Roger Ebert's review
Roger Ebert’s four-star, best-of-1990 review is discussed, including his claim that no finer organized-crime film had been made and his praise of Scorsese at his peak.
Selected cast credits · Film reference
Roger Ebert’s four-star, best-of-1990 review is discussed, including his claim that no finer organized-crime film had been made and his praise of Scorsese at his peak.
De Niro’s choice of Jimmy, Malkovich and William Petersen alternatives, Liotta and Sean Penn possibilities, Sorvino’s self-discovery, and Cruise/Madonna rumors are discussed.
Linda Fiorentino is selected as a stronger Janice or gumar option, over Annabella Sciorra.
The research pass covers the Scorsese–Pileggi call, Henry Hill payment, a pistol-whip accident, filmmakers’ relationships, Imperioli’s injury, the painting, Oscar-winning killer roles, the closing shot, music planning, made-man rules, ratings edits, and profanity.
Age mismatches, Sonny confronting Tommy publicly, absent strip clubs, prison meals, a mannequin-like assault victim, post-wedding housing, Billy Batts’s party, Lufthansa associates who fail to flee, Karen locating Henry, and payphones supply distinct nitpicks.
Liotta, Bracco, bodies, cocaine acting, and Jimmy’s plan for Karen anchor the questions.