What’s Aged the Best?
Hanks/Banderas; speech; opera aftermath; family; period detail; jury; supporting cast
In the discussion (8)
Approx. transcript time · 01:07:47Read transcript
- Chris chooses Andy’s promotion scene for Demme’s unsettling head-on framing and authentic wood-paneled club culture, compared with Trading Places’ banquet sequence. — Chris Ryan
- Aged best: Hanks and Banderas’s authentic relationship scenes despite the thin Miguel role; Hanks’s Oscar speech inspiring In & Out.
- Aged best: the awkward aftermath of the opera scene as Joe leaves rather than a sentimental fade. Wesley questions how much Andy’s solitude is actually shown, again connecting the perspective to Joe.
- Joe’s hesitation on the stairs after leaving Andy is praised as an actorly moment; possible concern for his vulnerability is offered, while Wesley explicitly denies suggesting a sexual return.
- Aged best: the family, the reuse of Demme actors such as Charles Napier, Philadelphia’s wealthy-club culture, period fear of lesions, and Andy briefly glimpsing his possible future in a dying patient.
- Andy’s theater mustache and stubbled baseball-cap appearance prompt appreciation of Hanks’s looks and a teasing callback to Wesley’s earlier celebrity attractiveness opinion.
- Aged best: jury deliberations reverse expectations about the apparent conservative juror, and the verdict reactions work. Robards’s villain and Joanne Woodward’s mother are praised.
- Aged best: Springsteen’s award sweep is compared with Carly Simon’s Working Girl song; Robert Ridgely’s presence inevitably recalls his Boogie Nights character.