Categories & segments

Ghostbusters

The Stephen A. Smith Hottest Take Award

Four distinct hot takes cover SNL films, ghost imprisonment, Dana's standards, and a Sigourney Weaver–Kathleen Turner swap.

In the discussion (5)
Approx. transcript time · 01:25:40Read transcript
  • Ghostbusters is argued to be the best film emerging from Saturday Night Live's creative orbit, ahead of Wayne's World, Blues Brothers, Anchorman, and other contenders.
  • The Ghostbusters are criticized as an unregulated private police and prison service with no clear right to confine ghosts. — Van Lathan
  • Dana is accused of warming to Venkman only after he becomes a successful and famous small-business owner.
  • A final take proposes swapping Sigourney Weaver and Kathleen Turner between Ghostbusters and Romancing the Stone.
  • The swap is defended on the theory that Weaver better fits an initially restrained novelist while Turner would heighten possessed Dana's sexuality. — Bill Simmons
Ghostbusters

Casting What-Ifs

Michael Keaton as Venkman; Jeff Goldblum as Egon; other reported candidates (credibility questioned)

In the discussion (7)
Approx. transcript time · 01:33:36Read transcript
In the discussion (3)
Approx. transcript time · 01:37:16Read transcript
  • Moranis and Potts are the initial finalists. — Bill Simmons
  • The group debates whether Moranis has too much plot presence, then accepts that impact matters more than a strict screen-time ceiling.
  • Moranis wins for making Louis and possessed Vince Clortho unusually funny in a small number of minutes.
Ghostbusters

Half-Assed Internet Research

The title rights, effects company, Stay Puft suits, library puppet, deleted ghost encounter, rooftop power, and Murray's last-minute commitment

In the discussion (7)
Approx. transcript time · 01:39:27Read transcript
  • Frank Price is said to have sold Columbia the Ghostbusters title for $500,000 plus one percent of profits. — Bill Simmons
  • The special-effects supervisor used part of the effects budget to establish Boss Film Studios. — Bill Simmons
  • Eighteen toxic foam marshmallow-man suits cost nearly $600,000 and required a separate air supply; shaving cream stood in for marshmallow debris. — Bill Simmons
  • The original library-ghost puppet was considered too frightening and reused in Fright Night. — Bill Simmons
  • A more extensive sexual encounter between Ray and a female ghost was deleted. — Bill Simmons
  • The rooftop set reportedly needed 50,000 amps, forcing Columbia to shut down its other stages. — Bill Simmons
  • A Vanity Fair account says Murray arrived late with a stadium horn, reviewed the rewritten script with Ramis and Reitman, offered no changes, and agreed to proceed. — Chris Ryan
Ghostbusters

Apex Mountain

Dan Aykroyd, ghost movies, and ghost combat: yes

In the discussion (8)
Approx. transcript time · 01:42:14Read transcript
  • Ghostbusters is accepted as Bill Murray's apex by some, while Groundhog Day remains a strong rival.
  • Ghostbusters is treated as Dan Aykroyd's apex because he wrote it and remained the franchise's custodian, though Trading Places is considered.
  • Aliens is preferred as Sigourney Weaver's apex.
  • Groundhog Day is preferred for Harold Ramis as a director, while Ghostbusters remains a contender. — Bill Simmons
  • The marshmallow mascot, ghost movies, Ernie Hudson, Rick Moranis, New York Public Library scenes, dog transformations, occult architecture, and ghost combat each receive separate apex checks.
  • Ghostbusters narrowly beats Ghost as the apex ghost movie, with Poltergeist and newer horror franchises also considered.
  • Ghostbusters is considered Ernie Hudson's best-known role, while Oz is noted as substantial work; Honey, I Shrunk the Kids beats it for Moranis.
  • The movie is favored as the apex of ghost combat after Ghosts of Mars is raised as an alternative.
Ghostbusters

Picking Nits

Dana's apartment and attraction to Venkman, falling debris, city oversight, and jailhouse blueprints

In the discussion (5)
Approx. transcript time · 01:46:29Read transcript
  • Dana's expensive Central Park West apartment is questioned, then defended through her implied family wealth and career.
  • The group revisits why Dana likes Venkman and suggests his new success and cash changed her view.
  • The finale appears likely to kill many street spectators with falling debris. — Bill Simmons
  • The city's limited response to paranormal chaos and reliance on four recently dismissed academics are called implausible. — Chris Ryan
  • The team being allowed to study building blueprints in a holding cell is questioned.
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