references and color.
  • Galvin’s frustration at discovering the broken elevator after using eye drops is admired.

The Big Kahuna Burger Award for Best Use of Food and Drink

Powdered donut and whiskey; judge’s eggs and chowder

In the discussion (3)
Approx. transcript time · 01:08:30Read transcript
  • Powdered donut with whiskey is the admired food-and-drink choice.
  • The judge’s eggs are a food choice.
  • The judge’s clam chowder is another food choice; his noisy eating is described as disgusting.

What’s Aged the Worst?

Slapping Laura; sister’s accent; raw egg in beer; vanished shuttle convenience

In the discussion (6)
Approx. transcript time · 01:18:46Read transcript
  • Walk-up Eastern Airlines shuttles between LaGuardia and Boston are admired as a vanished convenience, classed as aged best by one and aged worst by another.
  • Aged worst: the sister's attempted Boston accent is criticized, with joking blame on New Yorker Lumet.
  • Galvin slapping Laura is a principal aged-worst choice.
  • Producers reportedly wanted the slap removed to protect Newman and audience sympathy,but Newman insisted it fit the character.
  • The slap is contextualized by his immediate discovery of betrayal and a period drunk lawyer's plausible behavior, while still condemned as violent misogyny; alternatives such as throwing a drink are suggested.
  • Raw egg in beer as sober-up breakfast is another aged-worst choice, contrasted with modern juice/immunity drinks and connected jokingly to Cool Hand Luke's eggs.

The Stephen A. Smith Hottest Take Award

Galvin should have lost on the admissible evidence

In the discussion (1)
Approx. transcript time · 01:27:10Read transcript
  • Hottest take: Galvin should lose under the legal evidence once testimony is struck; the film's moral answer favors human decency over institutional rules. A Bruins 1979 loss analogy follows.

Best Race Horse Name from This Movie

Frank Galvin; Go Get Me Some Cigarettes; Who Were These Men

In the discussion (3)
Approx. transcript time · 01:40:36Read transcript
  • Frank Galvin is a racehorse-name choice.
  • Go Get Me Some Cigarettes is another racehorse-name choice.
  • Who Were These Men is another racehorse-name choice.

Picking Nits

Missing accents; settlement handling; missing nurse; retained check; no mistrial; Laura’s interest

In the discussion (7)
Approx. transcript time · 01:40:48Read transcript
  • Nitpick: Galvin lacks a Boston accent; the defense is that failed accents would distract and Warden is fundamentally New York/New Jersey. A sudden Boston-accented Laura is imagined jokingly.
  • The clients could fire Galvin for concealing a settlement; his failure to counteroffer is questioned,with 600,000 recalled as the suit's demand.
  • Neither side pursuing Kaitlin sooner seems implausible,especially the defense's otherwise thorough investigators; uncertainty over which nurse was missing is retained.
  • Laura keeping Concannon's check in her purse is questioned; constant accepted drinks and the ending imply her own alcohol problem.
  • The check amount is corrected from 550 to 650,with installments conjectured and the total payment still unclear.
  • Galvin declining a mistrial after the planted lawyer is exposed is questioned; his insistence that he can win and has nothing else explains it emotionally.
  • Galvin's belief that Laura naturally wants him is another nitpick,despite Newman's attractiveness.

Best Double Feature

The Verdict poster
The Verdict
Poster unavailable
Slap Shot
Poster unavailable
12 Angry Men
Poster unavailable
The Town
Poster unavailable
Cool Hand Luke
Poster unavailable
Michael Clayton
In the discussion (5)
Approx. transcript time · 01:50:05Read transcript
  • Slap Shot is a double-feature suggestion.
  • 12 Angry Men is suggested and explicitly selected as a double feature.
  • The Town is suggested and endorsed as a fun double feature.
  • Cool Hand Luke is another double-feature choice to compare Newman's youthful and older performances.
  • Michael Clayton is a double-feature choice for its unresolved ending and perceived influence from The Verdict.

The Andy and Red – Zihuatanejo Award for What Happens the Next Day?

Gambling loss; buying bar; old creditors; no reunion

The panel is imagining how this might look in the future.

In the discussion (4)
Approx. transcript time · 01:50:42Read transcript
  • Galvin might lose his money betting on a horse.
  • Galvin might buy the bar and enter a Cheers-like future.
  • Old creditors might demand repayment with accumulated interest.
  • Reconciliation with Laura is rejected.

What Piece of Memorabilia Would You Want From This Movie?

Pinball machine; powdered donut; doctor’s car

In the discussion (4)
Approx. transcript time · 01:53:23Read transcript
  • The actual pinball machine is a memorabilia choice.
  • A1982 powdered donut is another choice.
  • Modern powdered donuts’ continued availability is debated,with Craig identifying packaged ones.
  • The doctor’s car is another memorabilia selection.

The Coach Finstock Award for Best Life Lesson

Counteroffer; pay every witness (joke); do something right

In the discussion (3)
Approx. transcript time · 01:54:51Read transcript
  • Counter the first offer is a life lesson.
  • Pay off every witness is a cynical joking life lesson, extending the complaint about the missing nurse.
  • Doing something right, as expressed in the film’s monologue, is the sincere alternative life lesson.

Producer review

Mesmerizing, exceptionally acted and realistic

In the discussion (1)
Approx. transcript time · 01:55:35Read transcript
  • The film is mesmerizing and exceptionally well acted, with actors disappearing into real-seeming lawyers rather than visible star performances. — Craig Horlbeck

More from the conversation

Newman’s performance is called his defining and finest work.
Approx. transcript time · 00:02:42Read transcript
Boston-movie Mount Rushmore explicitly comprises The Verdict, Good Will Hunting, The Departed and The Town, one per decade1980s–2010s; Friends of Eddie Coyle is a1970s extension, while Wahlberg's Spenser film is rejected.
Approx. transcript time · 00:03:22Read transcript
A lifelong belief that the verdict bar stood near Boston Common/Emerson is overturned by learning it was filmed in New York; the erroneous story came from the host's father, with the combat zone discussed nearby.
Approx. transcript time · 00:04:07Read transcript
Lumet's reported conception makes the malpractice case an instrument for Galvin's personal salvation; its simplicity lets Newman,Warden and Mason convey redemption.
Approx. transcript time · 00:05:39Read transcript
The quiet, sad courtroom drama contrasts with speech-driven A Few Good Men and To Kill a Mockingbird; Newman suppresses his usual charisma.
Approx. transcript time · 00:06:44Read transcript
The Zippo/bar speech to Rampling is an exception: Newman's eyes and presence exemplify movie stardom and ensure investment in Galvin.
Approx. transcript time · 00:07:32Read transcript
The performance catches Newman at exactly the right age, seemingly much older than in Slap Shot only five years before; Cruise's refusal to age is contrasted with it and The Color of Money.
Approx. transcript time · 00:08:34Read transcript
Northeastern daylight bars, smoking and newspapers evoke fathers and harder-lived older generations; anecdotes describe Dennis Flynn in a Beacon Hill fantasy-baseball bar circle and childhood quarters for Pac-Man during Philadelphia Eagles outings.
Approx. transcript time · 00:10:09Read transcript
The St.James bar childhood memory reveals simultaneous exhilaration and sadness; Galvin buying drinks for strangers laughing at his joke conveys both pathetic dependence and temporary stardom.
Approx. transcript time · 00:12:07Read transcript
Warden repeatedly asking Laura for cigarettes is a comic detail.
Approx. transcript time · 00:12:49Read transcript
Good Will Hunting is called the most thoroughly Boston film; The Verdict's intertwined neighborhoods and powerful archdiocese strengthen its underdog story even though some locations were New York.
Approx. transcript time · 00:13:29Read transcript
The film was sold as Newman's change-of-pace Oscar opportunity; earlier nomination count is disputed/corrected and his previous nomination is placed fifteen years earlier for Cool Hand Luke.
Approx. transcript time · 00:15:31Read transcript
Newman,Redford,Eastwood and Reynolds are recalled as dominant stars; Newman maintained hits while trying Altman, directing and stranger material, and The Verdict feels like a1970s character study.
Approx. transcript time · 00:16:15Read transcript
Newman's Slap Shot appearance on an Xander Hollander hockey almanac illustrates how his choices commanded attention; today's surviving stars are described as older or costumed.
Approx. transcript time · 00:18:06Read transcript
Newman's oddities Judge Roy Bean,Quintet and Buffalo Bill distinguish his adventurous taste from Cruise's commercial instincts and Redford's calculation; his failed effort to make The Front Runner about a gay track coach is cited.
Approx. transcript time · 00:19:14Read transcript
Galvin is distinguished as Newman's first true loser, lacking the confidence and lightness of his Slap Shot or Sting characters.
Approx. transcript time · 00:23:09Read transcript
Galvin's obituary-based ambulance chasing and dependence on bar strangers establish a genuine loser without respectable clients.
Approx. transcript time · 00:23:44Read transcript
Newman's range is contrasted with Redford's star persona and late Marvel appearances; Slap Shot's profanity is cited as an unlikely successful Newman character.
Approx. transcript time · 00:24:17Read transcript
Craig admits not seeing Slap Shot; Redford could not play that comic part, while Newman is conceded unsuitable for Redford's Woodward in All the President's Men.
Approx. transcript time · 00:25:42Read transcript
Newman is imagined leading Ocean's Eleven through handsome everyman charisma; Pitt is positioned between him and Redford.
Approx. transcript time · 00:26:40Read transcript
Clooney's late-night bar monologue in the disliked Ticket to Paradise and Denzel's Equalizer performances exemplify stars suddenly revealing their full power.
Approx. transcript time · 00:27:25Read transcript
Clooney is judged Newman's closest modern counterpart but less strategic about maintaining hits, partly because of writing/directing detours; Leatherheads and Confessions of a Dangerous Mind enter a disputed filmography discussion.
Approx. transcript time · 00:28:11Read transcript
Sean chooses Cool Hand Luke as Newman's best for its cultural impact; The Verdict and Nobody's Fool also qualify, while Fort Apache,the Bronx is rejected.
Approx. transcript time · 00:30:00Read transcript
The Verdict is chosen as a favorite and as Newman's best because it revealed unexpected abilities; Slap Shot is another favorite and The Color of Money another best-performance candidate.
Approx. transcript time · 00:30:53Read transcript
Butch Cassidy and the Sundance Kid,Harper and The Drowning Pool are additional Newman recommendations.
Approx. transcript time · 00:31:34Read transcript
Kingsley's Gandhi Oscar win over Newman is called a major injustice; Hoffman in Tootsie would be an understandable alternative, with O'Toole in My Favorite Year and Lemmon in Missing also named.
Approx. transcript time · 00:32:04Read transcript
The discussed picture field includes Gandhi,E.T.,Missing and The Verdict; Mason rather than Warden was supporting-actor nominated, Lithgow's Garp is praised, and Gossett won.
Approx. transcript time · 00:32:56Read transcript
Missing beating The Verdict and Sophie's Choice for adapted screenplay is questioned despite respect for its contemporary relevance; Mamet's second screenplay is considered a model for aspiring writers.
Approx. transcript time · 00:33:57Read transcript
Lumet lost director to Attenborough, who reportedly thought Spielberg deserved it for E.T.
Approx. transcript time · 00:34:27Read transcript
Lumet is praised as an under-celebrated major director: Serpico,Network and Dog Day Afternoon, live television, the Actors Studio, Making Movies and even The Wiz demonstrate his range.
Approx. transcript time · 00:34:45Read transcript
Restrained direction makes occasional flourishes powerful: circling the hospital room, lowering to Newman at the verdict and slowly approaching his wide-shot summation.
Approx. transcript time · 00:36:04Read transcript
Deathtrap revealed Reeve's ability beneath Superman's iconography; Lumet's prolific obscure films invite comparison with Soderbergh.
Approx. transcript time · 00:38:23Read transcript
The salvation-centered screenplay appealed to Lumet over the novel; Galvin wins without becoming a newly sober legal genius or performing a Code Red-style miracle.
Approx. transcript time · 00:39:10Read transcript
An unresolved White Shadow basketball shot is a liked counterexample to the objection to Mamet's missing verdict.
Approx. transcript time · 00:43:15Read transcript
Warden's career began with the ballgame-focused juror in12 Angry Men; his prematurely older appearance matured into ideal character-role casting.
Approx. transcript time · 00:43:53Read transcript
Warden's highlighted run fully includes Shampoo,Heaven Can Wait,All the President's Men,Being There,Used Cars,The Champ,And Justice for All,The Great Muppet Caper and the Bad News Bears television series.
Approx. transcript time · 00:44:41Read transcript
A disputed hot take says Bad News Bears would improve with Warden replacing Matthau, whose performance is deemed too dark; Man on Fire as best Denzel film is another disputed take.
Approx. transcript time · 00:45:39Read transcript
Mason is proposed as possibly the film's best performance, especially his silent reaction during the judge's quarrel; his voice and face are praised, while Concannon is defended as a lawyer doing his job despite bullying the nurse.
Approx. transcript time · 00:46:36Read transcript
Hader's unusual James Mason impression and Mason's North by Northwest/Lolita legacy are discussed; reported film budget16million and gross54million.
Approx. transcript time · 00:48:38Read transcript
A modern version is imagined as sanitized or inflated into television: Kaluuya,no alcoholism,cheap location,romantic ending,less disturbing patient,or six-hour Perry Mason treatment. A dissent says this downbeat story would never win Best Picture, though Newman deserved actor.
Approx. transcript time · 00:49:53Read transcript
Hoffman's Tootsie loss and the perceived decline of Oscar stakes lead to contemporary Maverick,Fabelmans and Avatar speculation.
Approx. transcript time · 00:51:56Read transcript
Swimming Pool is recalled as a psychosexual Rampling/Sagnier film and proposed for a future Naughty November, not identified as this episode's theme.
Approx. transcript time · 01:14:59Read transcript
Sinatra's late career prompts discussion of The First Deadly Sin,Cannonball Run II,Contract on Cherry Street,Dirty Dingus Magee and The Detective, with dates and intended titles corrected in conversation.
Approx. transcript time · 01:18:10Read transcript
Changing and showering at work prompt a Spotify-office shower joke.
Approx. transcript time · 01:21:10Read transcript
Crouse's range from Slap Shot to The Verdict is praised; early films listed are All the President's Men,Slap Shot,Between the Lines,Prince of the City,The Verdict and Krull,followed by references to a Cimino kidnapping film and Bye Bye Love.
Approx. transcript time · 01:30:46Read transcript
A fictional Streep intimidation encounter jokes about Crouse's career; it is explicitly an imagined scenario,not an actual meeting.
Approx. transcript time · 01:31:25Read transcript
One participant dislikes the final phone sequence as an invented focus on a relationship that is not the film's subject,and prefers ending with the distant look and departure.
Approx. transcript time · 01:51:22Read transcript
The ending is defended as transferred despair: Laura now occupies Galvin's former position while he calmly drinks coffee and ignores temptation.
Approx. transcript time · 01:52:08Read transcript
The dissenter accepts that reading but remains uninterested in Laura; the ringing phone is defended as a strong audio ending echoing opening pinball sounds.
Approx. transcript time · 01:52:52Read transcript
A joking alternative ending sends Frank and the brother-in-law to a Bruins game.
Approx. transcript time · 01:53:12Read transcript
Following Craig’s invited review, the conversation praises the film’s quiet, paper-based simplicity in contrast with modern electronic stimulus; speaker changes are unresolved.
Approx. transcript time · 01:56:08Read transcript
Old ringing telephones,shared household lines and the arrival of cordless phones prompt generational memories.
Approx. transcript time · 01:56:36Read transcript
Produced by Craig Horlebeck is the full spoken credit,phonetically consistent with official Craig Horlbeck metadata.
Approx. transcript time · 01:57:30Read transcript
Future-episode joking covers Tootsie,Gandhi,Out of Africa and Chariots of Fire; the outro returns to teasing Redford.
Approx. transcript time · 01:57:41Read transcript