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The Rewatchables ·

Speed

year 1994decade 90sdirector Jan de Bontgenre Actiongenre Thriller
host Bill Simmonshost Chris Ryanhost Sean Fennesseyproducer Craig Horlbeck format Repeat visit
All 38 categories

The Coach Finstock Award for Best Life Lesson · 2:02:34

Luck runs out

Bill Simmons: Harry’s warning supplies the lesson

The film

Speed (1994)

Directed by Jan de Bont · Action

116 minutes

IMDb Letterboxd JustWatch Find on Rotten Tomatoes
Cast

Selected cast credits · Film reference

Keanu Reeves LAPD Officer Jack Traven
Dennis Hopper Howard Payne
Sandra Bullock Annie Porter
Joe Morton LAPD Lieutenant Herb 'Mac' McMahon
Jeff Daniels LAPD Detective Harry Temple
Alan Ruck Doug Stephens
Glenn Plummer Maurice the Jaguar owner
Beth Grant Helen
Hawthorne James Sam Silver
Natsuko Ohama Mrs. Kamino
Margaret Medina Officer Robin
Jordan Lund Bagwell
Robert Mailhouse young executive
Susan Barnes female executive
Neisha Folkes-LeMelle Mrs. McMahon
Richard Lineback Sergeant Norwood
Beau Starr Commissioner
Sandy Martin bartender

Everything from the episode

In the order the hosts got to it. Open a row for the discussion.

27:55

Half-Assed Internet Research

Runaway Train, Die Hard, Silver Streak and production connections

Runaway Train, Die Hard, Silver Streak and production connections

In the discussion (8)
Approx. transcript time · 00:27:55Read transcript
  • The cited inspirations are Runaway Train, Die Hard and Silver Streak
  • The train ending is compared with Silver Streak
  • The Goodhew ambulance is connected with Heat
  • Hopper’s dummy head reportedly required a less graphic angle
  • Reeves and Bullock’s later public accounts of mutual crushes are discussed
  • The hosts speculate beyond those accounts; that speculation is not treated as fact
  • Earlier production discussion describes the two bus-jump attempts and lost camera
  • The practical elevator models, de Bont’s additions and Whedon’s rewrites are discussed
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39:59

Roger Ebert's review
In the discussion (4)
Approx. transcript time · 00:39:59Read transcript
  • Ebert’s four-star rating is reported
  • His description of the film’s construction and physical audience tension is discussed
  • Sean recalls Siskel and Ebert both praising the film in a brief television review
  • The short review is contrasted with today’s multiple podcast discussions
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43:46

Most Rewatchable Scene

Four different favorites: the elevator, bus boarding, passenger transfer and Jack under the bus

Four different favorites: the elevator, bus boarding, passenger transfer and Jack under the bus

In the discussion (18)
Approx. transcript time · 00:43:46Read transcript
  • The opening is separated into passenger rescue, freight elevator and hostage showdown
  • Sean recalls interviewing Patrick Fischler about his first film role
  • The first bus explosion and payphone introduce Howard’s threat
  • Jack’s forgotten muffin becomes a comic everyday-life aside
  • Annie catching the bus establishes her personality
  • The Jaguar chase, door removal and leap onto the bus are praised
  • The passenger with a gun shoots Sam after misunderstanding Jack’s arrival
  • Sam’s rescue and Helen’s fatal attempt to escape are favorites
  • The highway jump remains euphoric despite impossible physics
  • The sharp turn and passengers changing sides are praised
  • Jack on the sled under the bus is a favorite
  • Harry’s discovery of the house trap is discussed
  • Jack and Annie’s escape and the airplane explosion could have supplied an ending
  • Howard’s decapitation and the subway crash conclude the action
  • The elevator is one final choice
  • Sean explicitly chooses the passenger transfer and Helen’s death after recalling the theatrical thrill of the jump
  • Another choice is Jack boarding the bus
  • The fourth choice is Jack under the bus; individual attribution beyond explicit naming stays unknown
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1:02:14

The most 1994 thing

Opening credits, young stars, pre-surveillance life and pre-OJ Los Angeles

Opening credits, young stars, pre-surveillance life and pre-OJ Los Angeles

In the discussion (7)
Approx. transcript time · 01:02:14Read transcript
  • Long opening credits and graphics are nominated — Bill Simmons
  • The absence of smartphones and social media is nominated — Bill Simmons
  • Young Reeves and Bullock embody the era — Bill Simmons
  • The absence of visible homelessness at familiar LA locations is noted as a depiction choice — Bill Simmons
  • The panel jokes that a later release would have included OJ references — Bill Simmons
  • Arizona’s Desert Swarm football era explains the Wildcats reference — Bill Simmons
  • Jack does not initially suspect a camera because constant surveillance is not assumed — Bill Simmons
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1:04:22

Gandolfini Butter on My Ass So It Pops in My Mouth Award

The ticking clock, Reeves’s movement, Mancina’s score and annoying people to rescue

The ticking clock, Reeves’s movement, Mancina’s score and annoying people to rescue

In the discussion (6)
Approx. transcript time · 01:04:22Read transcript
  • High-concept ticking-clock films are enjoyed
  • Reeves’s two-handed pistol posture and pivot are admired as precursors to Wick
  • Mancina’s score makes ordinary activities feel epic
  • Repeated speedometer cutaways sustain tension
  • The irritating people awaiting rescue are an enjoyable disaster-movie convention
  • Daylight, Air Force One and Independence Day provide comparisons
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1:06:43

What’s Aged the Best?

The leads, practical action and an enduring premise

The leads, practical action and an enduring premise

In the discussion (17)
Approx. transcript time · 01:06:43Read transcript
  • Young Bullock and Reeves’s crew cut are admired
  • Mancina’s score and Reeves’s gum-chewing are praised
  • Bullock is reported to have learned to drive the bus and passed her test
  • Howard’s rich-versus-poor distinction is quoted
  • Jack’s Bronco is admired
  • A former cop with a grudge remains an effective villain premise
  • The passenger who shoots Sam gradually becomes part of the team
  • Stay on or get off and Pop Quiz Hotshot became lasting phrases
  • Reeves’s stunt involvement is praised with explicit uncertainty about exaggerated accounts
  • Reeves’s action-film longevity prompts comparisons with Eastwood, Ford and Cruise
  • The actual skyscraper and pre-CGI work supply convincing scale
  • The clothes and socks feel current again
  • The bending crane and sound design build tension
  • Alan Ruck gains a new layer through his later Connor Roy role
  • Reeves’s distinctive line deliveries are enjoyed even when awkward
  • The bus-bomb premise is thought to work today, with traffic caveats
  • The no-exit rule is debated as an unnecessary complication
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1:15:06

The Great Shot Gordo Award for Most Cinematic Shot

The bus explosion behind Jack and the scale of the practical action

The bus explosion behind Jack and the scale of the practical action

In the discussion (6)
Approx. transcript time · 01:15:06Read transcript
  • The Jaguar-door shot is recalled
  • Chris’s pick centers on the camera panning around Jack as the bus explodes behind him
  • Flames reflected in the ringing payphone are admired
  • The low helicopter shot of the police escort is nominated
  • The bus hitting the jet is nominated
  • The rescued passengers watching Jack and Annie from the other bus is an emotional alternative
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1:16:47

Chest Rockwell / Brock Landers Award for Best Character Name

Jack Traven and Harry Temple

Jack Traven and Harry Temple

In the discussion (3)
Approx. transcript time · 01:16:47Read transcript
  • Sam the bus driver is an alternative
  • Jack Traven is praised as a perfect cop name
  • Reeves’s Jack, Johnny Utah and John Wick names are compared
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1:17:14

Is There a Better Title for This Movie?

Speed remains a great title

Speed remains a great title

In the discussion (4)
Approx. transcript time · 01:17:14Read transcript
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1:18:15

The Neil McCauley “A Book about Metals” Award for Best Line from the Movie

Poor people are crazy; Howard calls himself eccentric

Poor people are crazy; Howard calls himself eccentric

Flex pick · Chris Ryan

In the discussion (2)
Approx. transcript time · 01:18:15Read transcript
  • The distinction between crazy poor people and eccentric wealthy people is selected
  • The panel enjoys Hopper’s delivery and the villain’s class consciousness
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1:18:32

Hans Gruber Scale Villain Ranking

Howard Payne: 8.5 on the Hans Gruber scale

Howard Payne: 8.5 on the Hans Gruber scale

In the discussion (3)
Approx. transcript time · 01:18:32Read transcript
  • The panel places Howard high on the scale
  • A slight deduction reflects his lack of physical intimidation
  • Rickman’s Gruber is used as the ten-point standard
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1:18:48

Sean Fennessey Award for Stealth Homage That Gives Every Movie Nerd a Criterion Orgasm

Pacific Courier links the airplane with the Die Hard films

Pacific Courier links the airplane with the Die Hard films

In the discussion (2)
Approx. transcript time · 01:18:48Read transcript
  • The airplane’s freight logo matches the trucks in Die Hard and Die Hard with a Vengeance
  • The panel attributes the in-joke to production designer Jackson De Govia
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1:19:07

The Butch’s Girlfriend Award for the Weakest Link in the Film

The jump’s physics, the extra subway act and Jack’s punch lines

The jump’s physics, the extra subway act and Jack’s punch lines

In the discussion (5)
Approx. transcript time · 01:19:07Read transcript
  • One participant dislikes the jump’s lack of upward incline while others defend the sequence
  • The additional act after escaping the bus feels less perfect than the first ninety minutes
  • Bringing Annie downtown is questioned as a device to preserve her involvement
  • Howard’s bomb speech feels forced to one speaker
  • Sean reiterates his dislike of the Arnold-style punch lines
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1:20:34

What’s Aged the Worst?

Speed 2, stereotyped passengers and continuity problems

Speed 2, stereotyped passengers and continuity problems

In the discussion (7)
Approx. transcript time · 01:20:34Read transcript
  • Hopper’s running is criticized
  • College football on a weekday morning seems implausible
  • Harry’s limp changes and disappears
  • The stereotyped passenger ensemble is criticized, citing Janeane Garofalo’s routine
  • Speed 2 and its explanation for Annie leaving Jack are rejected
  • The early screenplay’s paramedic description leads to a discussion of Halle Berry’s reported involvement
  • The panel distinguishes a useful driving qualification from unnecessary racial framing
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1:25:13

The Ruffalo / Hanna / Rubinek / Partridge Overacting Award

Helen, the frightened passenger

Helen, the frightened passenger

In the discussion (1)
Approx. transcript time · 01:25:13Read transcript
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1:25:13

Jesse Eisenberg “That’s good. You should be proud of that right there. Don’t worry if you don’t make it any further” Award for Best Line Reading

A bomb that does not explode is a cheap gold watch

A bomb that does not explode is a cheap gold watch

Flex pick · Bill Simmons

In the discussion (2)
Approx. transcript time · 01:25:13Read transcript
  • A second flex picker chooses Hopper’s gold-watch line — Sean Fennessey
  • The picker links it to Chris’s earlier quote choice but their own identity is not explicit in this text — Sean Fennessey
Share this discussion More Jesse Eisenberg “That’s good. You should be proud of that right there. Don’t worry if you don’t make it any further” Award for Best Line Reading answers
1:26:49

The Stephen A. Smith Hottest Take Award

Sean calls Speed the last truly great American pure-action movie

Sean calls Speed the last truly great American pure-action movie

In the discussion (5)
Approx. transcript time · 01:26:49Read transcript
  • A participant suggests Jack’s de-escalating language as an alternative to aggressive policing
  • Sean distinguishes pure action from science fiction, superheroes, secret societies and mythology
  • Mission: Impossible, The Rock, Ambulance, Taken and Bad Boys are offered as counterexamples
  • Bill provocatively argues the destruction costs could outweigh saving the bus; the others push back
  • The hot-take framing and objections are retained rather than treating this as advice
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1:29:50

Casting What-Ifs

Jeff Speakman, Stephen Baldwin and Richard Grieco for Jack; Halle Berry for Annie

Jeff Speakman, Stephen Baldwin and Richard Grieco for Jack; Halle Berry for Annie

In the discussion (10)
Approx. transcript time · 01:29:50Read transcript
  • Speakman is reported as attached during Paramount development
  • Baldwin and Grieco are discussed as other Jack possibilities
  • The Ellen DeGeneres story is explicitly treated as a denied urban legend
  • Berry’s own regret and description of the earlier static-bus script are cited
  • Other alleged Annie candidates remain uncertain
  • Craig T. Nelson reportedly could not leave Coach to play Mac
  • Ed Harris was considered when Harry was the villain
  • McTiernan, Harlin and Tarantino reportedly declined directing
  • McTiernan’s version is imagined as marginally better
  • Michael Bay reportedly sought the job before his feature debut
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1:32:52

The Joey Pants “That Guy” Award

Hawthorne James and several character-actor favorites

Hawthorne James and several character-actor favorites

In the discussion (7)
Approx. transcript time · 01:32:52Read transcript
  • Morton is excluded as too recognizable
  • Glenn Plummer is considered eligible
  • Hawthorne James is chosen by one participant and recognized from Seven
  • David Kriegel is recalled from Alive
  • Carlos Carrasco’s helpful passenger is recognized through Blood In Blood Out without his name being spoken
  • Patrick Fischler is also nominated
  • No single unanimous choice is declared
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1:33:48

The Dion Waiters Award for Best Heat Check Performance

Joe Morton

Joe Morton

In the discussion (3)
Approx. transcript time · 01:33:48Read transcript
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1:34:02

Recasting Couch

Keep the cast and Los Angeles

Keep the cast and Los Angeles

In the discussion (3)
Approx. transcript time · 01:34:02Read transcript
  • No actor changes are desired
  • New York’s FDR or West Side Highway is considered, but crossing Manhattan is difficult
  • Boston is rejected for its road layout
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1:34:48

Five-Word Description of the Movie

Bus can’t stop

Bus can’t stop

Flex pick · Craig Horlbeck

In the discussion (4)
Approx. transcript time · 01:34:48Read transcript
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1:35:11

The Tom Cruise Award for Most Valiant Attempt to Emulate a Normal Human

Keanu Reeves discussing the Arizona Wildcats

Keanu Reeves discussing the Arizona Wildcats

Flex pick · Craig Horlbeck

In the discussion (2)
Approx. transcript time · 01:35:11Read transcript
  • Reeves’s football-team recognition is chosen as an awkward attempt at ordinary conversation
  • The moment also solves Howard’s camera clue
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1:41:45

Apex Mountain

Die Hard successors and L.A. buses: yes

Die Hard successors and L.A. buses: yes

In the discussion (8)
Approx. transcript time · 01:41:45Read transcript
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1:44:08

Cruise or Hanks?

Cruise

Cruise

In the discussion (2)
Approx. transcript time · 01:44:08Read transcript
  • Cruise is the clear choice
  • The panel imagines Speed motivating Cruise’s own action work, as speculation
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1:44:34

Goldie Hawn / Sharon Stone / Cameron Diaz / Sandra Bullock / Scarlett Johansson / Sydney Sweeney Comparison

Bullock

Bullock

The panel proposes a new category here.

In the discussion (5)
Approx. transcript time · 01:44:34Read transcript
  • Bill proposes selected years of Hawn, Stone, Diaz, Bullock, Johansson and Sweeney, with Navarrette added in discussion — Bill Simmons
  • The others ask what the category is meant to decide — Bill Simmons
  • Mid-1970s Hawn is considered plausible as Annie — Bill Simmons
  • The panel prefers Bullock to all suggested replacements — Bill Simmons
  • The prompt remains a proposal rather than an established award — Bill Simmons
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1:45:53

The Edie Falco in Cop Land Award for the Character Made Hotter by Smoking

Annie, with the caveat that no puff is shown

Annie, with the caveat that no puff is shown

In the discussion (2)
Approx. transcript time · 01:45:53Read transcript
  • The panel discusses Annie’s cigarette and points out she is seen extinguishing it rather than taking a drag — Bill Simmons
  • They note the prompt was put in the regular categories for this episode, rather than selected as a flex — Bill Simmons
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1:46:16

Most Memorable Death by a Security Guard or Other Bystander

The subway conductor

The subway conductor

In the discussion (3)
Approx. transcript time · 01:46:16Read transcript
  • The listener-named Guard Meat prompt is read in full; the listener’s surname is uncertain in the transcript
  • The elevator security guard and first bus driver are nominated
  • The subway conductor, repeatedly shot by Howard, is the stated winner
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1:47:21

Picking Nits

The bus physics, Harry’s raid and the final chase’s continuity

The bus physics, Harry’s raid and the final chase’s continuity

In the discussion (19)
Approx. transcript time · 01:47:21Read transcript
  • Jack answers an improbably timed payphone
  • He could have disabled the tires before the bus reached fifty
  • LA traffic and the hairpin turn cannot sustain the required speed
  • Weekday-morning college football is implausible
  • Jack’s screwdriver grip and prolonged fuel leak are questioned
  • Harry’s limp disappears before the raid
  • Jack setting down gun and badge is contrasted with period LAPD behavior
  • Helen’s explosion damages surprisingly little and uses up the door bomb
  • Airport access and the delayed choice to use its runways are questioned
  • The blown tire should affect stability immediately
  • Harry should anticipate a bomber’s booby trap
  • A 1994 wireless bus camera is questioned, though the tape-loop trick is praised
  • Paying the ransom is considered against the enormous damage
  • Airport-to-downtown travel time is implausible
  • Howard’s dead-man trigger during the gunfight and fistfight is debated, including an objection that he retains it
  • Doors and Howard’s missing dye stains create continuity problems
  • Howard choosing a fistfight over a gun is questioned
  • News of the bus explosion should reach Howard sooner
  • The panel emphasizes these flaws do not spoil the movie
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1:53:45

Sequel, Prequel, Limited Series, or All-Black Remake

A Bomb Squad spin-off, Howard prequel or reunion sequel

A Bomb Squad spin-off, Howard prequel or reunion sequel

In the discussion (8)
Approx. transcript time · 01:53:45Read transcript
  • Speed 2 is rejected
  • A Bomb Squad movie or Joe Morton mentoring replacements is proposed
  • A Howard Payne prequel in Atlanta is proposed
  • A third movie with Reeves and Bullock would attract interest, depending on director and story
  • A married Jack and Annie face Howard’s son during a road trip
  • An electric-car battery rule and a daughter’s wedding are added
  • A Boston–Martha’s Vineyard ferry gives the boat premise another try
  • None of these hypothetical ideas is an announced production
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1:57:01

Is This Movie Better With…?

Frank Booth tending bar and Barney riding the bus

Frank Booth tending bar and Barney riding the bus

In the discussion (3)
Approx. transcript time · 01:57:01Read transcript
  • Hopper’s Blue Velvet character tends the celebration bar
  • Barney from The Vanishing joins the bus passengers
  • The panel proposes a draft of movie characters to put on the bus
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1:58:12

Just One Oscar

Jan de Bont for directing, with awards competition acknowledged

Jan de Bont for directing, with awards competition acknowledged

In the discussion (4)
Approx. transcript time · 01:58:12Read transcript
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1:58:42

Probably Unanswerable Questions

Would Harry as villain improve the movie, and who commands the bomb squad?

Would Harry as villain improve the movie, and who commands the bomb squad?

In the discussion (5)
Approx. transcript time · 01:58:42Read transcript
  • The panel prefers the finished version over the reported Harry-villain script
  • Who is the most important Jan? De Bont is compared with Jan Hammer and others
  • What is the bomb squad’s hierarchy when Jack and Harry keep improvising?
  • When does Jack’s attraction to Annie become another motivation?
  • The fictional Chris Ryan obituary tangent is not treated as a fact about him
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2:01:29

What Piece of Memorabilia Would You Want From This Movie?

The trigger, gold watch, bomb-squad earpiece or bus

The trigger, gold watch, bomb-squad earpiece or bus

In the discussion (4)
Approx. transcript time · 02:01:29Read transcript
  • The bomb trigger and gold watch are nominees — Bill Simmons
  • Jack’s earpiece is chosen for use in a sports-podcast segment — Bill Simmons
  • A bus is reported to have sold at auction in 2018 for $102,000 — Bill Simmons
  • The practical problem of storing the bus leads to a collection tangent — Bill Simmons
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2:02:34

The Coach Finstock Award for Best Life Lesson

Luck runs out; guts only get you so far

Luck runs out; guts only get you so far

In the discussion (2)
Approx. transcript time · 02:02:34Read transcript
  • Harry’s warning supplies the lesson — Bill Simmons
  • The panel connects it with Miami Vice’s time-is-luck theme — Bill Simmons
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2:03:03

Best Double Feature

Die Hard
Speed
Die Hard

Picked by Chris Ryan

Transformers
In the discussion (2)
Approx. transcript time · 02:03:03Read transcript
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2:03:24

Who Won the Movie?

Split choices: Keanu Reeves and Sandra Bullock

Split choices: Keanu Reeves and Sandra Bullock

In the discussion (5)
Approx. transcript time · 02:03:24Read transcript
  • Two Reeves selections and one Bullock selection occur in the initial exchange
  • The Reeves case emphasizes athleticism and the ability to film action without hiding the actor
  • One Bullock choice reasons that Keanu was already a star while Bullock had only had “some bites at the apple”
  • The later closing contribution explicitly adds another Bullock selection
  • No final group declaration resolves the split; voice identities remain unverified
Podcast choices
Speaker not identified
Keanu Reeves
Speaker not identified
Keanu Reeves
Speaker not identified
Sandra Bullock
Speaker not identified
Sandra Bullock
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2:07:13

Producer review

A closing contribution favors Bullock and the grounded practical filmmaking

A closing contribution favors Bullock and the grounded practical filmmaking

In the discussion (8)
Approx. transcript time · 02:07:13Read transcript
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More from the conversation

Bill Simmons, Chris Ryan and Sean Fennessey introduce a repeat visit to Speed, recalling the 2017 discussion with Donnie Kwak, Jason Concepcion and Shea Serrano. Craig is invited to share his enthusiasm.
Approx. transcript time · 00:00:00Read transcript
Craig is directly asked whether Speed is his favorite episode movie and enthusiastically responds.
Approx. transcript time · 00:03:34Read transcript
The panel compares the pacing, problem-solving heroes and practical spectacle of Speed with Die Hard and a long run of 1980s–1990s action movies. The box-office tiers and championship belt are informal opening comparisons.
Approx. transcript time · 00:03:48Read transcript
Reeves’s transition from Point Break through art films to Speed, his stunt work and Jack’s minimal backstory are discussed. A spoken July 31 recording date differs from the release date.
Approx. transcript time · 00:14:57Read transcript
Bullock’s chemistry, Annie’s minimal backstory, de Bont’s practical ambition, Hopper’s screen presence and Daniels’s contrasting acting style are discussed. Speculation about private lives is not promoted into biographies.
Approx. transcript time · 00:20:19Read transcript
Daniels and Morton lend credibility; Yost’s structure, Whedon’s rewrites, Mancina’s score, Los Angeles locations, awards and box office are discussed.
Approx. transcript time · 00:32:54Read transcript
The panel compares other 1994 releases and recalls its moviegoing. Reported grosses and current-industry comments remain transcript claims.
Approx. transcript time · 00:41:27Read transcript
A possible Alzheimer’s movie month is floated jokingly; Fucked-Up Family February is recalled as a past theme. Neither is a theme tag for this Speed episode.
Approx. transcript time · 01:25:13Read transcript
A long comic tangent imagines fictional tributes to Chris Ryan; none of its invented incidents or accusations are treated as biographical facts.
Approx. transcript time · 01:37:37Read transcript
The hosts discuss the NBA’s regular-season/playoff tension before returning to the final Speed contribution.
Approx. transcript time · 02:05:53Read transcript
The closing discussion praises surprise original genre hits and contrasts theatrical action films with streaming successors, smartphones and CGI; the episode ends with vacation and fantasy-football sign-offs.
Approx. transcript time · 02:09:41Read transcript