Development reportedly began as a Schwarzenegger Total Recall sequel, changed after Carolco’s bankruptcy and later involved Jan de Bont.
Reported offers included Damon or Bardem for Witwer, Streep for Iris, McKellen for Burgess, Blanchett for Agatha and Elfman for Lara; Streep declined and scheduling affected Damon and McKellen. — Bill Simmons
Bardem reportedly declined because he did not want to chase Cruise through an entire film; his upcoming F1 appearance invites a joke. — Bill Simmons
The better-with discussion rejects Jan de Bont as an improvement and proposes Bill Paxton’s Hudson persona from Aliens, jokingly extending it into a Simon Hudson identity. — Chris Ryan
The title “Die Hard” is praised as compact, memorable, and descriptive. — Bill Simmons
The incompetent 1980s LAPD, a surprisingly diverse villain crew, and distinctive minor henchmen are appreciated as period texture.
John McTiernan, Jan de Bont, Michael Kamen, the cast, and the production team provide unusually coherent and sophisticated action filmmaking.
McClane’s one-liners work because Willis underplays them and they arise organically from his personality. — Bill Simmons
Modern widescreen televisions restored the intended compositions and created a home-viewing renaissance after cropped television broadcasts. — Bill Simmons